music/pass5/plans/PASS5_FLORES_ROAD.json
{
"schema_version": "pass2-plan/1.0",
"pass": "pass5",
"cue_id": "PASS5_FLORES_ROAD",
"public_name": "Flores Highlands -- the road that keeps count",
"theme_id": "REGION_FLORES_ISLAND",
"theme_family": "FLORES_THE_KEPT_COUNT",
"cue_purpose_class": "EXPLORATION",
"chapter_id": "CH_03",
"region_page": "_source/02_Tier_2_Region_Pages/flores_island.md",
"cue_rows": [
"MC_0048",
"MC_0050",
"MC_0053"
],
"brief": "flores_island.md Section 10 -- the highland-ceremonial register in motion; zone beds for compang_lingko_fields, lingko_forest_edge and wae_rebo_village",
"derivation": [
{
"claim": "the cue set and their registers",
"source": "docs/spine/CH_03.md:245",
"quote": "music_mood -- highland-ceremonial mood rising at the caci duel; instrumentation from the Manggarai gong-waning tradition at reference register (Pak Kornelius's ensemble, Thread 21); combat-cue register for the roused-land and skirmish beats"
},
{
"claim": "the documented instruments, the documented technique and the sourcing law",
"source": "_source/02_Tier_2_Region_Pages/flores_island.md:844",
"quote": "Documented instruments: the Flores gong-waning (the tuned gong-and-drum ensemble) ... Musical theory: the gong-waning interlocking-cycle structure; the ceremonial drumming that scores the caci rounds. No reproduction of protected sacred music -- the gong-waning register is reference-composed, never sampled from consecrated performance."
},
{
"claim": "the region cell must quote the JOURNEY_WORLD head at least once -- satisfied ONCE, as a scheduled leitmotif reference in the road cue, not as three cues' shared tune",
"source": "registries/T0_Theme_Registry [DRAFT v0.1]/T0_Theme_Registry.csv :: REGION_FLORES_ISLAND.transformation_plan",
"quote": "the cell must QUOTE the parent head at least once or the payoff has no soil to grow in"
},
{
"claim": "combat never routes through the community",
"source": "docs/spine/CH_03.md:58",
"quote": "Combat routes through the bought outside Caci Champion, the deforestation extraction crew, the roused naga tana / darat (the violated land, appeased not slain), and the twisted-word sorcerer -- never the Manggarai community."
},
{
"claim": "the caci is a scored, timed contest and a courtesy with teeth, not a brawl",
"source": "docs/spine/CH_03.md:144",
"quote": "Dance the caci rounds against Kaba Lomes ... one dancer holds the whip and one the rattan shield ... a courtesy with teeth and not a brawl, scored and timed"
},
{
"claim": "the region's Thread-21 anchor is the gong-waning and the ceremonial drumming",
"source": "docs/spine/CH_03.md:42",
"quote": "Thread 21 Music -- ANCHOR: the Manggarai gong-waning and ceremonial drumming context (Pak Kornelius's caci ensemble)"
},
{
"claim": "each cue carries its own primary melodic material; the region is carried by everything except the tune",
"source": "docs/spine/DECISIONS_PENDING_JOSH.md (2026-08-07, floor addition)",
"quote": "please don't use the same exemplar melodies across all tracks, even if in the same region we still need novelty"
},
{
"claim": "every cue carries forward energy, scaled by class; the calmest class is peaceful AND uplifting, never sedative",
"source": "docs/spine/DECISIONS_PENDING_JOSH.md (2026-08-07, floor addition)",
"quote": "we are building an ARPG, and this is a fantasy video game that needs to have energy across the board in every track. Scaled by theme as well."
},
{
"claim": "the three repairs this pass exists for, and the two hypotheses it must not re-test",
"source": "build/audio/pass3/PASS3_VERDICT.md",
"quote": "inside every hold, rotate the carrier, the instrument family and the irama level every cycle or two while the declared energy stays flat"
},
{
"claim": "the battle cue's acceptance bar, and that neither axis alone is it",
"source": "docs/work_queue.json :: WQ_0086.critic",
"quote": "measured section count above 8 (round 2's caci measured 8; pass 3 measures 3) AND the battery's dynamic_arc still passing. Either alone is not the bar -- the two axes are the ones in tension."
},
{
"claim": "the form repair is a per-cue schedule and never a shuffle of one schedule",
"source": "docs/work_queue.json :: WQ_0085.note",
"quote": "Do NOT re-run the same schedule with the operations shuffled -- the order is load-bearing (division arch, adjacent-repeat rule, the reset) and a shuffle breaks the doctrine without fixing the sameness."
},
{
"claim": "the arrival must be the fullest point in parts as well as in register",
"source": "build/audio/pass4/PASS4_VERDICT.md section 4",
"quote": "hold the ornament part out of the rotating pair through the arrival, and bring the entries that currently land at c11 in at c13 instead"
},
{
"claim": "a family swap must not change the sounding part count",
"source": "harness/music_gen/pass4_grammar.py :: family_rest_spans",
"quote": "Two families of comparable part count take turns: one rests exactly where the other plays, so the sounding part count is unchanged across the seam and only the timbre moves"
},
{
"claim": "the crowd at the caci ground is canon and its hands are the sound of it",
"source": "docs/spine/CH_03.md:28",
"quote": "a ring and a crowd and a kept count"
}
],
"care": {
"allow_register": "this page's Section 10 documented instruments and technique, reference-composed",
"deny_register": "no consecrated-performance sampling and no fine-tune on one (the sourcing law); no region's own register used as the threat signal, systematically darkened, inverted or menace-coded (CVD 17.1 collective protection expressed in music -- the darkening operations belong to the antagonist material and travel WITH it, never with the place); nothing this page does not attest",
"sources": [
"registries/T0_Theme_Registry [DRAFT v0.1]/T0_Theme_Registry.csv :: REGION_FLORES_ISLAND.allow_register_list",
"registries/T0_Theme_Registry [DRAFT v0.1]/T0_Theme_Registry.csv :: REGION_FLORES_ISLAND.deny_register_list",
"_source/02_Tier_2_Region_Pages/flores_island.md:844 (Section 10)",
"docs/spine/CH_03.md:58 (combat_framing)",
"docs/spine/CH_03.md:226 (Hard-line handling: HL_0003, HL_0005, HL_0123)"
],
"honest_limits": [
"NO PITCHED GONG EXISTS IN EITHER CC0 SET. `Gong 1.sfz` maps three sampled strokes of one instrument, not three pitches, so the tuned-bronze half of a gong waning has no sample-level counterpart here at all. The pitched-metal lane is vibraphone, hand chimes, glockenspiel and xylophone: manufactured concert instruments standing in for tuned bronze, and declared as standing in.",
"THE TUNING IS 12-TET AND A GONG WANING IS NOT. No claim is made that this render is in the tradition's tuning; it is not, and no CC0 route to that tuning exists at this rung.",
"THE BAMBOO FLUTE IS A BAROQUE RECORDER. A wooden edge-blown pipe is the nearest thing either set carries; it is a European concert instrument and is named as an analogue.",
"THE PHRASE GRAMMAR IS CLASSICAL-PERIOD EUROPEAN PRACTICE. It is the FRAME around the region's own form and never a replacement for it: the gong-chime colotomic cycle governs the clock in all three cues and the sentence-and-period apparatus fills the melodic level inside it. Where the two disagree the cycle wins, which is why every phrase is laid on the cycle grid rather than the cycle being cut to fit a phrase.",
"THE KOTEKAN FIGURE SELECTION IS BALINESE PRACTICE APPLIED TO A MANGGARAI NODE, AND THAT IS A DECLARED IMPORT. The ornament lane's own care line warns against filling a documented Manggarai gap with Balinese kotekan because Balinese kotekan is what a composer knows. What is taken here is the general interlocking-cycle principle the region page itself attests for the gong-waning, realised by a figure-selection rule borrowed from a neighbour and named as borrowed; the page's specific gap is left open rather than filled with a plausible sentence.",
"NOTHING HERE HAS BEEN HEARD. Every number attached to these plans is a property of the writing or of a measured render; no listening verdict stands behind any of it.",
"ONE REPAIR WAS BUILT, MEASURED AND REFUTED IN THIS PASS, and it is recorded so the next lane does not spend a render on it. The road cue's composed silence measures -39.4 and -40.2 dB below the track's own p95 against the card's detector cliff at -40, so the card reports a silence fraction of 0.0 while the audio plainly dips; pass 3 reached -41.4 and -42.4 in the identical windows, and pass 4 is simply the louder render (p95 0.134 against 0.115) with tails that scale with it. TESTED: resting every non-long-tailed part for the WHOLE cycle rather than cutting it mid-cycle, so the ensemble really does empty to the two parts the novelty schedule claims. MEASURED: silence fraction 0.0 to 0.0008 -- a hundredth of the corpus median -- while the deepest drop fell from -15.6 dB to -6.61 (the corpus floor is -10.73) and the measured section count fell from 15 to 13. Two axes worse for a token gain on a third, and the mechanism is legible: a cue already thin at the window's start has no sudden drop AT it. The change was reverted. What DID move the drop depth was opening each cut one beat earlier, from -7.79 dB to -15.6, and that is kept.",
"WIDENING THE CUT DID NOT MOVE THE SILENCE FLOOR AT ALL -- identical to two decimal places before and after -- which is what said the residue is a ringing ensemble rather than an edge effect. The remaining route is a loudness and tail policy, which is GAP-183 (no mix, no space, no loudness doctrine anywhere in the corpus) and belongs to that gap rather than to a composition pass.",
"THE ROTATION IS A TREATMENT CHANGE AND ITS FLATNESS IS CHECKED, NOT ASSERTED. Every rotation event carries the energy of the plateau it sits in, `pass4_grammar.rotation_schedule` raises on a plateau whose energies are not identical, and the irama ladder's own elaboration rate is counted per cycle in that module's self-test. What the rotation cannot promise is that a self-similarity segmenter will hear it -- that is a measurement on a render and it is reported after the render rather than predicted here.",
"THE IRAMA IMPLEMENTATION IS A SIMPLIFICATION AND IT IS NAMED. Javanese irama moves the structural tempo and the elaboration density together across five levels; three are implemented here, the structural TEMPO is not changed at all, and what moves is the pokok's note spacing against a fixed cycle. That is density flow without tempo flow, which is half of the tradition's mechanism, used because the half that is implemented is the half that changes the treatment without changing the energy.",
"THE SURFACE SPLIT REDISTRIBUTES AND DOES NOT COMPOSE. Handing the division layer to the ornament instrument widens the carrier's rests, which is what the counter-melody needed; it does not make the ornament writing better, and the ornament part is the same notes it always was, now heard alone instead of doubled under the carrier.",
"THE MIRROR IS A REDISTRIBUTION AND NOT A COMPOSITION. The wood pair plays the metal pair's notes exactly; nothing is written for it. What it buys is that the family swap stops being a hole, which is a measured defect repaired. It does not make the interlocking writing better and no claim is made that it does.",
"NO VOICE IS USED IN ANY OF THESE THREE CUES AND THE PALETTE IS NOT THE REASON. The nine landed CC0 voice and body-percussion ids all resolve a key range as of tonight's instrumentation_cards repair; the region page attests no sung register at this node, and the deny_register line forbids what it does not attest.",
"THE ROOM IS SYNTHETIC AND SAYS SO. Mix, space and loudness are applied by harness/music_gen/mix_policy.py: a seeded exponential-decay stereo impulse (no third-party IR, therefore no IR licence and no attribution), and a loudness target MEASURED off the acquired exemplar corpus per class rather than taken from a broadcast spec. It is a diffuse field with no early-reflection geometry, which gives distance and decay and does not give a room shape."
],
"threat_material_layers": [],
"threat_material_note": "THERE IS NO THREAT MATERIAL IN THIS CUE and that is the point rather than an omission: the region at its own work is the place sounding like itself."
},
"target_duration_s": 223.448,
"tempo_bpm": 116.0,
"beats_per_bar": 4,
"key": {
"tonic_midi": 62,
"mode_name": "D anhemitonic pentatonic (D E F sharp A B) -- authored reference composition",
"scale_semitones": [
0,
2,
4,
7,
9
],
"tuning_note": "12-TET, because the sampler is. A gong waning is not, and nothing in this plan claims otherwise."
},
"cycle": {
"period_bars": 4,
"why": "the colotomic clock: the largest gong marks the cycle and the smaller strokes subdivide it at fixed positions, so the metre is stated by INSTRUMENTATION rather than by accent. The phrase grammar is laid ON this clock and never cuts it."
},
"harmony": [
[
"D",
[
38,
50,
57,
62
]
],
[
"Bm",
[
35,
47,
54,
62
]
],
[
"G",
[
31,
43,
50,
59
]
],
[
"A",
[
33,
45,
52,
57
]
]
],
"harmony_variants": [
[
[
"D",
[
38,
50,
57,
62
]
],
[
"Bm",
[
35,
47,
54,
62
]
],
[
"G",
[
31,
43,
50,
59
]
],
[
"A",
[
33,
45,
52,
57
]
]
],
[
[
"Bm",
[
35,
47,
54,
62
]
],
[
"G",
[
31,
43,
50,
59
]
],
[
"D",
[
38,
50,
57,
62
]
],
[
"A",
[
33,
45,
52,
57
]
]
],
[
[
"G",
[
31,
43,
50,
59
]
],
[
"A",
[
33,
45,
52,
61
]
],
[
"Bm",
[
35,
47,
54,
62
]
],
[
"D",
[
38,
50,
57,
66
]
]
],
[
[
"D",
[
38,
50,
57,
66
]
],
[
"G",
[
31,
43,
50,
62
]
],
[
"A",
[
33,
45,
52,
64
]
],
[
"D",
[
38,
50,
57,
62
]
]
]
],
"pokok": [
0,
1,
2,
3,
5,
3,
2,
0
],
"pokok_variants": [
[
0,
1,
2,
3,
5,
3,
2,
0
],
[
2,
3,
4,
5,
7,
5,
4,
2
],
[
0,
-1,
-2,
-3,
-5,
-3,
-2,
0
],
[
0,
2,
2,
4,
5,
4,
2,
1
]
],
"sections": [
{
"id": "S00",
"name": "the road, alone",
"cycles": 1,
"energy": 0.42,
"intensity": 0.42,
"texture_type": "monophonic",
"colour_change": null,
"harmony_variant": 0,
"pokok_variant": 0
},
{
"id": "S01",
"name": "the ground under it",
"cycles": 1,
"energy": 0.5,
"intensity": 0.5,
"texture_type": "heterophonic",
"colour_change": "solo to ensemble",
"harmony_variant": 0,
"pokok_variant": 0
},
{
"id": "S02",
"name": "the pokok enters",
"cycles": 1,
"energy": 0.58,
"intensity": 0.58,
"texture_type": "stratified",
"colour_change": "family: tuned wood",
"harmony_variant": 1,
"pokok_variant": 0
},
{
"id": "S03",
"name": "the interlock opens",
"cycles": 1,
"energy": 0.66,
"intensity": 0.66,
"texture_type": "polyphonic",
"colour_change": "counter-line: polos",
"harmony_variant": 0,
"pokok_variant": 1
},
{
"id": "S04",
"name": "the answer begins",
"cycles": 1,
"energy": 0.7,
"intensity": 0.7,
"texture_type": "polyphonic",
"colour_change": "carrier: flute",
"harmony_variant": 2,
"pokok_variant": 1
},
{
"id": "S05",
"name": "the horn answers",
"cycles": 1,
"energy": 0.76,
"intensity": 0.76,
"texture_type": "polyphonic",
"colour_change": "counter-melody enters",
"harmony_variant": 1,
"pokok_variant": 2
},
{
"id": "S06",
"name": "the ring fills",
"cycles": 1,
"energy": 0.76,
"intensity": 0.76,
"texture_type": "polyphonic",
"colour_change": "family: plucked",
"harmony_variant": 3,
"pokok_variant": 0
},
{
"id": "S07",
"name": "the cadence is denied",
"cycles": 1,
"energy": 0.76,
"intensity": 0.76,
"texture_type": "polyphonic",
"colour_change": "evaded cadence",
"harmony_variant": 0,
"pokok_variant": 3
},
{
"id": "S08",
"name": "one more time",
"cycles": 1,
"energy": 0.6,
"intensity": 0.6,
"texture_type": "heterophonic",
"colour_change": "the retry",
"harmony_variant": 0,
"pokok_variant": 0
},
{
"id": "S09",
"name": "the departure",
"cycles": 1,
"energy": 0.68,
"intensity": 0.68,
"texture_type": "polyphonic",
"colour_change": "carrier: oboe",
"harmony_variant": 1,
"pokok_variant": 1
},
{
"id": "S10",
"name": "the plagal face",
"cycles": 1,
"energy": 0.76,
"intensity": 0.76,
"texture_type": "polyphonic",
"colour_change": "modal mutation",
"harmony_variant": 2,
"pokok_variant": 2
},
{
"id": "S11",
"name": "the second idea",
"cycles": 1,
"energy": 0.88,
"intensity": 0.88,
"texture_type": "polyphonic",
"colour_change": "second melodic idea",
"harmony_variant": 0,
"pokok_variant": 0
},
{
"id": "S12",
"name": "displaced",
"cycles": 2,
"energy": 0.88,
"intensity": 0.88,
"texture_type": "polyphonic",
"colour_change": "carrier: solo violin",
"harmony_variant": 3,
"pokok_variant": 1
},
{
"id": "S13",
"name": "grown, and combined",
"cycles": 2,
"energy": 0.88,
"intensity": 0.88,
"texture_type": "polyphonic",
"colour_change": "contrapuntal combination",
"harmony_variant": 1,
"pokok_variant": 0
},
{
"id": "S14",
"name": "the ring empties",
"cycles": 1,
"energy": 0.44,
"intensity": 0.44,
"texture_type": "monophonic",
"colour_change": "subtraction, then silence",
"harmony_variant": 2,
"pokok_variant": 3,
"cut": {
"at_beat": 9.0,
"beats": 7.0
},
"cut_survivors": [],
"re_entry_cycle": 17,
"cut_note": "the ring empties and then stops; the augmented theme enters at 17"
},
{
"id": "S15",
"name": "the theme, slowed",
"cycles": 2,
"energy": 0.48,
"intensity": 0.48,
"texture_type": "heterophonic",
"colour_change": "augmentation, coupled",
"harmony_variant": 0,
"pokok_variant": 2
},
{
"id": "S16",
"name": "the last of it",
"cycles": 1,
"energy": 0.44,
"intensity": 0.44,
"texture_type": "monophonic",
"colour_change": "the phrase left incomplete",
"harmony_variant": 1,
"pokok_variant": 0
},
{
"id": "S17",
"name": "and stops",
"cycles": 1,
"energy": 0.4,
"intensity": 0.4,
"texture_type": "monophonic",
"colour_change": "the composed silence",
"harmony_variant": 0,
"pokok_variant": 0,
"cut": {
"at_beat": 5.0,
"beats": 11.0
},
"cut_survivors": [],
"re_entry_cycle": 21,
"cut_note": "the withdrawal before the arrival -- eleven beats of nothing, which is what makes cycle 21 an arrival rather than another statement"
},
{
"id": "S18",
"name": "the arrival",
"cycles": 2,
"energy": 0.88,
"intensity": 0.88,
"texture_type": "polyphonic",
"colour_change": "tutti, widest registration",
"harmony_variant": 2,
"pokok_variant": 1
},
{
"id": "S19",
"name": "the count is kept",
"cycles": 2,
"energy": 0.88,
"intensity": 0.88,
"texture_type": "polyphonic",
"colour_change": "the parent quotation",
"harmony_variant": 0,
"pokok_variant": 0
},
{
"id": "S20",
"name": "the open end",
"cycles": 2,
"energy": 0.54,
"intensity": 0.54,
"texture_type": "heterophonic",
"colour_change": "liquidation into the loop",
"harmony_variant": 0,
"pokok_variant": 0
}
],
"layers": [
{
"id": "B01",
"instrument": "gong.stroke",
"stratum": "background",
"role": "cycle_marker",
"register_slot": "low_bass",
"gain_db": -14.0,
"pan": -0.1,
"velocity": 88,
"entry_cycle": 0,
"exit_cycle": 27,
"rest_spans": [
[
16,
17
],
[
20,
21
]
],
"of_the_place": true,
"pattern": {
"kind": "colotomic",
"strokes": [
{
"at_beat": 0.0,
"key": 60,
"dur": 15.0,
"vel_scale": 1.0
},
{
"at_beat": 8.0,
"key": 61,
"dur": 7.0,
"vel_scale": 0.55
},
{
"at_beat": 0.0,
"key": 62,
"dur": 15.0,
"vel_scale": 0.8,
"every": 4
}
]
},
"source_kind": "authored",
"melodic_role": "none",
"ornament_layer": false,
"long_tail": true,
"cultural_licence": "_source/02_Tier_2_Region_Pages/flores_island.md Section 10 -- the documented ensemble, reference-composed with a declared concert analogue",
"ostinato_whole_cue": true
},
{
"id": "B02",
"instrument": "bass_drum",
"stratum": "background",
"role": "pulse",
"register_slot": "sub",
"gain_db": -17.0,
"pan": 0.0,
"velocity": 78,
"entry_cycle": 1,
"exit_cycle": 27,
"rest_spans": [
[
8,
9
],
[
26,
27
]
],
"of_the_place": true,
"pattern": {
"kind": "colotomic",
"strokes": [
{
"at_beat": 0.0,
"key": 60,
"dur": 1.0
},
{
"at_beat": 8.0,
"key": 60,
"dur": 1.0
}
]
},
"source_kind": "authored",
"melodic_role": "none",
"ornament_layer": false,
"long_tail": false,
"cultural_licence": "_source/02_Tier_2_Region_Pages/flores_island.md Section 10 -- the documented ensemble, reference-composed with a declared concert analogue"
},
{
"id": "B03",
"instrument": "frame_drum",
"stratum": "background",
"role": "pulse",
"register_slot": "bass",
"gain_db": -15.0,
"pan": 0.18,
"velocity": 86,
"entry_cycle": 0,
"exit_cycle": 27,
"rest_spans": [
[
8,
9
],
[
26,
27
]
],
"of_the_place": true,
"pattern": {
"kind": "ostinato",
"grid": [
0.0,
1.5,
3.0,
4.0,
5.5,
7.0,
8.0,
9.5,
11.0,
12.0,
13.5,
15.0
],
"keys": [
60,
62,
61,
60,
63,
61,
60,
62,
64,
60,
63,
61
],
"dur": 0.45
},
"source_kind": "authored",
"melodic_role": "none",
"ornament_layer": false,
"long_tail": false,
"cultural_licence": "_source/02_Tier_2_Region_Pages/flores_island.md Section 10 -- the documented ensemble, reference-composed with a declared concert analogue"
},
{
"id": "B04",
"instrument": "tom.low",
"stratum": "background",
"role": "pulse",
"register_slot": "low_bass",
"gain_db": -18.0,
"pan": -0.28,
"velocity": 74,
"entry_cycle": 2,
"exit_cycle": 27,
"rest_spans": [
[
8,
10
],
[
26,
27
]
],
"of_the_place": true,
"pattern": {
"kind": "ostinato",
"grid": [
0.0,
6.0,
10.0
],
"keys": [
60,
61,
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"note": "the pokok, WRITTEN OUT so the irama level can move it: at level 2 the structural line spreads over twice the time and the elaboration answers with twice as many notes per tone"
},
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83.0,
3.75,
0.69,
0.9
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[
78.0,
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0.69,
0.9
],
[
81.0,
4.25,
0.69,
0.9
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[
83.0,
5.0,
0.69,
0.9
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[
86.0,
5.25,
0.69,
0.9
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[
86.0,
6.5,
0.69,
0.9
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[
83.0,
6.75,
0.69,
0.9
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[
83.0,
13.25,
0.69,
0.9
],
[
78.0,
13.5,
0.69,
0.9
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[
83.0,
14.5,
0.69,
0.9
],
[
86.0,
14.75,
0.69,
0.9
]
],
"15": [
[
88.0,
5.25,
0.69,
0.9
],
[
83.0,
5.5,
0.69,
0.9
],
[
88.0,
6.5,
0.69,
0.9
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[
90.0,
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[
71.0,
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[
74.0,
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[
76.0,
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0.9
],
[
78.0,
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0.9
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[
78.0,
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0.9
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[
69.0,
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0.69,
0.9
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[
71.0,
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0.69,
0.9
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[
74.0,
11.75,
0.69,
0.9
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[
76.0,
12.75,
0.69,
0.9
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[
76.0,
14.25,
0.69,
0.9
]
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"22": [
[
71.0,
0.75,
0.69,
0.9
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[
74.0,
1.75,
0.69,
0.9
],
[
76.0,
3.75,
0.69,
0.9
],
[
78.0,
4.75,
0.69,
0.9
],
[
78.0,
6.25,
0.69,
0.9
],
[
69.0,
8.75,
0.69,
0.9
],
[
71.0,
9.75,
0.69,
0.9
],
[
74.0,
11.75,
0.69,
0.9
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[
76.0,
12.75,
0.69,
0.9
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[
76.0,
14.25,
0.69,
0.9
]
]
},
"note": "THE DIVISION LAYER, AND IT IS NOW THE ONLY PLACE THE DIVISIONS SOUND: passaggi over an unchanged skeleton, applied backwards from each goal tone and leaving the arrival plain. The carrier plays the skeleton and this part plays what division added"
},
"source_kind": "authored",
"melodic_role": "none",
"ornament_layer": true,
"long_tail": false,
"cultural_licence": "_source/02_Tier_2_Region_Pages/flores_island.md Section 10 -- the documented ensemble, reference-composed with a declared concert analogue"
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{
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"velocity": 100,
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[
76.0,
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81.0,
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76.0,
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66.0,
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[
71.0,
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74.0,
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78.0,
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71.0,
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74.0,
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[
76.0,
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[
81.0,
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[
76.0,
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[
74.0,
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[
76.0,
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[
78.0,
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81.0,
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86.0,
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69.0,
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71.0,
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[
71.0,
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[
74.0,
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74.0,
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66.0,
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71.0,
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[
71.0,
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64.0,
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1.0624
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66.0,
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66.0,
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1.0462
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69.0,
13.6987,
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[
69.0,
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2.05128,
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[
76.0,
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[
78.0,
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76.0,
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[
76.0,
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[
74.0,
8.96,
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0.9893
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[
71.0,
10.72,
1.496,
0.9811
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[
69.0,
12.48,
3.52,
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},
"note": "span 1 -- the theme, stated whole and plain"
},
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"melodic_role": "primary",
"ornament_layer": false,
"long_tail": false,
"cultural_licence": "_source/02_Tier_2_Region_Pages/flores_island.md Section 10 -- the documented ensemble, reference-composed with a declared concert analogue"
},
{
"id": "F02",
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"role": "carrier",
"register_slot": "upper_mid",
"gain_db": -8.0,
"pan": -0.06,
"velocity": 100,
"entry_cycle": 4,
"exit_cycle": 13,
"rest_spans": [],
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"pattern": {
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74.0,
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[
76.0,
4.0,
0.75,
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[
81.0,
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],
[
76.0,
6.5,
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0.87
]
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"5": [
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71.0,
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0.75,
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76.0,
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0.5,
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71.0,
3.0,
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69.0,
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66.0,
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[
64.0,
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[
64.0,
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66.0,
11.8,
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69.0,
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69.0,
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71.0,
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74.0,
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76.0,
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81.0,
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76.0,
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74.0,
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76.0,
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76.0,
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78.0,
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[
81.0,
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78.0,
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74.0,
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76.0,
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78.0,
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[
81.0,
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76.0,
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78.0,
12.4,
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1.15
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86.0,
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76.0,
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78.0,
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1.1132
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[
76.0,
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1.0899
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[
76.0,
3.2,
0.68,
1.0665
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[
74.0,
4.0,
0.68,
1.0431
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[
71.0,
4.8,
0.68,
1.0197
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[
69.0,
5.6,
0.68,
0.9964
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[
62.0,
6.4,
1.6,
0.973
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[
62.0,
8.0,
0.75,
0.82
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[
64.0,
9.0,
0.5,
0.8686
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[
67.0,
10.0,
1.25,
0.9171
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[
69.0,
12.0,
0.75,
0.9657
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[
74.0,
13.0,
1.0,
1.0143
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[
69.0,
14.5,
1.0,
1.0629
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"9": [
[
71.0,
8.0,
0.75,
1.1114
],
[
76.0,
10.0,
0.5,
1.16
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[
71.0,
11.0,
1.25,
1.1502
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[
69.0,
12.5,
0.75,
1.1403
],
[
66.0,
13.5,
0.9,
1.1305
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[
64.0,
14.5,
0.9,
1.1206
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"10": [
[
64.0,
3.2,
1.02,
1.1108
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[
66.0,
4.4,
1.02,
1.1009
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[
69.0,
5.6,
2.4,
1.0911
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[
64.0,
8.0,
1.13778,
1.0813
],
[
67.0,
10.27556,
2.84444,
1.0714
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[
69.0,
14.82667,
1.70667,
1.0616
]
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"11": [
[
66.0,
0.53333,
1.13778,
1.0517
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[
70.0,
2.80889,
2.84444,
1.0419
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[
71.0,
7.36,
1.70667,
1.0321
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[
69.0,
9.06667,
1.13778,
1.0222
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[
72.0,
11.34222,
2.84444,
1.0124
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[
74.0,
15.89333,
1.70667,
1.0025
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71.0,
1.6,
1.36,
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[
69.0,
3.2,
1.36,
0.9828
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[
66.0,
4.8,
3.2,
0.973
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]
},
"note": "span 2 -- the answer: a period, its cadence evaded and retried | span 3 -- the departure, mutated into the plagal face"
},
"source_kind": "authored",
"melodic_role": "primary",
"ornament_layer": false,
"long_tail": false,
"cultural_licence": "_source/02_Tier_2_Region_Pages/flores_island.md Section 10 -- the documented ensemble, reference-composed with a declared concert analogue",
"promoted_from": "F01"
},
{
"id": "F03",
"instrument": "oboe.sus_vib",
"stratum": "foreground",
"role": "carrier",
"register_slot": "mid",
"gain_db": -8.5,
"pan": 0.06,
"velocity": 100,
"entry_cycle": 12,
"exit_cycle": 17,
"rest_spans": [],
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74.0,
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77.0,
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84.0,
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77.0,
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74.0,
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77.0,
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[
81.0,
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[
85.0,
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91.0,
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85.0,
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71.0,
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75.0,
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78.0,
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82.0,
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89.0,
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0.994
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[
82.0,
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76.0,
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78.0,
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80.0,
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0.75,
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83.0,
10.75,
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87.0,
11.0,
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78.0,
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81.0,
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0.23,
1.0572
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82.0,
14.0,
0.75,
1.0651
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83.0,
14.75,
0.23,
1.073
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89.0,
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81.0,
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1.25,
1.0888
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83.0,
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0.23,
1.0967
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[
85.0,
2.0,
0.75,
1.1047
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[
88.0,
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0.23,
1.1126
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[
91.0,
3.0,
1.0,
1.1205
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[
83.0,
4.0,
1.25,
1.1284
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[
86.0,
5.75,
0.23,
1.1363
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[
87.0,
6.0,
0.75,
1.1442
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[
88.0,
6.75,
0.23,
1.1521
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[
94.0,
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1.16
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80.0,
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1.1366
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1.1132
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80.0,
13.14286,
2.05714,
1.0899
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[
81.0,
15.2,
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1.0665
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78.0,
0.6667,
1.2467,
1.0431
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[
76.0,
2.1333,
1.2467,
1.0197
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74.0,
3.6,
1.2467,
0.9964
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[
66.0,
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2.9333,
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},
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"melodic_role": "primary",
"ornament_layer": false,
"long_tail": false,
"cultural_licence": "no region licence claimed: this is the scoring frame, not the region's own register",
"promoted_from": "F02"
},
{
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76.0,
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81.0,
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69.0,
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71.0,
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74.0,
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[
78.0,
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[
74.0,
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[
69.0,
0.0,
1.5,
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[
71.0,
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74.0,
4.0,
2.5,
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[
76.0,
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81.0,
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76.0,
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},
"note": "span 5 -- the subtraction: presentation only, augmented, incomplete, and the chain reset to the plant"
},
"source_kind": "authored",
"melodic_role": "primary",
"ornament_layer": false,
"long_tail": false,
"cultural_licence": "no region licence claimed: this is the scoring frame, not the region's own register",
"promoted_from": "F03"
},
{
"id": "F05",
"instrument": "clarinet.sus",
"stratum": "foreground",
"role": "carrier",
"register_slot": "low_mid",
"gain_db": -7.5,
"pan": 0.06,
"velocity": 100,
"entry_cycle": 21,
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"rest_spans": [
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23,
25
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74.0,
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76.0,
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69.0,
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71.0,
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74.0,
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76.0,
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81.0,
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76.0,
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66.0,
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69.0,
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71.0,
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74.0,
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78.0,
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74.0,
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76.0,
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78.0,
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76.0,
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78.0,
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76.0,
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76.0,
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78.0,
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76.0,
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},
"note": "span 6 -- the arrival, near-plain, then the open end | the loop join -- liquidation, cadence withheld, ending a step under the tonic so the loop wants to continue"
},
"source_kind": "authored",
"melodic_role": "primary",
"ornament_layer": false,
"long_tail": false,
"cultural_licence": "no region licence claimed: this is the scoring frame, not the region's own register",
"promoted_from": "F04"
},
{
"id": "R01",
"instrument": "flute.stac",
"stratum": "foreground",
"role": "carrier_relief",
"register_slot": "mid",
"gain_db": -8.0,
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"velocity": 100,
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81.0,
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[
78.0,
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76.0,
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74.0,
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78.0,
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76.0,
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71.0,
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74.0,
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71.0,
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},
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},
"source_kind": "authored",
"melodic_role": "primary",
"ornament_layer": false,
"long_tail": false,
"cultural_licence": "no region licence claimed: this is the scoring frame, not the region's own register",
"promoted_from": "F01"
},
{
"id": "R02",
"instrument": "recorder.soprano",
"stratum": "foreground",
"role": "carrier_relief",
"register_slot": "presence",
"gain_db": -8.0,
"pan": 0.14,
"velocity": 100,
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76.0,
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76.0,
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74.0,
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71.0,
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59.0,
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]
},
"note": "the relief carrier: inside a plateau the theme is handed here for a block of one or two cycles and taken back, so the hold keeps its energy and loses its sameness"
},
"source_kind": "authored",
"melodic_role": "primary",
"ornament_layer": false,
"long_tail": false,
"cultural_licence": "no region licence claimed: this is the scoring frame, not the region's own register",
"promoted_from": "F01"
},
{
"id": "F07",
"instrument": "horn.sus",
"stratum": "foreground",
"role": "counter_melody",
"register_slot": "bass",
"gain_db": -12.0,
"pan": 0.22,
"velocity": 84,
"entry_cycle": 4,
"exit_cycle": 16,
"rest_spans": [],
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"pattern": {
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59.0,
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57.0,
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52.0,
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50.0,
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]
],
"6": [
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42.0,
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45.0,
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"7": [
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52.0,
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61.0,
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52.0,
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50.0,
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0.95,
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56.0,
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]
],
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40.0,
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42.0,
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1.45,
0.9
]
],
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[
38.0,
2.0,
0.7,
0.9
],
[
35.0,
6.0,
1.2,
0.9
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42.0,
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0.7,
0.9
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45.0,
14.5,
1.45,
0.9
]
],
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59.0,
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],
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54.0,
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47.0,
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45.0,
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0.5125,
0.9
]
],
"15": [
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61.0,
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]
},
"note": "the five-step counter-melody, derived against the NEAR-PLAIN carrier: onsets in the tune's longest rests, contour reflected, seeded from the tune and then free, one octave clear"
},
"source_kind": "authored",
"melodic_role": "secondary",
"ornament_layer": false,
"long_tail": false,
"cultural_licence": "no region licence claimed: this is the scoring frame, not the region's own register"
},
{
"id": "F08",
"instrument": "recorder.alto",
"stratum": "foreground",
"role": "second_idea",
"register_slot": "presence",
"gain_db": -12.5,
"pan": -0.3,
"velocity": 82,
"entry_cycle": 8,
"exit_cycle": 25,
"rest_spans": [
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21
]
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74.0,
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66.0,
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62.0,
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]
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69.0,
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74.0,
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66.0,
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69.0,
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74.0,
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69.0,
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66.0,
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62.0,
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]
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69.0,
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74.0,
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66.0,
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64.0,
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62.0,
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69.0,
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74.0,
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69.0,
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66.0,
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62.0,
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69.0,
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74.0,
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69.0,
11.5,
1.25,
0.86
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[
66.0,
13.0,
0.75,
0.86
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[
64.0,
14.0,
0.9,
0.86
],
[
62.0,
15.0,
0.9,
0.86
]
],
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69.0,
8.5,
0.75,
0.86
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[
74.0,
10.5,
0.5,
0.86
],
[
69.0,
11.5,
1.25,
0.86
],
[
66.0,
13.0,
0.75,
0.86
],
[
64.0,
14.0,
0.9,
0.86
],
[
62.0,
15.0,
0.9,
0.86
]
],
"15": [
[
69.0,
8.5,
0.75,
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[
74.0,
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0.5,
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69.0,
11.5,
1.25,
0.86
],
[
66.0,
13.0,
0.75,
0.86
],
[
64.0,
14.0,
0.9,
0.86
],
[
62.0,
15.0,
0.9,
0.86
]
],
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69.0,
0.5,
0.75,
0.86
],
[
74.0,
2.5,
0.5,
0.86
],
[
69.0,
3.5,
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0.86
],
[
66.0,
5.0,
0.75,
0.86
],
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64.0,
6.0,
0.9,
0.86
],
[
62.0,
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0.86
]
],
"22": [
[
69.0,
0.5,
0.75,
0.86
],
[
74.0,
2.5,
0.5,
0.86
],
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69.0,
3.5,
1.25,
0.86
],
[
66.0,
5.0,
0.75,
0.86
],
[
64.0,
6.0,
0.9,
0.86
],
[
62.0,
7.0,
0.9,
0.86
]
],
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69.0,
0.5,
0.75,
0.86
],
[
74.0,
2.5,
0.5,
0.86
],
[
69.0,
3.5,
1.25,
0.86
],
[
66.0,
5.0,
0.75,
0.86
],
[
64.0,
6.0,
0.9,
0.86
],
[
62.0,
7.0,
0.9,
0.86
]
],
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[
69.0,
0.5,
0.75,
0.86
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[
74.0,
2.5,
0.5,
0.86
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69.0,
3.5,
1.25,
0.86
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66.0,
5.0,
0.75,
0.86
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[
64.0,
6.0,
0.9,
0.86
],
[
62.0,
7.0,
0.9,
0.86
]
]
},
"note": "the contrasting idea -- the theme's retrograde, transposed: family membership guaranteed, recognition never claimed (Dowling 1972)"
},
"source_kind": "authored",
"melodic_role": "second_tune",
"ornament_layer": false,
"long_tail": false,
"cultural_licence": "_source/02_Tier_2_Region_Pages/flores_island.md Section 10 -- the documented ensemble, reference-composed with a declared concert analogue"
},
{
"id": "F09",
"instrument": "trumpet.sus",
"stratum": "foreground",
"role": "parent_quotation",
"register_slot": "upper_mid",
"gain_db": -11.0,
"pan": 0.0,
"velocity": 92,
"entry_cycle": 23,
"exit_cycle": 24,
"rest_spans": [],
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62.0,
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66.0,
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],
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69.0,
2.0,
2.0,
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],
[
78.0,
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4.0,
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]
]
},
"note": "the JOURNEY_WORLD head, verbatim, once"
},
"source_kind": "authored",
"melodic_role": "none",
"ornament_layer": false,
"long_tail": false,
"cultural_licence": "no region licence claimed: this is the scoring frame, not the region's own register"
},
{
"id": "W01",
"instrument": "xylophone",
"stratum": "middleground",
"role": "elaboration_polos_wood",
"register_slot": "upper_mid",
"gain_db": -15.0,
"pan": 0.34,
"velocity": 68,
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8,
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],
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16,
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],
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],
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62.0,
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69.0,
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69.0,
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74.0,
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74.0,
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74.0,
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69.0,
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69.0,
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69.0,
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66.0,
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64.0,
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66.0,
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66.0,
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66.0,
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62.0,
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62.0,
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62.0,
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62.0,
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62.0,
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64.0,
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62.0,
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1.0
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64.0,
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64.0,
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1.0
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66.0,
6.0,
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1.0
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64.0,
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2.25,
1.0
],
[
66.0,
8.0,
2.25,
1.0
],
[
66.0,
9.0,
2.25,
1.0
],
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69.0,
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66.0,
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69.0,
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69.0,
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1.0
],
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69.0,
14.0,
5.0,
1.0
]
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74.0,
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74.0,
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74.0,
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2.25,
1.0
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69.0,
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1.0
],
[
69.0,
4.0,
2.25,
1.0
],
[
69.0,
5.0,
2.25,
1.0
],
[
66.0,
6.0,
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"kind": "instrument_entry",
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{
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"why": "the interlocking polos opens above it"
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{
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"kind": "texture_change",
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{
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"kind": "beat_drop",
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{
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"kind": "hook_transformation",
"magnitude": "large",
"layer_ids": [],
"why": "span 5: presentation only, augmented and coupled"
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{
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"kind": "texture_change",
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"why": "the phrase is left incomplete"
},
{
"cycle": 20,
"kind": "beat_drop",
"magnitude": "large",
"layer_ids": [],
"why": "and stops"
},
{
"cycle": 21,
"kind": "hook_return",
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"layer_ids": [],
"why": "span 6: the arrival, near-plain, widest registration"
},
{
"cycle": 23,
"kind": "hook_return",
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},
{
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"kind": "texture_change",
"magnitude": "small",
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},
{
"cycle": 25,
"kind": "texture_change",
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"why": "liquidation into the loop join, cadence withheld"
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{
"cycle": 26,
"kind": "instrument_exit",
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{
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],
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{
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{
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}
]
},
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{
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},
{
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{
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{
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},
{
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}
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],
[
74,
12.0,
0.75
],
[
76.0,
12.75,
0.23
],
[
78,
13.0,
1.0
],
[
76.0,
14.25,
0.23
],
[
74,
14.5,
1.0
],
[
69,
16.0,
0.75
],
[
71.0,
16.75,
0.23
],
[
71,
17.0,
0.5
],
[
74.0,
17.75,
0.23
],
[
74,
18.0,
1.25
],
[
76.0,
19.75,
0.23
],
[
76,
20.0,
0.75
],
[
78.0,
20.75,
0.23
],
[
81,
21.0,
1.0
],
[
78.0,
22.25,
0.23
],
[
76,
22.5,
1.0
],
[
66,
24.0,
0.75
],
[
69.0,
24.75,
0.23
],
[
69,
25.0,
0.5
],
[
71.0,
25.75,
0.23
],
[
71,
26.0,
1.25
],
[
74.0,
27.75,
0.23
],
[
74,
28.0,
0.75
],
[
76.0,
28.75,
0.23
],
[
78,
29.0,
1.0
],
[
76.0,
30.25,
0.23
],
[
74,
30.5,
1.0
],
[
76,
32.0,
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],
[
78.0,
33.2738,
0.23
],
[
81,
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1.5238
],
[
78.0,
35.5595,
0.23
],
[
76,
35.8095,
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],
[
74,
37.3333,
1.1429
],
[
76.0,
38.6071,
0.23
],
[
78,
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1.5238
],
[
76.0,
40.8929,
0.23
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[
74,
41.1429,
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],
[
71,
42.6667,
1.1429
],
[
74.0,
43.9405,
0.23
],
[
76,
44.1905,
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],
[
74.0,
46.2262,
0.23
],
[
71,
46.4762,
1.5238
],
[
76,
48.0,
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],
[
78.0,
50.0571,
2.0571
],
[
76,
53.1429,
2.0571
],
[
76.0,
55.2,
1.2467
],
[
74.0,
56.6667,
1.2467
],
[
71.0,
58.1333,
1.2467
],
[
69.0,
59.6,
1.2467
],
[
59.0,
61.0667,
2.9333
]
]
},
{
"id": "ROAD_P7",
"theme_type": "coda",
"scale": "compound",
"start_bar": 100,
"bars": 8,
"functions": [
{
"name": "cadential",
"start_bar": 0,
"end_bar": 8
}
],
"cadence": {
"type": "none_withheld",
"bar": 7,
"strength": 0
},
"expansion": null,
"basic_idea_ref": "ROAD",
"derived_from": "ROAD_P6",
"operation": "liquidation",
"division_level": 0,
"structural_pitches": [],
"operations": [
{
"op": "liquidation",
"where": "the loop join",
"params": {
"steps": 3,
"target": "stepwise"
}
}
],
"span_label": "the loop join -- liquidation, cadence withheld, ending a step under the tonic so the loop wants to continue",
"note_count": 10,
"notes": [
[
76,
0.0,
1.8286
],
[
78.0,
2.4381,
2.4381
],
[
76,
6.0952,
2.4381
],
[
76,
10.6667,
1.8286
],
[
78.0,
13.1048,
2.4381
],
[
76,
16.7619,
2.4381
],
[
76,
21.3333,
1.8286
],
[
78.0,
23.7714,
2.4381
],
[
59.0,
26.6667,
5.3333
],
[
76,
27.4286,
2.4381
]
]
}
],
"statements": [
{
"id": "ROAD_P1",
"derived_from": null,
"operation": "plant",
"bars": 16,
"start_bar": 0,
"division_level": 0,
"theme_type": "sentence",
"cadence": "HC",
"span": 1,
"why": "span 1 -- the theme, stated whole and plain"
},
{
"id": "ROAD_P2",
"derived_from": "ROAD_P1",
"operation": "sequence_tonal",
"bars": 18,
"start_bar": 16,
"division_level": 1,
"theme_type": "period",
"cadence": "evaded_then_PAC",
"span": 2,
"why": "span 2 -- the answer: a period, its cadence evaded and retried"
},
{
"id": "ROAD_P3",
"derived_from": "ROAD_P2",
"operation": "modal_mutation",
"bars": 16,
"start_bar": 34,
"division_level": 2,
"theme_type": "hybrid_ant_cont",
"cadence": "IAC",
"span": 3,
"why": "span 3 -- the departure, mutated into the plagal face"
},
{
"id": "ROAD_P4",
"derived_from": "ROAD_P3",
"operation": "rhythmic_displacement",
"bars": 16,
"start_bar": 50,
"division_level": 2,
"theme_type": "sentence",
"cadence": "IAC",
"span": 4,
"why": "span 4 -- displaced against a held grid, and combined"
},
{
"id": "ROAD_P5",
"derived_from": null,
"operation": "augmentation",
"bars": 12,
"start_bar": 68,
"division_level": 0,
"theme_type": "presentation_only",
"cadence": "none_withheld",
"span": 5,
"why": "span 5 -- the subtraction: presentation only, augmented, incomplete, and the chain reset to the plant"
},
{
"id": "ROAD_P6",
"derived_from": "ROAD_P1",
"operation": "reharmonisation_profound",
"bars": 16,
"start_bar": 84,
"division_level": 1,
"theme_type": "sentence",
"cadence": "none_withheld",
"span": 6,
"why": "span 6 -- the arrival, near-plain, then the open end"
},
{
"id": "ROAD_P7",
"derived_from": "ROAD_P6",
"operation": "liquidation",
"bars": 8,
"start_bar": 100,
"division_level": 0,
"theme_type": "coda",
"cadence": "none_withheld",
"span": 7,
"why": "the loop join -- liquidation, cadence withheld, ending a step under the tonic so the loop wants to continue"
}
],
"melodic_schedule": [
{
"span": 1,
"primary": "F01",
"secondary": null,
"relief_inside_holds": [
"R01",
"R02"
],
"relinquished": null
},
{
"span": 2,
"primary": "F02",
"secondary": "F07",
"relief_inside_holds": [
"R01",
"R02"
],
"relinquished": "F01"
},
{
"span": 3,
"primary": "F02",
"secondary": "F07",
"relief_inside_holds": [
"R01",
"R02"
],
"relinquished": "F02"
},
{
"span": 4,
"primary": "F03",
"secondary": "F07",
"relief_inside_holds": [
"R01",
"R02"
],
"relinquished": "F02"
},
{
"span": 5,
"primary": "F04",
"secondary": null,
"relief_inside_holds": [
"R01",
"R02"
],
"relinquished": "F03"
},
{
"span": 6,
"primary": "F05",
"secondary": "F08",
"relief_inside_holds": [
"R01",
"R02"
],
"relinquished": "F04"
}
],
"silence_windows": [
{
"cycle": 16,
"at_beat": 10.0,
"beats": 6.0,
"why": "the ensemble empties and then stops -- six beats of nothing inside the two-bar gap the phrase plan leaves before the subtraction"
},
{
"cycle": 20,
"at_beat": 6.0,
"beats": 10.0,
"why": "the withdrawal that makes the arrival an arrival"
}
],
"leitmotif_references": [
{
"kind": "parent_quotation",
"what": "JOURNEY_WORLD's four head notes, verbatim, with the licensed +9 leap",
"at_cycle": 23,
"layer": "F09",
"earned_by": "the arrival span, where the road opens onto the lingko fields and the count the chapter is named for is kept -- one scheduled moment, in one cue of the three",
"notes": [
[
62,
0.0,
1.0
],
[
66,
1.0,
1.0
],
[
69,
2.0,
2.0
],
[
78,
4.0,
4.0
]
]
},
{
"kind": "near_plain_arrival",
"what": "the theme, near-plain, in the widest registration of the cue",
"at_cycle": 21,
"layer": "F05",
"earned_by": "plant-then-never-neutrally, with its one licensed exception at the arrival"
}
],
"instrumentation_plan": {
"region": "Manggarai highlands, western Flores",
"period": "pre-colonial, roughly 1000-1500 CE (T0_Chapter_Index :: CH_03.era)",
"documented_register": "the gong-waning tuned gong-and-drum ensemble and its interlocking-cycle structure; the ceremonial drumming that scores the caci rounds",
"realisation": "a concert gong marking the cycle, frame drum and toms as the hand-drum layer, shaker and claps as the ring keeping time, marimba carrying a WRITTEN-OUT pokok whose spacing moves with the irama level, vibraphone and hand chimes interlocking above it, xylophone carrying the division layer alone, and recorders, flute, oboe, clarinet and solo violin taking the theme one span each with two relief players inside the holds.",
"care_line": "reference-composed, never sampled from consecrated performance; the concert analogues are declared per layer and in honest_limits"
},
"declared_expectations": {
"max_cycles_unchanged_bound": 3,
"energy_note": "EXPLORATION leans BRIGHT and forward, carried by a continuous eighth-note layer that never stops, a climbing theme, and a register that lifts across the six spans.",
"score_side_targets": "build/audio/pass3/SCORE_SCORECARD.json is the primary acceptance evidence per the score-first ruling; the audio battery is the render-fidelity check and runs second",
"note": "These are PREDICTIONS about the render, stated so the render can falsify them. Nothing here has been heard."
},
"repairs": {
"_doc": "the three residual defects named by build/audio/pass3/PASS3_VERDICT.md, repaired",
"WQ_0086_hold_rotation": {
"plateaus": [
{
"from_section": 5,
"to_section": 7,
"energy": 0.76,
"cycles": [
5,
8
],
"spine_cycles": 0,
"spine_seconds": 0.0,
"plateau_cycles": 3,
"why": "this plateau is too short to carry rotation AND a hold, so it rotates throughout and was never going to read as a hold"
},
{
"from_section": 11,
"to_section": 13,
"energy": 0.88,
"cycles": [
11,
16
],
"spine_cycles": 3,
"spine_seconds": 24.83,
"plateau_cycles": 5,
"why": "the treatment settles for the last stretch of this plateau, so the arrival reads as a hold and the climb into it still rotates"
},
{
"from_section": 18,
"to_section": 19,
"energy": 0.88,
"cycles": [
21,
25
],
"spine_cycles": 0,
"spine_seconds": 0.0,
"plateau_cycles": 4,
"why": "this plateau is too short to carry rotation AND a hold, so it rotates throughout and was never going to read as a hold"
}
],
"events": [
{
"cycle": 5,
"cycles": 2,
"sections": [
"S05",
"S06"
],
"energy": 0.76,
"carrier": "own",
"carrier_held": true,
"family": "tuned_metal",
"irama_level": 1,
"why": "treatment rotates while the declared energy stays flat -- the corpus holds 0.407 of its length AND turns 5.09 boundaries a minute. THE CARRIER IS HELD HERE: an answering voice is running and the two-voice dialogue is already this block's treatment change"
},
{
"cycle": 7,
"cycles": 1,
"sections": [
"S07"
],
"energy": 0.76,
"carrier": "own",
"carrier_held": true,
"family": "plucked",
"irama_level": 2,
"why": "treatment rotates while the declared energy stays flat -- the corpus holds 0.407 of its length AND turns 5.09 boundaries a minute. THE CARRIER IS HELD HERE: an answering voice is running and the two-voice dialogue is already this block's treatment change"
},
{
"cycle": 11,
"cycles": 2,
"sections": [
"S11",
"S12"
],
"energy": 0.88,
"carrier": "own",
"carrier_held": true,
"family": "tuned_metal",
"irama_level": 1,
"why": "treatment rotates while the declared energy stays flat -- the corpus holds 0.407 of its length AND turns 5.09 boundaries a minute. THE CARRIER IS HELD HERE: an answering voice is running and the two-voice dialogue is already this block's treatment change"
},
{
"cycle": 21,
"cycles": 2,
"sections": [
"S18"
],
"energy": 0.88,
"carrier": "own",
"carrier_held": false,
"family": "plucked",
"irama_level": 2,
"why": "treatment rotates while the declared energy stays flat -- the corpus holds 0.407 of its length AND turns 5.09 boundaries a minute"
},
{
"cycle": 23,
"cycles": 1,
"sections": [
"S19"
],
"energy": 0.88,
"carrier": "relief_A",
"carrier_held": false,
"family": "tuned_metal",
"irama_level": 1,
"why": "treatment rotates while the declared energy stays flat -- the corpus holds 0.407 of its length AND turns 5.09 boundaries a minute"
},
{
"cycle": 24,
"cycles": 1,
"sections": [
"S19"
],
"energy": 0.88,
"carrier": "relief_B",
"carrier_held": false,
"family": "plucked",
"irama_level": 2,
"why": "treatment rotates while the declared energy stays flat -- the corpus holds 0.407 of its length AND turns 5.09 boundaries a minute"
}
],
"hold_spines": [
{
"from_section": 5,
"to_section": 7,
"spine_cycles": 0,
"spine_seconds": 0.0,
"plateau_cycles": 3,
"why": "this plateau is too short to carry rotation AND a hold, so it rotates throughout and was never going to read as a hold"
},
{
"from_section": 11,
"to_section": 13,
"spine_cycles": 3,
"spine_seconds": 24.83,
"plateau_cycles": 5,
"why": "the treatment settles for the last stretch of this plateau, so the arrival reads as a hold and the climb into it still rotates"
},
{
"from_section": 18,
"to_section": 19,
"spine_cycles": 0,
"spine_seconds": 0.0,
"plateau_cycles": 4,
"why": "this plateau is too short to carry rotation AND a hold, so it rotates throughout and was never going to read as a hold"
}
],
"hold_spine_s_requested": 23.0,
"hold_spine_waiver": null,
"definition": "a plateau is two or more consecutive sections at the identical declared energy; a rotation event changes carrier, instrument family and irama level every one to two cycles inside one, and changes no energy anywhere. Where an answering voice is running the CARRIER is held and the other two axes rotate on, which is declared per event as carrier_held",
"irama_base_level": 1,
"energy_untouched": true,
"why": "pass 3's holds held the energy AND the layer set, so a chroma-and-MFCC segmenter read four to six cycles as one block -- twenty-two planned sections measured as three. The corpus holds 0.407 of its length AND turns 5.09 boundaries a minute, which is music that holds its ENERGY while continuously changing its TREATMENT."
},
"WQ_0085_span_schedule": {
"operation_sequence": [
"plant",
"sequence_tonal",
"modal_mutation",
"rhythmic_displacement",
"augmentation",
"reharmonisation_profound",
"liquidation"
],
"division_levels": [
0,
1,
2,
2,
0,
1
],
"span_bars": [
16,
18,
16,
16,
12,
16,
8
],
"form_sequence": [
"sentence",
"period",
"hybrid_ant_cont",
"sentence",
"presentation_only",
"sentence",
"coda"
],
"surface_split": {
"carrier_notes": 243,
"ornament_notes": 125,
"why": "the carrier plays the near-plain build and the ornament instrument plays what division added; the cue is redistributed, never thinned"
},
"carrier_rows": [
{
"layer": "F01",
"spans": [
1
],
"notes_kept": 46,
"notes_handed_to_relief": 0
},
{
"layer": "F02",
"spans": [
2,
3
],
"notes_kept": 70,
"notes_handed_to_relief": 0
},
{
"layer": "F03",
"spans": [
4
],
"notes_kept": 52,
"notes_handed_to_relief": 0
},
{
"layer": "F04",
"spans": [
5
],
"notes_kept": 18,
"notes_handed_to_relief": 0
},
{
"layer": "F05",
"spans": [
6,
7
],
"notes_kept": 34,
"notes_handed_to_relief": 23
},
{
"layer": "R01",
"role": "relief",
"notes_kept": 15
},
{
"layer": "R02",
"role": "relief",
"notes_kept": 8
}
],
"family_rows": [
{
"_pass4_rotating_set_ignored": [
"M02",
"M03",
"M04",
"M06",
"M07",
"M08"
],
"_pass5_rotating_set": [
"M02",
"M03"
],
"_why": "everything else left the rotating set: a structural line, a clock, a drum or an ornament that disappears is a dynamic change, not a treatment change"
},
{
"layer": "M02",
"family": "tuned_metal",
"rests_added": [
[
7,
8
],
[
21,
23
],
[
24,
25
]
],
"cycles_handed_to_mirror": [
7,
21,
22,
24
],
"mirror": {
"layer": "W01",
"instrument": "xylophone",
"notes": 60
}
},
{
"layer": "M03",
"family": "tuned_metal",
"rests_added": [
[
7,
8
],
[
21,
23
],
[
24,
25
]
],
"cycles_handed_to_mirror": [
7,
21,
22,
24
],
"mirror": {
"layer": "W02",
"instrument": "marimba",
"notes": 72
}
}
],
"why": "pass 3's three cues shared one operation sequence, one 35/28 split and one chain shape of 2.286/4/1. This cue's schedule is its own and the doctrine is checked on it rather than inherited from one hard-coded arch."
},
"counter_melody_surface_split": {
"carrier_notes": 243,
"ornament_notes": 125,
"why": "PASS3_VERDICT.md section 2: hand the division layer to the ornament part and leave the carrier nearer its skeleton, which widens the gaps without thinning the cue. The carrier plays the near-plain build; the ornament instrument plays what division added; the counter-melody is derived against the carrier the scorecard will measure."
},
"PASS5": {
"_doc": "the pass-5 repairs, each naming the artifact that asked for it",
"weight_neutral_family_rotation": {
"asked_by": "build/audio/pass4/PASS4_VERDICT.md section 4 (FALLS fails dynamic_arc with 0 holds) plus the parts-per-cycle measurement that found the mechanism: harness/music_gen/pass4_grammar.py :: family_rest_spans claims 'the sounding part count is unchanged across the seam' and it was not — three metal layers at ~46 notes a cycle rested into two plucked layers at ~16",
"mirrors": {
"M02": "W01",
"M03": "W02"
},
"rotating_families": [
"tuned_metal",
"tuned_wood"
],
"left_the_rotating_set": "the pokok, the colotomic clock, the drums, the figuration, the colour parts and the ORNAMENT — the verdict's own named repair, now a consequence of the rule rather than a case"
},
"arrival_is_the_fullest_point": null,
"layers_exchanged_for_the_mirror": null,
"hold_spine_s": {
"ROAD": 23.0,
"FALLS": 25.0,
"ROUNDS": 0.0
},
"crowd_hands": null,
"voice_palette": {
"used": false,
"reachable": true,
"why_not": "the plans' own deny_register is 'nothing this page does not attest', and Section 10 of _source/02_Tier_2_Region_Pages/flores_island.md documents the gong-waning ensemble and the ceremonial drumming and attests no sung or chanted register — while flagging its own caci/gong-waning substrate as THIN. A chant here would fill a documented gap with what a composer happens to own. The nine landed voice and body-percussion ids all resolve a range now (verified), so the absence is a ruling and not a blocker"
}
}
}
}