music/pass7/plans/PASS7_FLORES_FALLS.json
{
"schema_version": "pass2-plan/1.0",
"pass": "pass7",
"cue_id": "PASS7_FLORES_FALLS",
"public_name": "Flores Highlands -- the light on the water",
"theme_id": "REGION_FLORES_ISLAND",
"theme_family": "FLORES_THE_KEPT_COUNT",
"cue_purpose_class": "SANCTUARY",
"chapter_id": "CH_03",
"region_page": "_source/02_Tier_2_Region_Pages/flores_island.md",
"cue_rows": [
"MC_0051"
],
"brief": "flores_island.md Section 10 -- the waterfall and the pool; Mama Klara's ground",
"derivation": [
{
"claim": "the cue set and their registers",
"source": "docs/spine/CH_03.md:245",
"quote": "music_mood -- highland-ceremonial mood rising at the caci duel; instrumentation from the Manggarai gong-waning tradition at reference register (Pak Kornelius's ensemble, Thread 21); combat-cue register for the roused-land and skirmish beats"
},
{
"claim": "the documented instruments, the documented technique and the sourcing law",
"source": "_source/02_Tier_2_Region_Pages/flores_island.md:844",
"quote": "Documented instruments: the Flores gong-waning (the tuned gong-and-drum ensemble) ... Musical theory: the gong-waning interlocking-cycle structure; the ceremonial drumming that scores the caci rounds. No reproduction of protected sacred music -- the gong-waning register is reference-composed, never sampled from consecrated performance."
},
{
"claim": "the region cell must quote the JOURNEY_WORLD head at least once -- satisfied ONCE, as a scheduled leitmotif reference in the road cue, not as three cues' shared tune",
"source": "registries/T0_Theme_Registry [DRAFT v0.1]/T0_Theme_Registry.csv :: REGION_FLORES_ISLAND.transformation_plan",
"quote": "the cell must QUOTE the parent head at least once or the payoff has no soil to grow in"
},
{
"claim": "combat never routes through the community",
"source": "docs/spine/CH_03.md:58",
"quote": "Combat routes through the bought outside Caci Champion, the deforestation extraction crew, the roused naga tana / darat (the violated land, appeased not slain), and the twisted-word sorcerer -- never the Manggarai community."
},
{
"claim": "the caci is a scored, timed contest and a courtesy with teeth, not a brawl",
"source": "docs/spine/CH_03.md:144",
"quote": "Dance the caci rounds against Kaba Lomes ... one dancer holds the whip and one the rattan shield ... a courtesy with teeth and not a brawl, scored and timed"
},
{
"claim": "the region's Thread-21 anchor is the gong-waning and the ceremonial drumming",
"source": "docs/spine/CH_03.md:42",
"quote": "Thread 21 Music -- ANCHOR: the Manggarai gong-waning and ceremonial drumming context (Pak Kornelius's caci ensemble)"
},
{
"claim": "each cue carries its own primary melodic material; the region is carried by everything except the tune",
"source": "docs/spine/DECISIONS_PENDING_JOSH.md (2026-08-07, floor addition)",
"quote": "please don't use the same exemplar melodies across all tracks, even if in the same region we still need novelty"
},
{
"claim": "every cue carries forward energy, scaled by class; the calmest class is peaceful AND uplifting, never sedative",
"source": "docs/spine/DECISIONS_PENDING_JOSH.md (2026-08-07, floor addition)",
"quote": "we are building an ARPG, and this is a fantasy video game that needs to have energy across the board in every track. Scaled by theme as well."
},
{
"claim": "the three repairs this pass exists for, and the two hypotheses it must not re-test",
"source": "build/audio/pass3/PASS3_VERDICT.md",
"quote": "inside every hold, rotate the carrier, the instrument family and the irama level every cycle or two while the declared energy stays flat"
},
{
"claim": "the battle cue's acceptance bar, and that neither axis alone is it",
"source": "docs/work_queue.json :: WQ_0086.critic",
"quote": "measured section count above 8 (round 2's caci measured 8; pass 3 measures 3) AND the battery's dynamic_arc still passing. Either alone is not the bar -- the two axes are the ones in tension."
},
{
"claim": "the form repair is a per-cue schedule and never a shuffle of one schedule",
"source": "docs/work_queue.json :: WQ_0085.note",
"quote": "Do NOT re-run the same schedule with the operations shuffled -- the order is load-bearing (division arch, adjacent-repeat rule, the reset) and a shuffle breaks the doctrine without fixing the sameness."
},
{
"claim": "the arrival must be the fullest point in parts as well as in register",
"source": "build/audio/pass4/PASS4_VERDICT.md section 4",
"quote": "hold the ornament part out of the rotating pair through the arrival, and bring the entries that currently land at c11 in at c13 instead"
},
{
"claim": "a family swap must not change the sounding part count",
"source": "harness/music_gen/pass4_grammar.py :: family_rest_spans",
"quote": "Two families of comparable part count take turns: one rests exactly where the other plays, so the sounding part count is unchanged across the seam and only the timbre moves"
},
{
"claim": "the crowd at the caci ground is canon and its hands are the sound of it",
"source": "docs/spine/CH_03.md:28",
"quote": "a ring and a crowd and a kept count"
},
{
"claim": "the antagonist may be scored inside the cue's own harmony; a blanket register ban is the named failure",
"source": "docs/proposals/music/LEITMOTIF_ARCHITECTURE.md:253-260",
"quote": "an individual antagonist may be scored fully inside his own culture's register, with the same craft as that region's protagonist cues. A blanket register ban is the named failure, not the safe option."
},
{
"claim": "harmony is implied by arpeggiation and bass motion rather than stated by pads",
"source": "docs/proposals/music/school_grammars/SNES_JRPG_SCHOOL.md:55",
"quote": "Harmony is IMPLIED by arpeggiation and bass motion, not stated by block pads"
},
{
"claim": "the second voice's arrival must be an event rather than a constant doubling",
"source": "docs/proposals/music/craft_research/COUNTER_MELODY_AND_DIALOGUE.md:483",
"quote": "ONE at the opening, at the thin points and at the close, so the second voice's arrival is an event"
},
{
"claim": "the groove is laid around the colotomic clock rather than across it",
"source": "docs/proposals/music/craft_research/COUNTERPOINT_AND_VOICE_LEADING.md:497-499",
"quote": "the largest gong marks the cycle, and smaller gongs subdivide it at fixed positions, so the metrical structure is stated by INSTRUMENTATION rather than by accent"
}
],
"care": {
"allow_register": "this page's Section 10 documented instruments and technique, reference-composed",
"deny_register": "no consecrated-performance sampling and no fine-tune on one (the sourcing law); no region's own register used as the threat signal, systematically darkened, inverted or menace-coded (CVD 17.1 collective protection expressed in music -- the darkening operations belong to the antagonist material and travel WITH it, never with the place); nothing this page does not attest",
"sources": [
"registries/T0_Theme_Registry [DRAFT v0.1]/T0_Theme_Registry.csv :: REGION_FLORES_ISLAND.allow_register_list",
"registries/T0_Theme_Registry [DRAFT v0.1]/T0_Theme_Registry.csv :: REGION_FLORES_ISLAND.deny_register_list",
"_source/02_Tier_2_Region_Pages/flores_island.md:844 (Section 10)",
"docs/spine/CH_03.md:58 (combat_framing)",
"docs/spine/CH_03.md:226 (Hard-line handling: HL_0003, HL_0005, HL_0123)"
],
"honest_limits": [
"NO PITCHED GONG EXISTS IN EITHER CC0 SET. `Gong 1.sfz` maps three sampled strokes of one instrument, not three pitches, so the tuned-bronze half of a gong waning has no sample-level counterpart here at all. The pitched-metal lane is vibraphone, hand chimes, glockenspiel and xylophone: manufactured concert instruments standing in for tuned bronze, and declared as standing in.",
"THE TUNING IS 12-TET AND A GONG WANING IS NOT. No claim is made that this render is in the tradition's tuning; it is not, and no CC0 route to that tuning exists at this rung.",
"THE BAMBOO FLUTE IS A BAROQUE RECORDER. A wooden edge-blown pipe is the nearest thing either set carries; it is a European concert instrument and is named as an analogue.",
"THE PHRASE GRAMMAR IS CLASSICAL-PERIOD EUROPEAN PRACTICE. It is the FRAME around the region's own form and never a replacement for it: the gong-chime colotomic cycle governs the clock in all three cues and the sentence-and-period apparatus fills the melodic level inside it. Where the two disagree the cycle wins, which is why every phrase is laid on the cycle grid rather than the cycle being cut to fit a phrase.",
"THE KOTEKAN FIGURE SELECTION IS BALINESE PRACTICE APPLIED TO A MANGGARAI NODE, AND THAT IS A DECLARED IMPORT. The ornament lane's own care line warns against filling a documented Manggarai gap with Balinese kotekan because Balinese kotekan is what a composer knows. What is taken here is the general interlocking-cycle principle the region page itself attests for the gong-waning, realised by a figure-selection rule borrowed from a neighbour and named as borrowed; the page's specific gap is left open rather than filled with a plausible sentence.",
"NOTHING HERE HAS BEEN HEARD. Every number attached to these plans is a property of the writing or of a measured render; no listening verdict stands behind any of it.",
"ONE REPAIR WAS BUILT, MEASURED AND REFUTED IN THIS PASS, and it is recorded so the next lane does not spend a render on it. The road cue's composed silence measures -39.4 and -40.2 dB below the track's own p95 against the card's detector cliff at -40, so the card reports a silence fraction of 0.0 while the audio plainly dips; pass 3 reached -41.4 and -42.4 in the identical windows, and pass 4 is simply the louder render (p95 0.134 against 0.115) with tails that scale with it. TESTED: resting every non-long-tailed part for the WHOLE cycle rather than cutting it mid-cycle, so the ensemble really does empty to the two parts the novelty schedule claims. MEASURED: silence fraction 0.0 to 0.0008 -- a hundredth of the corpus median -- while the deepest drop fell from -15.6 dB to -6.61 (the corpus floor is -10.73) and the measured section count fell from 15 to 13. Two axes worse for a token gain on a third, and the mechanism is legible: a cue already thin at the window's start has no sudden drop AT it. The change was reverted. What DID move the drop depth was opening each cut one beat earlier, from -7.79 dB to -15.6, and that is kept.",
"WIDENING THE CUT DID NOT MOVE THE SILENCE FLOOR AT ALL -- identical to two decimal places before and after -- which is what said the residue is a ringing ensemble rather than an edge effect. The remaining route is a loudness and tail policy, which is GAP-183 (no mix, no space, no loudness doctrine anywhere in the corpus) and belongs to that gap rather than to a composition pass.",
"THE ROTATION IS A TREATMENT CHANGE AND ITS FLATNESS IS CHECKED, NOT ASSERTED. Every rotation event carries the energy of the plateau it sits in, `pass4_grammar.rotation_schedule` raises on a plateau whose energies are not identical, and the irama ladder's own elaboration rate is counted per cycle in that module's self-test. What the rotation cannot promise is that a self-similarity segmenter will hear it -- that is a measurement on a render and it is reported after the render rather than predicted here.",
"THE IRAMA IMPLEMENTATION IS A SIMPLIFICATION AND IT IS NAMED. Javanese irama moves the structural tempo and the elaboration density together across five levels; three are implemented here, the structural TEMPO is not changed at all, and what moves is the pokok's note spacing against a fixed cycle. That is density flow without tempo flow, which is half of the tradition's mechanism, used because the half that is implemented is the half that changes the treatment without changing the energy.",
"THE SURFACE SPLIT REDISTRIBUTES AND DOES NOT COMPOSE. Handing the division layer to the ornament instrument widens the carrier's rests, which is what the counter-melody needed; it does not make the ornament writing better, and the ornament part is the same notes it always was, now heard alone instead of doubled under the carrier.",
"THE MIRROR IS A REDISTRIBUTION AND NOT A COMPOSITION. The wood pair plays the metal pair's notes exactly; nothing is written for it. What it buys is that the family swap stops being a hole, which is a measured defect repaired. It does not make the interlocking writing better and no claim is made that it does.",
"NO VOICE IS USED IN ANY OF THESE THREE CUES AND THE PALETTE IS NOT THE REASON. The nine landed CC0 voice and body-percussion ids all resolve a key range as of tonight's instrumentation_cards repair; the region page attests no sung register at this node, and the deny_register line forbids what it does not attest.",
"THE ROOM IS SYNTHETIC AND SAYS SO. Mix, space and loudness are applied by harness/music_gen/mix_policy.py: a seeded exponential-decay stereo impulse (no third-party IR, therefore no IR licence and no attribution), and a loudness target MEASURED off the acquired exemplar corpus per class rather than taken from a broadcast spec. It is a diffuse field with no early-reflection geometry, which gives distance and decay and does not give a room shape.",
"THE GROOVE IS WRITTEN AS A COLOTOMIC STROKE LIST, NOT AS A SCORE, AND THE REASON IS A VALIDATOR RATHER THAN A CHOICE. pass2_plan.py:487-496 (V06) refuses a `score` pattern on an unpitched map, and `ostinato` carries one velocity for a whole layer, so `colotomic` is the only kind that can express an accent hierarchy on a drum. The per-cycle KEY rotation is reproduced exactly with every/phase; the per-cycle ACCENT rotation is not expressed and is not claimed.",
"THE HARMONY IS GENERAL CRAFT AND JRPG-SCHOOL GRAMMAR, NOT A FLORES HARMONIC THEORY. COUNTERPOINT_AND_VOICE_LEADING.md:507-509 declares the gong-waning substrate thin and says this lane must not fill the gap. Nothing in the chord schedule is offered as gong-waning practice; the cycle still governs the clock and the harmony is laid inside it.",
"NOTHING IN PASS 7 HAS BEEN HEARD. The honest tier is STRUCTURE. Round 3 measured better than round 2 on every structural axis and Josh graded it worse, which is exactly why a structural number is never a quality verdict here."
],
"threat_material_layers": [],
"threat_material_note": "no threat material: this is the region at rest and it sounds like itself."
},
"target_duration_s": 180.0,
"tempo_bpm": 72.0,
"beats_per_bar": 4,
"key": {
"tonic_midi": 62,
"mode_name": "D anhemitonic pentatonic (D E F sharp A B) -- authored reference composition",
"scale_semitones": [
0,
2,
4,
7,
9
],
"tuning_note": "12-TET, because the sampler is. A gong waning is not, and nothing in this plan claims otherwise."
},
"cycle": {
"period_bars": 2,
"why": "the colotomic clock: the largest gong marks the cycle and the smaller strokes subdivide it at fixed positions, so the metre is stated by INSTRUMENTATION rather than by accent. The phrase grammar is laid ON this clock and never cuts it."
},
"harmony": [
[
"I D",
[
38,
45,
54,
62
]
],
[
"Iquintal D",
[
38,
45,
52,
62
]
],
[
"Isus2 D",
[
38,
45,
52,
62
]
],
[
"vi B",
[
38,
47,
54,
62
]
]
],
"harmony_variants": [
[
[
"I D",
[
38,
45,
54,
62
]
],
[
"Iquintal D",
[
38,
45,
52,
62
]
],
[
"Isus2 D",
[
38,
45,
52,
62
]
],
[
"vi B",
[
38,
47,
54,
62
]
]
],
[
[
"I6 D",
[
33,
47,
54,
62
]
],
[
"Iadd9 D",
[
33,
42,
52,
62
]
],
[
"vi7 B",
[
33,
42,
50,
59
]
],
[
"IIquintal E",
[
40,
47,
54,
59
]
]
],
[
[
"vi7 B",
[
33,
42,
50,
59
]
],
[
"IIquintal E",
[
40,
47,
54,
59
]
],
[
"IIsus2 E",
[
40,
47,
54,
59
]
],
[
"IIquintal E",
[
40,
47,
54,
59
]
]
],
[
[
"Vquintal A",
[
40,
47,
52,
57
]
],
[
"Vsus2 A",
[
40,
47,
52,
57
]
],
[
"Vsus4 A",
[
38,
45,
52,
57
]
],
[
"VIsus4 B",
[
40,
47,
54,
59
]
]
],
[
[
"VIsus4 B",
[
40,
47,
54,
59
]
],
[
"Isus2 D",
[
38,
45,
52,
57
]
],
[
"vi B",
[
38,
47,
54,
59
]
],
[
"Vquintal A",
[
33,
47,
52,
59
]
]
],
[
[
"vi B",
[
38,
47,
54,
59
]
],
[
"VIsus4 B",
[
40,
47,
54,
59
]
],
[
"VIsus4 B",
[
40,
47,
54,
59
]
],
[
"VIsus4 B",
[
40,
47,
54,
59
]
]
],
[
[
"IIsus4 E",
[
40,
47,
52,
57
]
],
[
"Vquintal A",
[
40,
47,
52,
57
]
],
[
"Vsus2 A",
[
40,
47,
52,
57
]
],
[
"Vsus4 A",
[
38,
45,
52,
57
]
]
],
[
[
"I D",
[
38,
45,
54,
62
]
],
[
"VIsus4 B",
[
35,
47,
54,
64
]
],
[
"Isus2 D",
[
38,
45,
52,
64
]
],
[
"vi B",
[
38,
47,
54,
62
]
]
],
[
[
"I6 D",
[
33,
47,
54,
62
]
],
[
"VIsus4 B",
[
35,
47,
54,
64
]
],
[
"vi7 B",
[
35,
45,
54,
62
]
],
[
"IIquintal E",
[
35,
47,
54,
64
]
]
],
[
[
"IIsus2 E",
[
35,
47,
54,
64
]
],
[
"IIsus4 E",
[
35,
47,
57,
64
]
],
[
"VIsus4 B",
[
35,
47,
54,
64
]
],
[
"Vsus2 A",
[
33,
47,
52,
64
]
]
],
[
[
"VIsus4 B",
[
35,
47,
54,
64
]
],
[
"Vsus2 A",
[
33,
47,
52,
64
]
],
[
"Vsus4 A",
[
33,
45,
52,
62
]
],
[
"I D",
[
33,
45,
54,
62
]
]
],
[
[
"vi B",
[
35,
47,
54,
62
]
],
[
"I6 D",
[
35,
45,
54,
62
]
],
[
"VIsus4 B",
[
35,
47,
54,
64
]
],
[
"vi7 B",
[
35,
45,
54,
62
]
]
],
[
[
"IIquintal E",
[
35,
47,
54,
64
]
],
[
"IIsus2 E",
[
35,
47,
54,
64
]
],
[
"VIsus4 B",
[
35,
47,
54,
64
]
],
[
"IIquintal E",
[
35,
47,
54,
64
]
]
],
[
[
"I D",
[
38,
45,
54,
62
]
],
[
"VIsus4 B",
[
35,
47,
54,
64
]
],
[
"VIsus4 B",
[
35,
47,
54,
64
]
],
[
"Iquintal D",
[
38,
45,
52,
64
]
]
]
],
"pokok": [
3,
1,
0,
1,
-1,
3,
-2,
1
],
"pokok_variants": [
[
3,
1,
0,
1,
-1,
3,
-2,
1
],
[
5,
3,
2,
3,
1,
5,
0,
3
],
[
-3,
-1,
0,
-1,
1,
-3,
2,
-1
],
[
3,
2,
0,
2,
-1,
4,
-2,
2
]
],
"sections": [
{
"id": "S00",
"name": "the falls, from far off",
"cycles": 2,
"energy": 0.4,
"intensity": 0.4,
"texture_type": "monophonic",
"colour_change": null,
"harmony_variant": 0,
"pokok_variant": 0
},
{
"id": "S01",
"name": "the pool under them",
"cycles": 1,
"energy": 0.48,
"intensity": 0.48,
"texture_type": "heterophonic",
"colour_change": "solo to ensemble",
"harmony_variant": 1,
"pokok_variant": 0
},
{
"id": "S02",
"name": "the pokok",
"cycles": 2,
"energy": 0.56,
"intensity": 0.56,
"texture_type": "stratified",
"colour_change": "family: tuned wood",
"harmony_variant": 2,
"pokok_variant": 1
},
{
"id": "S03",
"name": "the plagal face",
"cycles": 2,
"energy": 0.72,
"intensity": 0.72,
"texture_type": "polyphonic",
"colour_change": "modal mutation",
"harmony_variant": 3,
"pokok_variant": 1
},
{
"id": "S04",
"name": "the surface moves",
"cycles": 2,
"energy": 0.72,
"intensity": 0.72,
"texture_type": "polyphonic",
"colour_change": "kotekan, irama step",
"harmony_variant": 4,
"pokok_variant": 2
},
{
"id": "S05",
"name": "displaced",
"cycles": 2,
"energy": 0.76,
"intensity": 0.76,
"texture_type": "polyphonic",
"colour_change": "carrier: solo violin",
"harmony_variant": 5,
"pokok_variant": 0
},
{
"id": "S06",
"name": "and grown",
"cycles": 2,
"energy": 0.76,
"intensity": 0.76,
"texture_type": "polyphonic",
"colour_change": "the two ideas together",
"harmony_variant": 6,
"pokok_variant": 3
},
{
"id": "S07",
"name": "the light on the water",
"cycles": 2,
"energy": 0.76,
"intensity": 0.76,
"texture_type": "polyphonic",
"colour_change": "the arrival, widest",
"harmony_variant": 7,
"pokok_variant": 0
},
{
"id": "S08",
"name": "and it holds",
"cycles": 2,
"energy": 0.76,
"intensity": 0.76,
"texture_type": "polyphonic",
"colour_change": "the hold, not a spike",
"harmony_variant": 8,
"pokok_variant": 2
},
{
"id": "S09",
"name": "the pool goes still",
"cycles": 1,
"energy": 0.42,
"intensity": 0.42,
"texture_type": "monophonic",
"colour_change": "subtraction, then silence",
"harmony_variant": 9,
"pokok_variant": 1,
"cut": {
"at_beat": 2.0,
"beats": 5.0
},
"cut_survivors": [],
"re_entry_cycle": 18,
"cut_note": "the pool goes still; the augmented theme enters at 18"
},
{
"id": "S10",
"name": "slowed",
"cycles": 3,
"energy": 0.46,
"intensity": 0.46,
"texture_type": "heterophonic",
"colour_change": "augmentation, coupled",
"harmony_variant": 10,
"pokok_variant": 1
},
{
"id": "S11",
"name": "the withdrawal",
"cycles": 2,
"energy": 0.46,
"intensity": 0.46,
"texture_type": "heterophonic",
"colour_change": "the phrase left incomplete",
"harmony_variant": 11,
"pokok_variant": 2
},
{
"id": "S12",
"name": "the open end",
"cycles": 2,
"energy": 0.62,
"intensity": 0.62,
"texture_type": "heterophonic",
"colour_change": "liquidation into the loop",
"harmony_variant": 12,
"pokok_variant": 3
},
{
"id": "S13",
"name": "and it keeps going",
"cycles": 2,
"energy": 0.62,
"intensity": 0.62,
"texture_type": "heterophonic",
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[
69.0,
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0.23,
0.7979
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[
69.0,
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[
76.0,
0.5,
2.0,
1.16
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[
74.0,
2.5,
0.23,
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[
71.0,
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68.0,
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66.0,
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66.0,
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[
68.0,
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[
66.0,
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[
64.0,
6.75,
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[
61.0,
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0.75,
1.1288
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[
64.0,
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62.0,
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0.75,
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[
64.0,
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[
66.0,
1.0,
1.0,
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[
64.0,
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0.23,
0.9065
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[
64.0,
3.0,
0.5,
1.1055
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[
74.0,
3.2,
0.3,
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[
71.0,
3.5,
0.23,
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[
69.0,
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[
66.0,
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[
69.0,
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71.0,
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69.0,
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[
69.0,
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[
71.0,
6.25,
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[
71.0,
6.5,
0.9,
1.0665
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[
69.0,
7.75,
0.23,
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[
68.0,
0.0,
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1.0587
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[
66.0,
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0.23,
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[
66.0,
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1.0509
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[
69.0,
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0.8553
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[
68.0,
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1.57857,
1.0431
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[
71.0,
4.0167,
0.23,
0.8489
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[
70.0,
4.26667,
0.96904,
1.0353
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[
71.0,
5.2357,
0.23,
0.8426
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[
69.0,
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[
71.0,
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0.23,
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[
70.0,
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},
"note": "span 2 -- the plagal face, early: the departure is the second thing heard, not the third | span 3 -- grown and displaced against a held grid, with the second idea combined",
"division_boost": 4
},
"source_kind": "authored",
"melodic_role": "primary",
"ornament_layer": false,
"long_tail": false,
"cultural_licence": "_source/02_Tier_2_Region_Pages/flores_island.md Section 10 -- the documented ensemble, reference-composed with a declared concert analogue",
"promoted_from": "F01",
"pitched": true
},
{
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"pan": 0.0,
"velocity": 86,
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17,
18
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[
20,
25
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69.0,
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69.0,
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69.0,
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66.0,
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66.0,
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66.0,
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66.0,
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66.0,
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[
64.0,
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[
62.0,
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[
62.0,
7.11111,
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[
64.0,
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0.23,
0.8204
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[
66.0,
7.75,
0.23,
0.8204
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69.0,
0.0,
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71.0,
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[
71.0,
0.9,
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[
69.0,
2.45,
0.23,
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[
69.0,
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71.0,
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71.0,
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69.0,
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69.0,
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66.0,
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66.0,
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76.0,
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71.0,
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69.0,
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69.0,
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1.0,
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71.0,
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71.0,
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3.0,
1.0197
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[
69.0,
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0.23,
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[
66.0,
5.0,
2.0,
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69.0,
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71.0,
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69.0,
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71.0,
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0.23,
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71.0,
7.46667,
3.2,
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},
"note": "span 4 -- THE ARRIVAL, near-plain and widest, and it comes before the withdrawal | span 5 -- the withdrawal: presentation only, augmented, incomplete, the chain reset to the plant, and the last thing the cue says | the loop join -- liquidation, cadence withheld, ending a step under the tonic so the loop wants to continue",
"division_boost": 4
},
"source_kind": "authored",
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"ornament_layer": false,
"long_tail": false,
"cultural_licence": "no region licence claimed: this is the scoring frame, not the region's own register",
"promoted_from": "F02",
"pitched": true
},
{
"id": "R01",
"instrument": "oboe.sus_vib",
"stratum": "foreground",
"role": "carrier_relief",
"register_slot": "mid",
"gain_db": -11.5,
"pan": -0.14,
"velocity": 86,
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"exit_cycle": 27,
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8,
12
],
[
13,
23
],
[
25,
26
]
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64.0,
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74.0,
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71.0,
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69.0,
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66.0,
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66.0,
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62.0,
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62.0,
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59.0,
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69.0,
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66.0,
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62.0,
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59.0,
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57.0,
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59.0,
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57.0,
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73.0,
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71.0,
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[
69.0,
0.96,
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],
[
66.0,
1.1733,
0.1963,
0.8234
],
[
64.0,
1.3867,
0.1963,
0.8234
],
[
62.0,
1.6,
1.36,
1.0042
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[
71.0,
1.75238,
0.60952,
0.9964
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[
74.0,
2.7214,
0.23,
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[
73.0,
2.97143,
1.82857,
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[
64.0,
3.2,
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[
66.0,
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[
66.0,
4.8,
3.2,
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69.0,
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71.0,
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71.0,
2.13333,
3.2,
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[
69.0,
6.15,
0.23,
0.932
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[
69.0,
6.4,
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71.0,
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69.0,
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71.0,
4.55,
0.23,
0.8937
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[
71.0,
4.8,
3.2,
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],
"26": [
[
69.0,
1.9167,
0.23,
0.817
],
[
66.0,
2.1667,
0.23,
0.817
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[
64.0,
2.4167,
0.23,
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[
59.0,
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62.0,
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64.0,
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66.0,
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69.0,
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},
"note": "the relief carrier: inside a plateau the theme is handed here for a block of one or two cycles and taken back, so the hold keeps its energy and loses its sameness",
"division_boost": 4
},
"source_kind": "authored",
"melodic_role": "primary",
"ornament_layer": false,
"long_tail": false,
"cultural_licence": "no region licence claimed: this is the scoring frame, not the region's own register",
"promoted_from": "F01",
"pitched": true
},
{
"id": "F06",
"instrument": "cello_ens.sus_vib",
"stratum": "foreground",
"role": "counter_melody",
"register_slot": "low_mid",
"gain_db": -13.0,
"pan": 0.24,
"velocity": 74,
"entry_cycle": 5,
"exit_cycle": 20,
"rest_spans": [
[
7,
8
],
[
9,
10
],
[
12,
13
],
[
15,
16
],
[
17,
18
]
],
"of_the_place": false,
"pattern": {
"kind": "score",
"by_cycle": {
"5": [
[
62.0,
2.125,
0.325,
0.9
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[
64.0,
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0.325,
0.9
],
[
69.0,
6.125,
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],
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66.0,
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74.0,
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69.0,
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64.0,
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69.0,
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76.0,
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66.0,
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85.0,
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78.0,
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83.0,
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71.0,
4.125,
0.325,
0.9
],
[
76.0,
6.125,
0.325,
0.9
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[
74.0,
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0.9
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81.0,
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76.0,
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71.0,
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76.0,
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71.0,
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0.325,
0.9
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74.0,
2.375,
0.325,
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73.0,
4.25,
0.7,
0.9
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66.0,
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71.0,
4.25,
0.7,
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69.0,
7.25,
24.7,
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},
"note": "the answering voice, written into the tune's own rests -- and the rests are the near-plain carrier's, which is the repair"
},
"source_kind": "authored",
"melodic_role": "secondary",
"ornament_layer": false,
"long_tail": false,
"cultural_licence": "no region licence claimed: this is the scoring frame, not the region's own register",
"pitched": true
},
{
"id": "W01",
"instrument": "xylophone",
"stratum": "middleground",
"role": "elaboration_polos_wood",
"register_slot": "upper_mid",
"gain_db": -18.0,
"pan": 0.32,
"velocity": 58,
"entry_cycle": 7,
"exit_cycle": 27,
"rest_spans": [
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8,
9
],
[
11,
12
],
[
13,
20
],
[
17,
18
],
[
21,
23
],
[
25,
26
]
],
"of_the_place": true,
"pattern": {
"kind": "score",
"by_cycle": {
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69.0,
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69.0,
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69.0,
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64.0,
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64.0,
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64.0,
2.5,
1.125,
1.0
],
[
62.0,
3.0,
1.125,
1.0
],
[
59.0,
3.5,
1.125,
1.0
],
[
62.0,
4.0,
1.125,
1.0
],
[
62.0,
4.5,
1.125,
1.0
],
[
64.0,
5.0,
1.125,
1.0
],
[
62.0,
5.5,
1.125,
1.0
],
[
64.0,
6.0,
1.125,
1.0
],
[
64.0,
6.5,
1.125,
1.0
],
[
64.0,
7.0,
2.5,
1.0
]
],
"9": [
[
57.0,
0.0,
1.125,
1.0
],
[
62.0,
0.5,
1.125,
1.0
],
[
64.0,
1.0,
1.125,
1.0
],
[
69.0,
1.5,
1.125,
1.0
],
[
69.0,
2.0,
1.125,
1.0
],
[
64.0,
2.5,
1.125,
1.0
],
[
62.0,
3.0,
1.125,
1.0
],
[
59.0,
3.5,
1.125,
1.0
],
[
64.0,
4.0,
1.125,
1.0
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[
62.0,
4.5,
1.125,
1.0
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[
64.0,
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1.0
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[
59.0,
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1.0
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[
59.0,
6.0,
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1.0
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[
66.0,
6.5,
1.125,
1.0
],
[
69.0,
7.0,
2.5,
1.0
]
],
"10": [
[
57.0,
0.0,
1.125,
1.0
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[
62.0,
0.5,
1.125,
1.0
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[
64.0,
1.0,
1.125,
1.0
],
[
69.0,
1.5,
1.125,
1.0
],
[
69.0,
2.0,
1.125,
1.0
],
[
64.0,
2.5,
1.125,
1.0
],
[
62.0,
3.0,
1.125,
1.0
],
[
59.0,
3.5,
1.125,
1.0
],
[
64.0,
4.0,
1.125,
1.0
],
[
62.0,
4.5,
1.125,
1.0
],
[
64.0,
5.0,
1.125,
1.0
],
[
59.0,
5.5,
1.125,
1.0
],
[
59.0,
6.0,
1.125,
1.0
],
[
66.0,
6.5,
1.125,
1.0
],
[
69.0,
7.0,
2.5,
1.0
]
],
"12": [
[
62.0,
0.0,
1.125,
1.0
],
[
62.0,
0.5,
1.125,
1.0
],
[
62.0,
1.0,
1.125,
1.0
],
[
62.0,
1.5,
1.125,
1.0
],
[
62.0,
2.0,
1.125,
1.0
],
[
62.0,
2.5,
1.125,
1.0
],
[
64.0,
3.0,
1.125,
1.0
],
[
62.0,
3.5,
1.125,
1.0
],
[
64.0,
4.0,
1.125,
1.0
],
[
64.0,
4.5,
1.125,
1.0
],
[
64.0,
5.0,
1.125,
1.0
],
[
64.0,
5.5,
1.125,
1.0
],
[
64.0,
6.0,
1.125,
1.0
],
[
64.0,
6.5,
1.125,
1.0
],
[
64.0,
7.0,
2.5,
1.0
]
],
"20": [
[
59.0,
0.0,
1.125,
1.0
],
[
59.0,
0.5,
1.125,
1.0
],
[
59.0,
1.0,
1.125,
1.0
],
[
66.0,
1.5,
1.125,
1.0
],
[
69.0,
2.0,
1.125,
1.0
],
[
69.0,
2.5,
1.125,
1.0
],
[
69.0,
3.0,
1.125,
1.0
],
[
59.0,
3.5,
1.125,
1.0
],
[
57.0,
4.0,
1.125,
1.0
],
[
57.0,
4.5,
1.125,
1.0
],
[
57.0,
5.0,
1.125,
1.0
],
[
62.0,
5.5,
1.125,
1.0
],
[
64.0,
6.0,
1.125,
1.0
],
[
64.0,
6.5,
1.125,
1.0
],
[
64.0,
7.0,
2.5,
1.0
]
],
"23": [
[
59.0,
0.0,
1.125,
1.0
],
[
66.0,
0.5,
1.125,
1.0
],
[
69.0,
1.0,
1.125,
1.0
],
[
59.0,
1.5,
1.125,
1.0
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[
57.0,
2.0,
1.125,
1.0
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[
62.0,
2.5,
1.125,
1.0
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[
64.0,
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1.125,
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[
69.0,
3.5,
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1.0
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[
69.0,
4.0,
1.125,
1.0
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[
64.0,
4.5,
1.125,
1.0
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[
62.0,
5.0,
1.125,
1.0
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[
59.0,
5.5,
1.125,
1.0
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[
64.0,
6.0,
1.125,
1.0
],
[
62.0,
6.5,
1.125,
1.0
],
[
64.0,
7.0,
2.5,
1.0
]
],
"24": [
[
59.0,
0.0,
1.125,
1.0
],
[
66.0,
0.5,
1.125,
1.0
],
[
69.0,
1.0,
1.125,
1.0
],
[
59.0,
1.5,
1.125,
1.0
],
[
57.0,
2.0,
1.125,
1.0
],
[
62.0,
2.5,
1.125,
1.0
],
[
64.0,
3.0,
1.125,
1.0
],
[
69.0,
3.5,
1.125,
1.0
],
[
69.0,
4.0,
1.125,
1.0
],
[
64.0,
4.5,
1.125,
1.0
],
[
62.0,
5.0,
1.125,
1.0
],
[
59.0,
5.5,
1.125,
1.0
],
[
64.0,
6.0,
1.125,
1.0
],
[
62.0,
6.5,
1.125,
1.0
],
[
64.0,
7.0,
2.5,
1.0
]
],
"26": [
[
69.0,
0.0,
1.125,
1.0
],
[
69.0,
0.5,
1.125,
1.0
],
[
69.0,
1.0,
1.125,
1.0
],
[
69.0,
1.5,
1.125,
1.0
],
[
69.0,
2.0,
1.125,
1.0
],
[
69.0,
2.5,
1.125,
1.0
],
[
69.0,
3.0,
1.125,
1.0
],
[
64.0,
3.5,
1.125,
1.0
],
[
64.0,
4.0,
1.125,
1.0
],
[
64.0,
4.5,
1.125,
1.0
],
[
64.0,
5.0,
1.125,
1.0
],
[
64.0,
5.5,
1.125,
1.0
],
[
64.0,
6.0,
1.125,
1.0
],
[
64.0,
6.5,
1.125,
1.0
],
[
64.0,
7.0,
2.5,
1.0
]
]
},
"note": "THE SAME INTERLOCKING LINE ON THE OTHER FAMILY. It plays exactly the cycles M02 rests and nothing else, note for note, so the family swap changes the timbre and not the part count. Built from that layer's own cycles at the moment they are removed, so it cannot drift from what it mirrors"
},
"source_kind": "authored",
"melodic_role": "none",
"ornament_layer": false,
"long_tail": true,
"cultural_licence": "_source/02_Tier_2_Region_Pages/flores_island.md Section 10 -- the documented ensemble, reference-composed with a declared concert analogue",
"instrument_family": "tuned_wood",
"mirrors": "M02",
"pitched": true
},
{
"id": "H01",
"instrument": "folk_harp",
"stratum": "middleground",
"role": "harmony_voice",
"register_slot": "low_mid",
"gain_db": -17.0,
"pan": 0.22,
"velocity": 58,
"entry_cycle": 7,
"exit_cycle": 17,
"rest_spans": [],
"of_the_place": false,
"pattern": {
"kind": "score",
"by_cycle": {
"7": [
[
71.0,
0.0,
2.0,
1.0672
],
[
54.0,
1.77778,
0.88889,
1.0426
],
[
66.0,
2.5,
1.0,
1.0344
],
[
54.0,
2.66667,
1.52778,
1.0263
],
[
50.0,
4.1944,
0.23,
1.0099
],
[
50.0,
4.44444,
0.88889,
1.0017
],
[
66.0,
4.5,
1.5,
0.9935
],
[
59.0,
6.5,
1.0,
0.977
],
[
52.0,
6.8611,
0.23,
0.9689
],
[
52.0,
7.11111,
0.88889,
0.9607
]
],
"8": [
[
59.0,
0.9,
1.35,
0.9443
],
[
54.0,
2.7,
0.9,
0.9361
],
[
50.0,
3.6,
0.6233,
0.9279
],
[
59.0,
5.0667,
0.6233,
0.9115
],
[
62.0,
5.8,
0.6233,
0.9033
],
[
66.0,
6.5333,
1.4667,
0.8952
]
],
"9": [
[
62.0,
4.0,
0.5,
1.0528
],
[
64.0,
5.0,
1.5,
1.0457
],
[
52.0,
7.0,
1.0,
1.0385
]
],
"10": [
[
62.0,
1.0,
1.0,
1.0241
],
[
59.0,
3.0,
0.5,
1.0171
],
[
71.0,
3.2,
1.02,
1.0099
],
[
62.0,
4.4,
1.02,
0.9955
],
[
66.0,
5.6,
2.4,
0.9884
],
[
62.0,
6.5,
0.9,
0.9812
]
],
"11": [
[
62.0,
1.21905,
0.60952,
0.9668
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[
64.0,
2.4381,
1.82857,
0.9597
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[
66.0,
4.26667,
1.21905,
0.9525
],
[
66.0,
6.70476,
1.82857,
0.9381
]
],
"12": [
[
69.0,
0.53333,
1.21905,
0.931
],
[
54.0,
1.6,
1.36,
0.9239
],
[
69.0,
2.97143,
1.82857,
0.9095
],
[
59.0,
3.2,
1.36,
0.9023
],
[
62.0,
4.8,
3.2,
0.8952
]
],
"13": [
[
62.0,
2.5,
1.0,
1.0621
],
[
66.0,
3.5,
0.5,
1.0571
],
[
62.0,
4.5,
1.5,
1.052
]
],
"14": [
[
71.0,
0.0,
2.0,
1.0368
],
[
62.0,
2.5,
1.0,
1.0267
],
[
66.0,
3.5,
0.5,
1.0166
],
[
62.0,
6.5,
1.0,
0.9964
]
],
"15": [
[
71.0,
0.0,
2.0,
0.9913
],
[
66.0,
1.5278,
0.23,
0.9812
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[
66.0,
2.5,
1.0,
0.9711
],
[
66.0,
2.66667,
1.33333,
0.966
],
[
62.0,
3.5,
0.5,
0.9609
],
[
59.0,
4.44444,
0.88889,
0.9508
],
[
66.0,
4.5,
1.5,
0.9458
],
[
62.0,
5.33333,
1.33333,
0.9407
],
[
59.0,
6.5,
1.0,
0.9356
],
[
59.0,
6.8611,
0.23,
0.9306
],
[
54.0,
7.11111,
0.88889,
0.9255
]
],
"16": [
[
66.0,
0.0,
0.45,
0.9205
],
[
62.0,
0.9,
1.35,
0.9154
],
[
66.0,
2.7,
0.9,
0.9103
],
[
62.0,
3.6,
0.935,
0.9053
],
[
66.0,
4.7,
0.935,
0.9002
],
[
62.0,
5.8,
2.2,
0.8952
]
]
},
"note": "the harmonised second voice: thirds and sixths derived from the primary carrier against the cue's own chord schedule (harmony.harmonise_line; VL-2, H3-3, H3-5)"
},
"source_kind": "authored",
"melodic_role": "secondary",
"ornament_layer": false,
"long_tail": false,
"cultural_licence": "no region licence claimed: this is the scoring frame, not the region's own register",
"derived_from": "the concatenated primary carriers, post-snap",
"pitched": true
}
],
"novelty_schedule": [
{
"cycle": 1,
"kind": "instrument_entry",
"magnitude": "small",
"layer_ids": [],
"why": "the pulse arrives under the stated theme"
},
{
"cycle": 2,
"kind": "instrument_entry",
"magnitude": "medium",
"layer_ids": [],
"why": "the pokok enters"
},
{
"cycle": 3,
"kind": "instrument_entry",
"magnitude": "medium",
"layer_ids": [],
"why": "kotekan opens the surface"
},
{
"cycle": 5,
"kind": "harmonic_shift",
"magnitude": "large",
"layer_ids": [],
"why": "span 2: the plagal face, early"
},
{
"cycle": 7,
"kind": "instrument_entry",
"magnitude": "large",
"layer_ids": [],
"why": "the cello's counter-melody"
},
{
"cycle": 8,
"kind": "texture_change",
"magnitude": "small",
"layer_ids": [],
"why": "rotation inside the hold: carrier own, family tuned_metal, irama level 3 -- energy unchanged at 0.72"
},
{
"cycle": 9,
"kind": "hook_transformation",
"magnitude": "large",
"layer_ids": [],
"why": "span 3: grown and displaced"
},
{
"cycle": 11,
"kind": "texture_change",
"magnitude": "large",
"layer_ids": [],
"why": "theme and second idea together, once"
},
{
"cycle": 12,
"kind": "texture_change",
"magnitude": "small",
"layer_ids": [],
"why": "rotation inside the hold: carrier relief_A, family plucked, irama level 3 -- energy unchanged at 0.76"
},
{
"cycle": 13,
"kind": "hook_return",
"magnitude": "large",
"layer_ids": [],
"why": "span 4: THE ARRIVAL, near-plain and widest"
},
{
"cycle": 17,
"kind": "beat_drop",
"magnitude": "large",
"layer_ids": [],
"why": "the pool goes still, and then stops"
},
{
"cycle": 18,
"kind": "hook_transformation",
"magnitude": "large",
"layer_ids": [],
"why": "span 5: augmented, coupled, incomplete"
},
{
"cycle": 20,
"kind": "texture_change",
"magnitude": "small",
"layer_ids": [],
"why": "rotation inside the hold: carrier own, family plucked, irama level 2 -- energy unchanged at 0.46"
},
{
"cycle": 21,
"kind": "texture_change",
"magnitude": "medium",
"layer_ids": [],
"why": "the withdrawal thins further"
},
{
"cycle": 23,
"kind": "texture_change",
"magnitude": "large",
"layer_ids": [],
"why": "liquidation into the loop join"
},
{
"cycle": 25,
"kind": "instrument_exit",
"magnitude": "medium",
"layer_ids": [],
"why": "the pool leaves one part at a time"
},
{
"cycle": 26,
"kind": "texture_change",
"magnitude": "small",
"layer_ids": [],
"why": "rotation inside the hold: carrier relief_A, family plucked, irama level 3 -- energy unchanged at 0.62"
}
],
"hook": {
"name": "the light on the water",
"head_cell": [
[
76,
0.0,
2.0
],
[
71,
2.5,
1.0
],
[
69,
3.5,
0.5
],
[
71,
4.5,
1.5
],
[
66,
6.5,
1.0
]
],
"head_bars": 2,
"plain_statement_cycle": 0,
"breathability": {
"rest_fraction": 0.2
},
"returns": [
{
"cycle": 5,
"transform": "modal_mutation",
"layer": "F02",
"note": "span 2 -- the plagal face, early: the departure is the second thing heard, not the third"
},
{
"cycle": 9,
"transform": "rhythmic_displacement",
"layer": "F02",
"note": "span 3 -- grown and displaced against a held grid, with the second idea combined"
},
{
"cycle": 13,
"transform": "reharmonisation_profound",
"layer": "F03",
"note": "span 4 -- THE ARRIVAL, near-plain and widest, and it comes before the withdrawal"
},
{
"cycle": 18,
"transform": "augmentation",
"layer": "F03",
"note": "span 5 -- the withdrawal: presentation only, augmented, incomplete, the chain reset to the plant, and the last thing the cue says"
},
{
"cycle": 23,
"transform": "liquidation",
"layer": "F03",
"note": "the loop join -- liquidation, cadence withheld, ending a step under the tonic so the loop wants to continue"
}
]
},
"theme": {
"ideas": [
{
"id": "FALLS",
"label": "the light on the water",
"role": "primary",
"bars": 2,
"notes": [
[
76,
0.0,
2.0
],
[
71,
2.5,
1.0
],
[
69,
3.5,
0.5
],
[
71,
4.5,
1.5
],
[
66,
6.5,
1.0
]
],
"rest_fraction": 0.2,
"contour": [
-1,
-1,
1,
-1
],
"spine": [
-5,
-2,
2,
-5
],
"why": "wide and slow where the road's idea is quick and narrow; an arch that falls and lifts back"
},
{
"id": "FALLS_CONTRAST",
"label": "the answering idea",
"role": "contrasting",
"bars": 2,
"notes": [
[
62,
0.0,
0.9
],
[
66,
1.0,
1.0
],
[
64,
3.0,
0.5
],
[
66,
4.0,
1.5
],
[
71,
6.5,
0.9
]
],
"rest_fraction": 0.3333,
"contour": [
1,
-1,
1,
1
],
"spine": [
4,
-2,
2,
5
]
}
],
"mode": "D anhemitonic pentatonic (D E F sharp A B) -- authored reference composition",
"borrowed_mode": "G anhemitonic pentatonic -- the plagal face",
"counter_melody_derivations": [
{
"span": 2,
"phrase": "FALLS_P2",
"gaps_used": 10,
"min_gap_beats_used": 0.5,
"onset_coincidence": 0.1,
"exclusive_sounding_fraction": 0.1484,
"rhythmic_complementarity": 1.0,
"contour_opposition": 0.5556,
"derived_against": "the NEAR-PLAIN carrier build, not the divided one"
},
{
"span": 3,
"phrase": "FALLS_P3",
"gaps_used": 3,
"min_gap_beats_used": 0.6,
"onset_coincidence": 0.0,
"exclusive_sounding_fraction": 0.0547,
"rhythmic_complementarity": 1.0,
"contour_opposition": 0.0,
"derived_against": "the NEAR-PLAIN carrier build, not the divided one"
},
{
"span": 4,
"phrase": "FALLS_P4",
"gaps_used": 10,
"min_gap_beats_used": 0.5,
"onset_coincidence": 0.1,
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"start_bar": 0,
"end_bar": 8
}
],
"cadence": {
"type": "none_withheld",
"bar": 7,
"strength": 0
},
"expansion": null,
"basic_idea_ref": "FALLS",
"derived_from": "FALLS_P5",
"operation": "liquidation",
"division_level": 0,
"structural_pitches": [],
"operations": [
{
"op": "liquidation",
"where": "the loop join",
"params": {
"steps": 3,
"target": "stepwise"
}
}
],
"span_label": "the loop join -- liquidation, cadence withheld, ending a step under the tonic so the loop wants to continue",
"note_count": 10,
"notes": [
[
69,
0.0,
1.0667
],
[
71,
2.1333,
3.2
],
[
69.0,
6.4,
2.1333
],
[
69,
10.6667,
1.0667
],
[
71.0,
12.8,
3.2
],
[
69.0,
17.0667,
2.1333
],
[
69,
21.3333,
1.0667
],
[
71.0,
23.4667,
3.2
],
[
59.0,
26.6667,
5.3333
],
[
69.0,
27.7333,
2.1333
]
]
}
],
"statements": [
{
"id": "FALLS_P1",
"derived_from": null,
"operation": "plant",
"bars": 10,
"start_bar": 0,
"division_level": 0,
"theme_type": "period",
"cadence": "evaded_then_PAC",
"span": 1,
"why": "span 1 -- the theme arrives as a PERIOD, its cadence evaded and retried"
},
{
"id": "FALLS_P2",
"derived_from": "FALLS_P1",
"operation": "modal_mutation",
"bars": 8,
"start_bar": 10,
"division_level": 1,
"theme_type": "sentence",
"cadence": "HC",
"span": 2,
"why": "span 2 -- the plagal face, early: the departure is the second thing heard, not the third"
},
{
"id": "FALLS_P3",
"derived_from": "FALLS_P2",
"operation": "rhythmic_displacement",
"bars": 8,
"start_bar": 18,
"division_level": 2,
"theme_type": "hybrid_ant_cont",
"cadence": "IAC",
"span": 3,
"why": "span 3 -- grown and displaced against a held grid, with the second idea combined"
},
{
"id": "FALLS_P4",
"derived_from": "FALLS_P3",
"operation": "reharmonisation_profound",
"bars": 8,
"start_bar": 26,
"division_level": 1,
"theme_type": "sentence",
"cadence": "IAC",
"span": 4,
"why": "span 4 -- THE ARRIVAL, near-plain and widest, and it comes before the withdrawal"
},
{
"id": "FALLS_P5",
"derived_from": null,
"operation": "augmentation",
"bars": 10,
"start_bar": 36,
"division_level": 0,
"theme_type": "presentation_only",
"cadence": "none_withheld",
"span": 5,
"why": "span 5 -- the withdrawal: presentation only, augmented, incomplete, the chain reset to the plant, and the last thing the cue says"
},
{
"id": "FALLS_P6",
"derived_from": "FALLS_P5",
"operation": "liquidation",
"bars": 8,
"start_bar": 46,
"division_level": 0,
"theme_type": "coda",
"cadence": "none_withheld",
"span": 6,
"why": "the loop join -- liquidation, cadence withheld, ending a step under the tonic so the loop wants to continue"
}
],
"melodic_schedule": [
{
"span": 1,
"primary": "F01",
"secondary": null,
"relief_inside_holds": [
"R01"
],
"relinquished": null
},
{
"span": 2,
"primary": "F02",
"secondary": "F06",
"relief_inside_holds": [
"R01"
],
"relinquished": "F01"
},
{
"span": 3,
"primary": "F02",
"secondary": "F06",
"relief_inside_holds": [
"R01"
],
"relinquished": "F02"
},
{
"span": 4,
"primary": "F03",
"secondary": "F06",
"relief_inside_holds": [
"R01"
],
"relinquished": "F02"
},
{
"span": 5,
"primary": "F03",
"secondary": "F06",
"relief_inside_holds": [
"R01"
],
"relinquished": "F03"
}
],
"silence_windows": [
{
"cycle": 17,
"at_beat": 2.0,
"beats": 5.0,
"why": "the pool goes still -- five beats of nothing inside the two-bar gap the phrase plan leaves before the withdrawal"
}
],
"leitmotif_references": [
{
"kind": "near_plain_arrival",
"what": "the theme, near-plain, in the widest registration of the cue",
"at_cycle": 13,
"layer": "F03",
"earned_by": "span 4, and in this cue the arrival comes BEFORE the withdrawal: the light reaches the water and then the pool is quiet again"
}
],
"instrumentation_plan": {
"region": "Manggarai highlands, western Flores",
"period": "pre-colonial, roughly 1000-1500 CE (T0_Chapter_Index :: CH_03.era)",
"documented_register": "the gong-waning tuned gong-and-drum ensemble and its interlocking-cycle structure; the ceremonial drumming that scores the caci rounds",
"realisation": "a single gong marking a two-bar cycle, a soft continuous shaker as the present pulse, marimba on a written-out pokok that spreads with the irama level, vibraphone and hand chimes interlocking above it, glockenspiel carrying the division layer ALONE, and the wooden pipes taking the theme in a register that lifts across the five spans with the cello answering underneath.",
"care_line": "reference-composed, never sampled from consecrated performance; the concert analogues are declared per layer and in honest_limits"
},
"declared_expectations": {
"max_cycles_unchanged_bound": 3,
"energy_note": "SANCTUARY AT THE ENERGY FLOOR: peaceful and still uplifting, never sedative. Realised WITHOUT volume, by devices that are all parts rather than gain -- a pulse that never stops, kotekan keeping surface motion alive under a slow tune, a counter-melody answering in the tune's own gaps, a register that lifts across the spans, and now a treatment that rotates inside every hold. Graded against the class curve, not a global scalar; SANCTUARY has no corpus rows and borrows MELANCHOLIC's, which is the weakest number in this plan.",
"score_side_targets": "build/audio/pass3/SCORE_SCORECARD.json is the primary acceptance evidence per the score-first ruling; the audio battery is the render-fidelity check and runs second",
"note": "These are PREDICTIONS about the render, stated so the render can falsify them. Nothing here has been heard."
},
"repairs": {
"_doc": "the three residual defects named by build/audio/pass3/PASS3_VERDICT.md, repaired",
"WQ_0086_hold_rotation": {
"plateaus": [
{
"from_section": 3,
"to_section": 4,
"energy": 0.72,
"cycles": [
5,
9
],
"spine_cycles": 0,
"spine_seconds": 0.0,
"plateau_cycles": 4,
"why": "this plateau is too short to carry rotation AND a hold, so it rotates throughout and was never going to read as a hold"
},
{
"from_section": 5,
"to_section": 8,
"energy": 0.76,
"cycles": [
9,
17
],
"spine_cycles": 4,
"spine_seconds": 26.67,
"plateau_cycles": 8,
"why": "the treatment settles for the last stretch of this plateau, so the arrival reads as a hold and the climb into it still rotates"
},
{
"from_section": 10,
"to_section": 11,
"energy": 0.46,
"cycles": [
18,
23
],
"spine_cycles": 0,
"spine_seconds": 0.0,
"plateau_cycles": 5,
"why": "this plateau is too short to carry rotation AND a hold, so it rotates throughout and was never going to read as a hold"
},
{
"from_section": 12,
"to_section": 13,
"energy": 0.62,
"cycles": [
23,
27
],
"spine_cycles": 0,
"spine_seconds": 0.0,
"plateau_cycles": 4,
"why": "this plateau is too short to carry rotation AND a hold, so it rotates throughout and was never going to read as a hold"
}
],
"events": [
{
"cycle": 5,
"cycles": 2,
"sections": [
"S03"
],
"energy": 0.72,
"carrier": "own",
"carrier_held": true,
"family": "tuned_metal",
"irama_level": 1,
"why": "treatment rotates while the declared energy stays flat -- the corpus holds 0.407 of its length AND turns 5.09 boundaries a minute. THE CARRIER IS HELD HERE: an answering voice is running and the two-voice dialogue is already this block's treatment change"
},
{
"cycle": 7,
"cycles": 1,
"sections": [
"S04"
],
"energy": 0.72,
"carrier": "relief_A",
"carrier_held": false,
"family": "plucked",
"irama_level": 2,
"why": "treatment rotates while the declared energy stays flat -- the corpus holds 0.407 of its length AND turns 5.09 boundaries a minute"
},
{
"cycle": 8,
"cycles": 1,
"sections": [
"S04"
],
"energy": 0.72,
"carrier": "own",
"carrier_held": true,
"family": "tuned_metal",
"irama_level": 3,
"why": "treatment rotates while the declared energy stays flat -- the corpus holds 0.407 of its length AND turns 5.09 boundaries a minute. THE CARRIER IS HELD HERE: an answering voice is running and the two-voice dialogue is already this block's treatment change"
},
{
"cycle": 9,
"cycles": 2,
"sections": [
"S05"
],
"energy": 0.76,
"carrier": "own",
"carrier_held": true,
"family": "plucked",
"irama_level": 1,
"why": "treatment rotates while the declared energy stays flat -- the corpus holds 0.407 of its length AND turns 5.09 boundaries a minute. THE CARRIER IS HELD HERE: an answering voice is running and the two-voice dialogue is already this block's treatment change"
},
{
"cycle": 11,
"cycles": 1,
"sections": [
"S06"
],
"energy": 0.76,
"carrier": "own",
"carrier_held": true,
"family": "tuned_metal",
"irama_level": 2,
"why": "treatment rotates while the declared energy stays flat -- the corpus holds 0.407 of its length AND turns 5.09 boundaries a minute. THE CARRIER IS HELD HERE: an answering voice is running and the two-voice dialogue is already this block's treatment change"
},
{
"cycle": 12,
"cycles": 1,
"sections": [
"S06"
],
"energy": 0.76,
"carrier": "relief_A",
"carrier_held": false,
"family": "plucked",
"irama_level": 3,
"why": "treatment rotates while the declared energy stays flat -- the corpus holds 0.407 of its length AND turns 5.09 boundaries a minute"
},
{
"cycle": 18,
"cycles": 2,
"sections": [
"S10"
],
"energy": 0.46,
"carrier": "own",
"carrier_held": true,
"family": "tuned_metal",
"irama_level": 1,
"why": "treatment rotates while the declared energy stays flat -- the corpus holds 0.407 of its length AND turns 5.09 boundaries a minute. THE CARRIER IS HELD HERE: an answering voice is running and the two-voice dialogue is already this block's treatment change"
},
{
"cycle": 20,
"cycles": 1,
"sections": [
"S10"
],
"energy": 0.46,
"carrier": "own",
"carrier_held": true,
"family": "plucked",
"irama_level": 2,
"why": "treatment rotates while the declared energy stays flat -- the corpus holds 0.407 of its length AND turns 5.09 boundaries a minute. THE CARRIER IS HELD HERE: an answering voice is running and the two-voice dialogue is already this block's treatment change"
},
{
"cycle": 21,
"cycles": 2,
"sections": [
"S11"
],
"energy": 0.46,
"carrier": "own",
"carrier_held": true,
"family": "tuned_metal",
"irama_level": 3,
"why": "treatment rotates while the declared energy stays flat -- the corpus holds 0.407 of its length AND turns 5.09 boundaries a minute. THE CARRIER IS HELD HERE: an answering voice is running and the two-voice dialogue is already this block's treatment change"
},
{
"cycle": 23,
"cycles": 2,
"sections": [
"S12"
],
"energy": 0.62,
"carrier": "relief_A",
"carrier_held": false,
"family": "plucked",
"irama_level": 1,
"why": "treatment rotates while the declared energy stays flat -- the corpus holds 0.407 of its length AND turns 5.09 boundaries a minute"
},
{
"cycle": 25,
"cycles": 1,
"sections": [
"S13"
],
"energy": 0.62,
"carrier": "own",
"carrier_held": false,
"family": "tuned_metal",
"irama_level": 2,
"why": "treatment rotates while the declared energy stays flat -- the corpus holds 0.407 of its length AND turns 5.09 boundaries a minute"
},
{
"cycle": 26,
"cycles": 1,
"sections": [
"S13"
],
"energy": 0.62,
"carrier": "relief_A",
"carrier_held": false,
"family": "plucked",
"irama_level": 3,
"why": "treatment rotates while the declared energy stays flat -- the corpus holds 0.407 of its length AND turns 5.09 boundaries a minute"
}
],
"hold_spines": [
{
"from_section": 3,
"to_section": 4,
"spine_cycles": 0,
"spine_seconds": 0.0,
"plateau_cycles": 4,
"why": "this plateau is too short to carry rotation AND a hold, so it rotates throughout and was never going to read as a hold"
},
{
"from_section": 5,
"to_section": 8,
"spine_cycles": 4,
"spine_seconds": 26.67,
"plateau_cycles": 8,
"why": "the treatment settles for the last stretch of this plateau, so the arrival reads as a hold and the climb into it still rotates"
},
{
"from_section": 10,
"to_section": 11,
"spine_cycles": 0,
"spine_seconds": 0.0,
"plateau_cycles": 5,
"why": "this plateau is too short to carry rotation AND a hold, so it rotates throughout and was never going to read as a hold"
},
{
"from_section": 12,
"to_section": 13,
"spine_cycles": 0,
"spine_seconds": 0.0,
"plateau_cycles": 4,
"why": "this plateau is too short to carry rotation AND a hold, so it rotates throughout and was never going to read as a hold"
}
],
"hold_spine_s_requested": 25.0,
"hold_spine_waiver": null,
"definition": "a plateau is two or more consecutive sections at the identical declared energy; a rotation event changes carrier, instrument family and irama level every one to two cycles inside one, and changes no energy anywhere. Where an answering voice is running the CARRIER is held and the other two axes rotate on, which is declared per event as carrier_held",
"irama_base_level": 1,
"energy_untouched": true,
"why": "pass 3's holds held the energy AND the layer set, so a chroma-and-MFCC segmenter read four to six cycles as one block -- twenty-two planned sections measured as three. The corpus holds 0.407 of its length AND turns 5.09 boundaries a minute, which is music that holds its ENERGY while continuously changing its TREATMENT."
},
"WQ_0085_span_schedule": {
"operation_sequence": [
"plant",
"modal_mutation",
"rhythmic_displacement",
"reharmonisation_profound",
"augmentation",
"liquidation"
],
"division_levels": [
0,
1,
2,
1,
0
],
"span_bars": [
10,
8,
8,
8,
10,
8
],
"form_sequence": [
"period",
"sentence",
"hybrid_ant_cont",
"sentence",
"presentation_only",
"coda"
],
"surface_split": {
"carrier_notes": 150,
"ornament_notes": 72,
"why": "the carrier plays the near-plain build and the ornament instrument plays what division added; the cue is redistributed, never thinned"
},
"carrier_rows": [
{
"layer": "F01",
"spans": [
1
],
"notes_kept": 38,
"notes_handed_to_relief": 0
},
{
"layer": "F02",
"spans": [
2,
3
],
"notes_kept": 42,
"notes_handed_to_relief": 20
},
{
"layer": "F03",
"spans": [
4,
5,
6
],
"notes_kept": 43,
"notes_handed_to_relief": 7
},
{
"layer": "R01",
"role": "relief",
"notes_kept": 27
}
],
"family_rows": [
{
"_pass4_rotating_set_ignored": [
"M01",
"M02",
"M03",
"M04",
"M05"
],
"_pass5_rotating_set": [
"M02"
],
"_why": "everything else left the rotating set: a structural line, a clock, a drum or an ornament that disappears is a dynamic change, not a treatment change"
},
{
"layer": "M02",
"family": "tuned_metal",
"rests_added": [
[
7,
8
],
[
9,
11
],
[
12,
13
],
[
20,
21
],
[
23,
25
],
[
26,
27
]
],
"cycles_handed_to_mirror": [
7,
9,
10,
12,
20,
23,
24,
26
],
"mirror": {
"layer": "W01",
"instrument": "xylophone",
"notes": 120
}
}
],
"why": "pass 3's three cues shared one operation sequence, one 35/28 split and one chain shape of 2.286/4/1. This cue's schedule is its own and the doctrine is checked on it rather than inherited from one hard-coded arch."
},
"counter_melody_surface_split": {
"carrier_notes": 150,
"ornament_notes": 72,
"why": "PASS3_VERDICT.md section 2: hand the division layer to the ornament part and leave the carrier nearer its skeleton, which widens the gaps without thinning the cue. The carrier plays the near-plain build; the ornament instrument plays what division added; the counter-melody is derived against the carrier the scorecard will measure."
},
"PASS5": {
"_doc": "the pass-5 repairs, each naming the artifact that asked for it",
"weight_neutral_family_rotation": {
"asked_by": "build/audio/pass4/PASS4_VERDICT.md section 4 (FALLS fails dynamic_arc with 0 holds) plus the parts-per-cycle measurement that found the mechanism: harness/music_gen/pass4_grammar.py :: family_rest_spans claims 'the sounding part count is unchanged across the seam' and it was not — three metal layers at ~46 notes a cycle rested into two plucked layers at ~16",
"mirrors": {
"M02": "W01"
},
"rotating_families": [
"tuned_metal",
"tuned_wood"
],
"left_the_rotating_set": "the pokok, the colotomic clock, the drums, the figuration, the colour parts and the ORNAMENT — the verdict's own named repair, now a consequence of the rule rather than a case"
},
"arrival_is_the_fullest_point": {
"layer": "F07",
"from_cycle": 11,
"to_cycle": 15,
"notes_moved": 5,
"target_chosen_by": "the emptiest arrival cycle in the compiled plan, measured: {13: 14, 14: 13, 15: 11, 16: 12}",
"asked_by": "build/audio/pass4/PASS4_VERDICT.md section 4"
},
"layers_exchanged_for_the_mirror": [
"M04"
],
"hold_spine_s": {
"ROAD": 23.0,
"FALLS": 25.0,
"ROUNDS": 0.0
},
"crowd_hands": null,
"voice_palette": {
"used": false,
"reachable": true,
"why_not": "the plans' own deny_register is 'nothing this page does not attest', and Section 10 of _source/02_Tier_2_Region_Pages/flores_island.md documents the gong-waning ensemble and the ceremonial drumming and attests no sung or chanted register — while flagging its own caci/gong-waning substrate as THIN. A chant here would fill a documented gap with what a composer happens to own. The nine landed voice and body-percussion ids all resolve a range now (verified), so the absence is a ruling and not a blocker"
}
},
"PASS7": {
"_doc": "round 4: the functional harmony, the groove and the harmonised voice, applied as a transform of the finished pass-5 plan so round 3's structure survives by construction",
"grade_answered": "it sounds just like a bunch of noise and these main melodies really suck. They clash and have no rythm or complexity. Just a few notes slowly played back to back. Never any harmonies added on. These are more complex than round 2 but they're actually worse tracks than round 2 and far less shippable",
"T1_harmonic_plan": {
"cadence_derivation": {
"rule": "a cadence at each section whose declared intensity rises to a new maximum (section 0 excluded: it sets the baseline), dropped where it falls inside the cue's first sentence, thinned to ECON-10's 8-bar sentence spacing, plus the final section",
"new_maximum_sections": [
{
"section": "S03",
"bar": 11
},
{
"section": "S05",
"bar": 19
}
],
"dropped_inside_first_sentence": [
{
"section": "S01",
"bar": 5
},
{
"section": "S02",
"bar": 7
}
],
"kept": [
{
"section": "S03",
"bar": 11
},
{
"section": "S05",
"bar": 19
},
{
"section": "S13",
"bar": 51
}
],
"min_spacing_bars": 8,
"citation": "SNES_JRPG_SCHOOL.md:62 (ECON-10); harmony.py:671-673 for the bar convention"
},
"cadence_bars": [
11,
19,
51
],
"cadence_inventory": {
"HC": 1,
"deceptive": 1,
"modal_close": 1
},
"chords": 54,
"harmonic_rhythm_bars": 1.0,
"non_functional_ratio": 0.3673,
"non_functional_target": 0.35,
"borrowed_density": 0.0,
"named_family": null,
"pedal_device": {
"kind": "pedal",
"start_bar": 5,
"end_bar": 54,
"pc": 2
},
"roman_reduction": [
"I",
"Iquintal",
"Isus2",
"vi",
"I6",
"Iadd9",
"vi7",
"IIquintal",
"IIsus2",
"IIquintal",
"Vquintal",
"Vsus2",
"Vsus4",
"VIsus4",
"VIsus4",
"Isus2",
"vi",
"Vquintal",
"vi",
"VIsus4",
"VIsus4",
"VIsus4",
"IIsus4",
"Vquintal",
"Vsus2",
"Vsus4",
"I",
"VIsus4",
"Isus2",
"vi",
"I6",
"VIsus4",
"vi7",
"IIquintal",
"IIsus2",
"IIsus4",
"VIsus4",
"Vsus2",
"Vsus4",
"I",
"VIsus4",
"Isus2",
"vi",
"I6",
"VIsus4",
"vi7",
"IIquintal",
"IIsus2",
"VIsus4",
"IIquintal",
"I",
"VIsus4",
"VIsus4",
"Iquintal"
],
"pitch_set": [
2,
4,
6,
9,
11
],
"pitch_set_names": [
"D",
"E",
"F#",
"A",
"B"
],
"out_of_set_events": [],
"mode_constraint": "every ordinary slot is drawn from in_set_chords; an out-of-set chord is legal only on a cadence or arrival bar and is listed above with its foreign pitch classes",
"in_set_vocabulary": [
"I",
"Iquintal",
"Isus2",
"vi",
"I6",
"Iadd9",
"vi7",
"IIquintal",
"IIsus2",
"IIsus4",
"Vquintal",
"Vsus2",
"Vsus4",
"VIsus4"
],
"quintal_licence": "the quintal and quartal sonorities in this vocabulary are a DECLARED EXTENSION and are NOT offered as Kondo practice. docs/proposals/music/school_grammars/KONDO_SCHOOL.md:88 (PROCESS-02) separates the observed Kondo-isms from Everitt's own 'personal Kondo-isms' -- percussive ostinatos, added dissonances, QUARTAL STACKING, book-end themes -- which it names as HIS derived extensions rather than Kondo's, and as the model for how a composer legitimately extends the dialect. A five-note anhemitonic set contains no minor third above the tonic, so a stacked fifth is one of the few sonorities it spells wholly; that is the reason it appears, and the licence is the extension rule, not the practice list."
},
"T1_grid_rewrite": {
"grid_identical_to_plan": 0.5741,
"grid_is_derived_and_lossy": true,
"grid_loss_reason": "one grid per SECTION tiled on every cycle cannot express a chord schedule that changes across the cycles of a multi-cycle section; the shortfall is the sections longer than one cycle",
"grid_is_inert_in_this_pass": "no pad or arpeggio layer survives T4, and those are the only two kinds that read it",
"old_grid": [
[
"D",
[
38,
50,
57,
62
]
],
[
"Bm",
[
35,
47,
54,
62
]
],
[
"G",
[
31,
43,
50,
59
]
],
[
"A",
[
33,
45,
52,
57
]
]
],
"new_home_grid": [
[
"I D",
[
38,
45,
54,
62
]
],
[
"Iquintal D",
[
38,
45,
52,
62
]
],
[
"Isus2 D",
[
38,
45,
52,
62
]
],
[
"vi B",
[
38,
47,
54,
62
]
]
],
"variants": 14,
"entries_per_grid": 4,
"bars_read_per_cycle": 2,
"inert_tail_entries": 2,
"shape_held": true
},
"T2_snap": {
"moved": 6,
"declined": 2,
"structural": 20,
"layers": [
{
"layer": "F01",
"instrument": "recorder.alto",
"notes": 38,
"structural": 5,
"already_chord_tone": 2,
"moved": 3,
"spine_preserved": true,
"declined": [],
"hook_extension_share": 0.0
},
{
"layer": "F02",
"instrument": "recorder.soprano",
"notes": 42,
"structural": 6,
"already_chord_tone": 4,
"moved": 1,
"spine_preserved": true,
"declined": [
{
"beat": 88.0,
"midi": 68.0,
"chord": "IIsus4",
"reason": "no chord tone within 1 scale step(s) that preserves both adjacent interval signs"
}
],
"hook_extension_share": 0.0
},
{
"layer": "F03",
"instrument": "flute.sus_vib",
"notes": 43,
"structural": 6,
"already_chord_tone": 5,
"moved": 1,
"spine_preserved": true,
"declined": [],
"hook_extension_share": 0.1667
},
{
"layer": "R01",
"instrument": "oboe.sus_vib",
"notes": 27,
"structural": 3,
"already_chord_tone": 1,
"moved": 1,
"spine_preserved": true,
"declined": [
{
"beat": 184.0,
"midi": 69.0,
"chord": "IIquintal",
"reason": "no chord tone within 1 scale step(s) that preserves both adjacent interval signs"
}
],
"hook_extension_share": 0.0
}
]
},
"T8_division": {
"delta": 4,
"levels": {
"FALLS_P1": 2,
"FALLS_P2": 3,
"FALLS_P3": 3,
"FALLS_P4": 3,
"FALLS_P5": 2,
"FALLS_P6": 2
},
"layers": [
{
"layer": "F01",
"instrument": "recorder.alto",
"notes_before": 38,
"notes_after": 76,
"spans": [
{
"phrase": "FALLS_P1",
"level": 2,
"before": 38,
"after": 76
}
],
"min_ioi_floor_s": 0.07,
"min_ioi_reference": "alto recorder in F",
"levels_backed_off_for_playability": 0,
"pairs_under_the_articulation_floor": 1
},
{
"layer": "F02",
"instrument": "recorder.soprano",
"notes_before": 42,
"notes_after": 81,
"spans": [
{
"phrase": "FALLS_P2",
"level": 3,
"before": 23,
"after": 42
},
{
"phrase": "FALLS_P3",
"level": 3,
"before": 19,
"after": 39
}
],
"min_ioi_floor_s": 0.09,
"min_ioi_reference": "no reference; 90 ms assumed",
"levels_backed_off_for_playability": 0,
"pairs_under_the_articulation_floor": 0
},
{
"layer": "F03",
"instrument": "flute.sus_vib",
"notes_before": 43,
"notes_after": 79,
"spans": [
{
"phrase": "FALLS_P4",
"level": 3,
"before": 35,
"after": 65
},
{
"phrase": "FALLS_P5",
"level": 2,
"before": 5,
"after": 9
},
{
"phrase": "FALLS_P6",
"level": 2,
"before": 3,
"after": 5
}
],
"min_ioi_floor_s": 0.055,
"min_ioi_reference": "flute",
"levels_backed_off_for_playability": 0,
"pairs_under_the_articulation_floor": 1
},
{
"layer": "R01",
"instrument": "oboe.sus_vib",
"notes_before": 27,
"notes_after": 62,
"spans": [
{
"phrase": "FALLS_P2",
"level": 3,
"before": 14,
"after": 33
},
{
"phrase": "FALLS_P3",
"level": 3,
"before": 6,
"after": 12
},
{
"phrase": "FALLS_P6",
"level": 2,
"before": 7,
"after": 17
}
],
"min_ioi_floor_s": 0.07,
"min_ioi_reference": "oboe",
"levels_backed_off_for_playability": 0,
"pairs_under_the_articulation_floor": 1
}
],
"arch_floor_pinned": false,
"authored_levels": {
"FALLS_P1": 0,
"FALLS_P2": 1,
"FALLS_P3": 2,
"FALLS_P4": 1,
"FALLS_P5": 0,
"FALLS_P6": 0
},
"arch_floor_phrases": [
"FALLS_P1",
"FALLS_P5",
"FALLS_P6"
],
"arch_contrast_note": "THE FLOOR IS LIFTED ON THIS CUE AND IT IS A DECLARED DEBT: pinning it costs a summit clause, and ROUND4_STAGING.md section 6 ruled the piano test wins. The residue is a round-5 authoring item -- more distinct ideas, not less surface",
"notes_before": 150,
"notes_after": 298,
"palette": [
"passing",
"neighbour_upper",
"neighbour_lower",
"anticipation"
],
"palette_note": "double_neighbour is dropped from the region's own palette (pass3_flores.py:97) because interval_class_count already sits above the corpus p90; a two-directional ornament widens the interval vocabulary and single neighbours and passing tones do not"
},
"T3_harmonised_voice": {
"layer": "H01",
"instrument": "folk_harp",
"stratum": "middleground",
"register_slot": "low_mid",
"derived_notes": 82,
"written_notes": 58,
"dropped_by_one_voice_schedule": 4,
"harmonized_share": 0.5985,
"interval_census": {
"3": 23,
"4": 17,
"5": 18,
"8": 6,
"9": 18
},
"contrary_at_cadence": 0.0,
"parallel_perfect_count": 0,
"entry_cycle": 7,
"exit_cycle": 17,
"rest_spans": [],
"one_voice_reservation": [
{
"section": "S00",
"cycles": [
0,
2
],
"intensity": 0.4,
"why": "opening: the second voice has not arrived yet"
},
{
"section": "S01",
"cycles": [
2,
3
],
"intensity": 0.48,
"why": "thin point: intensity 0.48 at or below the 30th percentile 0.48"
},
{
"section": "S09",
"cycles": [
17,
18
],
"intensity": 0.42,
"why": "thin point: intensity 0.42 at or below the 30th percentile 0.48"
},
{
"section": "S10",
"cycles": [
18,
21
],
"intensity": 0.46,
"why": "thin point: intensity 0.46 at or below the 30th percentile 0.48"
},
{
"section": "S11",
"cycles": [
21,
23
],
"intensity": 0.46,
"why": "thin point: intensity 0.46 at or below the 30th percentile 0.48"
},
{
"section": "S13",
"cycles": [
25,
27
],
"intensity": 0.62,
"why": "close: the texture thins back to one voice"
}
],
"entry_delayed_to_hold_the_arc": {
"earliest_allowed_cycle": 3,
"chosen_entry_cycle": 7,
"peak_if_earliest": 6,
"peak_after": 7,
"why": "admitting the voice from its earliest legal cycle ties the approach with the arrival and moves the measured peak part count out of the last two thirds, which is pass 5's repair (3) undone and V13 red"
},
"melodically_active_by_cycle": [
1,
1,
1,
1,
1,
2,
2,
2,
3,
2,
3,
3,
2,
3,
3,
2,
3,
0,
2,
2,
0,
0,
0,
1,
1,
1,
1
],
"melodically_active_peak": 3,
"timbre_note": "VL-9 (COUNTERPOINT_AND_VOICE_LEADING.md:151-156): the second voice takes a different timbre class from every carrier in this cue, which is the condition under which two lines stay two lines"
},
"T4_accompaniment": {
"replacements": [
{
"layer": "B05",
"instrument": "organ.quiet",
"was": "pad",
"figure": "pedal",
"block_at": null,
"subdiv": 2.0,
"rate_ladder": {
"exempt": "pedal re-articulates once per bar (MOD-8)"
},
"notes_by_cycle": {
"2": 2,
"3": 2,
"4": 2,
"5": 2,
"6": 2,
"7": 2,
"8": 2,
"9": 2,
"10": 2,
"11": 2,
"12": 2,
"13": 2,
"14": 2,
"15": 2,
"16": 2,
"18": 2,
"19": 2,
"20": 2,
"21": 2,
"22": 2,
"23": 2,
"24": 2,
"26": 2
},
"register_window": [
36,
43
],
"block_register_window": null,
"block_voices": null,
"carrier_cap": {
"requested_ceiling": 67.0,
"window_before": [
36,
43
],
"applied": false,
"midpoint": 39.5,
"why": "already under the carriers"
},
"notes": 46,
"pitch_min": 38.0,
"pitch_max": 38.0,
"active_cycles": 23
},
{
"layer": "B06",
"instrument": "cello_ens.sus_quiet",
"was": "pad",
"figure": "arpeggio_up",
"block_at": "arrival",
"subdiv": 1.0,
"rate_ladder": {
"0.25": 0.25,
"0.5": 0.5,
"1.0": 1.0
},
"notes_by_cycle": {
"6": 8,
"7": 8,
"8": 8,
"9": 8,
"10": 8,
"11": 8,
"12": 8,
"13": 8,
"14": 8,
"15": 8,
"16": 8,
"18": 2,
"19": 2,
"20": 2,
"21": 2,
"22": 2,
"23": 4,
"24": 4,
"26": 4
},
"register_window": [
56,
67
],
"block_register_window": [
56,
77
],
"block_voices": 4,
"carrier_cap": {
"requested_ceiling": 67.0,
"window_before": [
56,
67
],
"applied": false,
"midpoint": 61.5,
"why": "already under the carriers"
},
"notes": 110,
"pitch_min": 57.0,
"pitch_max": 76.0,
"active_cycles": 19
}
],
"density_ladder": {
"multiplier_by_cycle": [
0.25,
0.25,
0.25,
0.5,
0.5,
1.0,
1.0,
1.0,
1.0,
1.0,
1.0,
1.0,
1.0,
1.0,
1.0,
1.0,
1.0,
0.25,
0.25,
0.25,
0.25,
0.25,
0.25,
0.5,
0.5,
0.5,
0.5
],
"p30": 0.48,
"p70": 0.72,
"sections": [
{
"section": "S00",
"cycles": [
0,
2
],
"intensity": 0.4,
"rate_multiplier": 0.25
},
{
"section": "S01",
"cycles": [
2,
3
],
"intensity": 0.48,
"rate_multiplier": 0.25
},
{
"section": "S02",
"cycles": [
3,
5
],
"intensity": 0.56,
"rate_multiplier": 0.5
},
{
"section": "S03",
"cycles": [
5,
7
],
"intensity": 0.72,
"rate_multiplier": 1.0
},
{
"section": "S04",
"cycles": [
7,
9
],
"intensity": 0.72,
"rate_multiplier": 1.0
},
{
"section": "S05",
"cycles": [
9,
11
],
"intensity": 0.76,
"rate_multiplier": 1.0
},
{
"section": "S06",
"cycles": [
11,
13
],
"intensity": 0.76,
"rate_multiplier": 1.0
},
{
"section": "S07",
"cycles": [
13,
15
],
"intensity": 0.76,
"rate_multiplier": 1.0
},
{
"section": "S08",
"cycles": [
15,
17
],
"intensity": 0.76,
"rate_multiplier": 1.0
},
{
"section": "S09",
"cycles": [
17,
18
],
"intensity": 0.42,
"rate_multiplier": 0.25
},
{
"section": "S10",
"cycles": [
18,
21
],
"intensity": 0.46,
"rate_multiplier": 0.25
},
{
"section": "S11",
"cycles": [
21,
23
],
"intensity": 0.46,
"rate_multiplier": 0.25
},
{
"section": "S12",
"cycles": [
23,
25
],
"intensity": 0.62,
"rate_multiplier": 0.5
},
{
"section": "S13",
"cycles": [
25,
27
],
"intensity": 0.62,
"rate_multiplier": 0.5
}
],
"flat_column": false,
"rungs": {
"peak (at or above p70)": 1.0,
"middle (p30 < i < p70)": 0.5,
"thin (at or below p30)": 0.25
},
"rule": "the accompaniment figure's rate is the authored subdivision at the column's top rung, half of it in the middle and a quarter at or below the 30th percentile; the pedal is exempt because it re-articulates once per bar by definition (MOD-8) and has no subdivision to thin"
},
"carrier_register": {
"carrier_medians": [
64.0,
66.0,
69.0,
69.0
],
"median_of_medians": 69.0,
"reduction_ceiling": 67.0
},
"register_shifts": [
{
"layer": "B05",
"instrument": "organ.quiet",
"semitones": -12,
"slot_before": "bass",
"mechanism": "accompaniment window, applied when T4 voices the figure",
"realised_pitch": 50,
"slot_after": "bass"
}
],
"sounding_conflicts": 52,
"sounding_filter": "voice_lead was given the pitches sounding across each chord's WHOLE SPAN via plan.span_of(chord_index_at(beat)), not at the onset instant -- an onset-only set leaves mid-span clashes invisible to the filter",
"voice_lead": {
"motion_census": {
"contrary": 8,
"oblique": 65,
"similar": 5,
"parallel": 19,
"static": 62,
"adjacent_motion_events": 97,
"similar_plus_parallel_ratio": 0.2474,
"ceiling": 0.5,
"ok": true
},
"parallels": 20,
"direct": 0,
"spacing_violations": 0
},
"block_window": {
"kind": "arrival",
"cycles": [
9
],
"why": "the arrival: the first cycle of S05, the first section to reach the cue's maximum intensity 0.76",
"budget_cycles": 4,
"total_cycles": 27,
"share": 0.037
},
"block_pad_share": 0.037,
"block_pad_ceiling": 0.2,
"block_pad_ok": true,
"measure_note": "share is the UNION of time covered by notes from a block or pad figure, over the cue's total beats; drones and pedals are excluded because ECON-03's object is the sustained block CHORD"
},
"T5_groove": {
"swing": {
"class": "SANCTUARY",
"derived": true,
"source": "formula_cards :: tempo_and_time_grammar.groove.swing_ratio over the 30 hits named in MELODY_BANDS.json :: tracks",
"n": 30,
"value": 0.6105,
"pooled": true,
"why": "class SANCTUARY carries 0 hit cards, floor is 5"
},
"presence_gain": [
{
"layer": "B02",
"instrument": "shaker",
"gain_db_before": -24.0,
"gain_db_after": -19.0
},
{
"layer": "B04",
"instrument": "slit_drum",
"gain_db_before": -25.0,
"gain_db_after": -21.0
}
],
"cue_class": "SANCTUARY",
"design": "peaceful and uplifting: a present pulse at 0.42 velocity, continuous surface motion at 0.30, and a clap that answers in the gaps of two bars in four",
"clock_layer": "B01",
"colotomic_strokes": [
0.0
],
"clock_rewritten": false,
"syncopation_articulated_mean": 0.0645,
"pulse_salience_composite": 0.6596,
"onset_synchrony_max": 0.125,
"complementarity_min": 0.0,
"ladder": {
"cycle_marker": 0.0,
"low_pulse": 0.0,
"shaker": 0.28,
"hand": 0.55
},
"break_window": {
"start_cycle": 18,
"end_cycle": 20,
"cycles": 2,
"kept_roles": [
"cycle_marker",
"low_pulse"
],
"dropped_roles": [
"hand",
"shaker"
],
"mode": "reduced_texture",
"why": "SNES_JRPG_SCHOOL.md:82 LOOP-05 -- a break of reduced texture in the last third; the kept roles are the clock and the pulse, so the loop never loses its floor"
},
"voices": [
{
"layer": "B04",
"instrument": "slit_drum",
"role": "hand",
"was": "ostinato",
"keys": [
60,
61
],
"strokes": 4,
"onsets_per_cycle": 2,
"active_cycles_before": 20,
"active_cycles_after": 15,
"ladder_threshold": 0.55,
"ladder_applied": true,
"interlock": {
"applied": true,
"complementarity_before": 1.0,
"complementarity_after": 1.0,
"onsets_moved": 0
}
},
{
"layer": "B03",
"instrument": "frame_drum",
"role": "low_pulse",
"was": "ostinato",
"keys": [
60,
62,
61
],
"strokes": 6,
"onsets_per_cycle": 2,
"active_cycles_before": 22,
"active_cycles_after": 22,
"ladder_threshold": 0.0,
"ladder_applied": true,
"interlock": {
"applied": false
}
},
{
"layer": "B02",
"instrument": "shaker",
"role": "shaker",
"was": "ostinato",
"keys": [
60,
61
],
"strokes": 32,
"onsets_per_cycle": 16,
"active_cycles_before": 26,
"active_cycles_after": 26,
"ladder_threshold": 0.28,
"ladder_applied": true,
"interlock": {
"applied": true,
"complementarity_before": 0.0,
"complementarity_after": 1.0,
"onsets_moved": 4
}
}
],
"not_expressed": "notes_for's per-cycle ACCENT rotation (vrot, groove.py:584-595). Expressing it in a colotomic stroke list needs the list expanded by lcm(len(keys), len(onsets)) -- 864 strokes for one shaker -- so it is not emitted and not claimed. The per-cycle KEY rotation IS expressed exactly, via every/phase; the density ladder carries the cyclic variation the accent rotation would have carried."
},
"T6_care": null,
"exchange_ledger": {
"parts_before": 18,
"parts_after": 18,
"part_band": [
8,
18
],
"removed": [
{
"layer": "F07",
"instrument": "clarinet.sus",
"stratum": "foreground",
"melodic_role": "second_tune",
"role": "second_idea"
}
],
"added": [
"H01"
],
"one_for_one": true
},
"honest_tier": "STRUCTURE. Every number here is a property of the writing. Nobody has heard a note of pass 7, and round 3 was also structurally better than round 2 and graded worse."
}
},
"harmonic_plan": {
"engine": "harmony/1.0",
"tonic_pc": 2,
"mode_name": "D anhemitonic pentatonic (D E F sharp A B) -- authored reference composition",
"bars": 54,
"beats_per_bar": 4,
"chords": [
{
"beat": 0.0,
"symbol": "I",
"root_pc": 2,
"quality": "maj",
"function": "T",
"borrowed": false
},
{
"beat": 4.0,
"symbol": "Iquintal",
"root_pc": 2,
"quality": "quintal",
"function": "T",
"borrowed": false
},
{
"beat": 8.0,
"symbol": "Isus2",
"root_pc": 2,
"quality": "sus2",
"function": "T",
"borrowed": false
},
{
"beat": 12.0,
"symbol": "vi",
"root_pc": 11,
"quality": "min",
"function": "T",
"borrowed": false
},
{
"beat": 16.0,
"symbol": "I6",
"root_pc": 2,
"quality": "maj6",
"function": "T",
"borrowed": false
},
{
"beat": 20.0,
"symbol": "Iadd9",
"root_pc": 2,
"quality": "add9",
"function": "T",
"borrowed": false
},
{
"beat": 24.0,
"symbol": "vi7",
"root_pc": 11,
"quality": "min7",
"function": "T",
"borrowed": false
},
{
"beat": 28.0,
"symbol": "IIquintal",
"root_pc": 4,
"quality": "quintal",
"function": "S",
"borrowed": false
},
{
"beat": 32.0,
"symbol": "IIsus2",
"root_pc": 4,
"quality": "sus2",
"function": "S",
"borrowed": false
},
{
"beat": 36.0,
"symbol": "IIquintal",
"root_pc": 4,
"quality": "quintal",
"function": "S",
"borrowed": false
},
{
"beat": 40.0,
"symbol": "Vquintal",
"root_pc": 9,
"quality": "quintal",
"function": "D",
"borrowed": false
},
{
"beat": 44.0,
"symbol": "Vsus2",
"root_pc": 9,
"quality": "sus2",
"function": "D",
"borrowed": false
},
{
"beat": 48.0,
"symbol": "Vsus4",
"root_pc": 9,
"quality": "sus4",
"function": "D",
"borrowed": false
},
{
"beat": 52.0,
"symbol": "VIsus4",
"root_pc": 11,
"quality": "sus4",
"function": "COL",
"borrowed": false
},
{
"beat": 56.0,
"symbol": "VIsus4",
"root_pc": 11,
"quality": "sus4",
"function": "COL",
"borrowed": false
},
{
"beat": 60.0,
"symbol": "Isus2",
"root_pc": 2,
"quality": "sus2",
"function": "T",
"borrowed": false
},
{
"beat": 64.0,
"symbol": "vi",
"root_pc": 11,
"quality": "min",
"function": "T",
"borrowed": false
},
{
"beat": 68.0,
"symbol": "Vquintal",
"root_pc": 9,
"quality": "quintal",
"function": "D",
"borrowed": false
},
{
"beat": 72.0,
"symbol": "vi",
"root_pc": 11,
"quality": "min",
"function": "T",
"borrowed": false
},
{
"beat": 76.0,
"symbol": "VIsus4",
"root_pc": 11,
"quality": "sus4",
"function": "COL",
"borrowed": false
},
{
"beat": 80.0,
"symbol": "VIsus4",
"root_pc": 11,
"quality": "sus4",
"function": "COL",
"borrowed": false
},
{
"beat": 84.0,
"symbol": "VIsus4",
"root_pc": 11,
"quality": "sus4",
"function": "COL",
"borrowed": false
},
{
"beat": 88.0,
"symbol": "IIsus4",
"root_pc": 4,
"quality": "sus4",
"function": "S",
"borrowed": false
},
{
"beat": 92.0,
"symbol": "Vquintal",
"root_pc": 9,
"quality": "quintal",
"function": "D",
"borrowed": false
},
{
"beat": 96.0,
"symbol": "Vsus2",
"root_pc": 9,
"quality": "sus2",
"function": "D",
"borrowed": false
},
{
"beat": 100.0,
"symbol": "Vsus4",
"root_pc": 9,
"quality": "sus4",
"function": "D",
"borrowed": false
},
{
"beat": 104.0,
"symbol": "I",
"root_pc": 2,
"quality": "maj",
"function": "T",
"borrowed": false
},
{
"beat": 108.0,
"symbol": "VIsus4",
"root_pc": 11,
"quality": "sus4",
"function": "COL",
"borrowed": false
},
{
"beat": 112.0,
"symbol": "Isus2",
"root_pc": 2,
"quality": "sus2",
"function": "T",
"borrowed": false
},
{
"beat": 116.0,
"symbol": "vi",
"root_pc": 11,
"quality": "min",
"function": "T",
"borrowed": false
},
{
"beat": 120.0,
"symbol": "I6",
"root_pc": 2,
"quality": "maj6",
"function": "T",
"borrowed": false
},
{
"beat": 124.0,
"symbol": "VIsus4",
"root_pc": 11,
"quality": "sus4",
"function": "COL",
"borrowed": false
},
{
"beat": 128.0,
"symbol": "vi7",
"root_pc": 11,
"quality": "min7",
"function": "T",
"borrowed": false
},
{
"beat": 132.0,
"symbol": "IIquintal",
"root_pc": 4,
"quality": "quintal",
"function": "S",
"borrowed": false
},
{
"beat": 136.0,
"symbol": "IIsus2",
"root_pc": 4,
"quality": "sus2",
"function": "S",
"borrowed": false
},
{
"beat": 140.0,
"symbol": "IIsus4",
"root_pc": 4,
"quality": "sus4",
"function": "S",
"borrowed": false
},
{
"beat": 144.0,
"symbol": "VIsus4",
"root_pc": 11,
"quality": "sus4",
"function": "COL",
"borrowed": false
},
{
"beat": 148.0,
"symbol": "Vsus2",
"root_pc": 9,
"quality": "sus2",
"function": "D",
"borrowed": false
},
{
"beat": 152.0,
"symbol": "Vsus4",
"root_pc": 9,
"quality": "sus4",
"function": "D",
"borrowed": false
},
{
"beat": 156.0,
"symbol": "I",
"root_pc": 2,
"quality": "maj",
"function": "T",
"borrowed": false
},
{
"beat": 160.0,
"symbol": "VIsus4",
"root_pc": 11,
"quality": "sus4",
"function": "COL",
"borrowed": false
},
{
"beat": 164.0,
"symbol": "Isus2",
"root_pc": 2,
"quality": "sus2",
"function": "T",
"borrowed": false
},
{
"beat": 168.0,
"symbol": "vi",
"root_pc": 11,
"quality": "min",
"function": "T",
"borrowed": false
},
{
"beat": 172.0,
"symbol": "I6",
"root_pc": 2,
"quality": "maj6",
"function": "T",
"borrowed": false
},
{
"beat": 176.0,
"symbol": "VIsus4",
"root_pc": 11,
"quality": "sus4",
"function": "COL",
"borrowed": false
},
{
"beat": 180.0,
"symbol": "vi7",
"root_pc": 11,
"quality": "min7",
"function": "T",
"borrowed": false
},
{
"beat": 184.0,
"symbol": "IIquintal",
"root_pc": 4,
"quality": "quintal",
"function": "S",
"borrowed": false
},
{
"beat": 188.0,
"symbol": "IIsus2",
"root_pc": 4,
"quality": "sus2",
"function": "S",
"borrowed": false
},
{
"beat": 192.0,
"symbol": "VIsus4",
"root_pc": 11,
"quality": "sus4",
"function": "COL",
"borrowed": false
},
{
"beat": 196.0,
"symbol": "IIquintal",
"root_pc": 4,
"quality": "quintal",
"function": "S",
"borrowed": false
},
{
"beat": 200.0,
"symbol": "I",
"root_pc": 2,
"quality": "maj",
"function": "T",
"borrowed": false
},
{
"beat": 204.0,
"symbol": "VIsus4",
"root_pc": 11,
"quality": "sus4",
"function": "COL",
"borrowed": false
},
{
"beat": 208.0,
"symbol": "VIsus4",
"root_pc": 11,
"quality": "sus4",
"function": "COL",
"borrowed": false
},
{
"beat": 212.0,
"symbol": "Iquintal",
"root_pc": 2,
"quality": "quintal",
"function": "T",
"borrowed": false
}
],
"cadences": [
{
"bar": 11,
"beat": 40.0,
"kind": "HC",
"strength": 0.5
},
{
"bar": 19,
"beat": 72.0,
"kind": "deceptive",
"strength": 0.4
},
{
"bar": 51,
"beat": 200.0,
"kind": "modal_close",
"strength": 0.8
}
],
"devices": [
{
"kind": "pedal",
"pc": 2,
"start_beat": 16.0,
"end_beat": 216.0,
"harmonies_beneath": 14,
"affect": "wonder/threshold"
}
],
"report": {
"n_chords": 54,
"n_changes": 49,
"borrowed_density": 0.0,
"extension_density": 0.0741,
"non_functional_ratio": 0.3673,
"harmonic_rhythm_bars_per_chord": 1.0,
"cadence_inventory": {
"HC": 1,
"deceptive": 1,
"modal_close": 1
},
"named_family": null,
"non_functional_target": 0.35,
"cue_class": "wonder",
"mode_anhemitonic": true,
"roman_reduction": [
"I",
"Iquintal",
"Isus2",
"vi",
"I6",
"Iadd9",
"vi7",
"IIquintal",
"IIsus2",
"IIquintal",
"Vquintal",
"Vsus2",
"Vsus4",
"VIsus4",
"VIsus4",
"Isus2",
"vi",
"Vquintal",
"vi",
"VIsus4",
"VIsus4",
"VIsus4",
"IIsus4",
"Vquintal",
"Vsus2",
"Vsus4",
"I",
"VIsus4",
"Isus2",
"vi",
"I6",
"VIsus4",
"vi7",
"IIquintal",
"IIsus2",
"IIsus4",
"VIsus4",
"Vsus2",
"Vsus4",
"I",
"VIsus4",
"Isus2",
"vi",
"I6",
"VIsus4",
"vi7",
"IIquintal",
"IIsus2",
"VIsus4",
"IIquintal",
"I",
"VIsus4",
"VIsus4",
"Iquintal"
],
"pitch_set": [
2,
4,
6,
9,
11
],
"pitch_set_names": [
"D",
"E",
"F#",
"A",
"B"
],
"mode_constrained": true,
"out_of_set_events": [],
"out_of_set_count": 0,
"out_of_set_unplaced": 0,
"family_span_beats": null,
"vocabulary": [
"I",
"Iquintal",
"Isus2",
"vi",
"I6",
"Iadd9",
"vi7",
"IIquintal",
"IIsus2",
"IIsus4",
"Vquintal",
"Vsus2",
"Vsus4",
"VIsus4"
],
"harm01_note": "no borrowed chord exists inside the declared pitch set [2, 4, 6, 9, 11]; HARM-01 is unreachable under the constraint and is declared rather than forced"
}
}
}