music/pass3/plans/PASS3_FLORES_ROAD.json
{
"schema_version": "pass2-plan/1.0",
"pass": "pass3",
"cue_id": "PASS3_FLORES_ROAD",
"public_name": "Flores Highlands -- the road that keeps count",
"theme_id": "REGION_FLORES_ISLAND",
"theme_family": "FLORES_THE_KEPT_COUNT",
"cue_purpose_class": "EXPLORATION",
"chapter_id": "CH_03",
"region_page": "_source/02_Tier_2_Region_Pages/flores_island.md",
"cue_rows": [
"MC_0048",
"MC_0050",
"MC_0053"
],
"brief": "flores_island.md Section 10 -- the highland-ceremonial register in motion; zone beds for compang_lingko_fields, lingko_forest_edge and wae_rebo_village",
"derivation": [
{
"claim": "the cue set and their registers",
"source": "docs/spine/CH_03.md:245",
"quote": "music_mood -- highland-ceremonial mood rising at the caci duel; instrumentation from the Manggarai gong-waning tradition at reference register (Pak Kornelius's ensemble, Thread 21); combat-cue register for the roused-land and skirmish beats"
},
{
"claim": "the documented instruments, the documented technique and the sourcing law",
"source": "_source/02_Tier_2_Region_Pages/flores_island.md:844",
"quote": "Documented instruments: the Flores gong-waning (the tuned gong-and-drum ensemble) ... Musical theory: the gong-waning interlocking-cycle structure; the ceremonial drumming that scores the caci rounds. No reproduction of protected sacred music -- the gong-waning register is reference-composed, never sampled from consecrated performance."
},
{
"claim": "the region cell must quote the JOURNEY_WORLD head at least once -- satisfied ONCE, as a scheduled leitmotif reference in the road cue, not as three cues' shared tune",
"source": "registries/T0_Theme_Registry [DRAFT v0.1]/T0_Theme_Registry.csv :: REGION_FLORES_ISLAND.transformation_plan",
"quote": "the cell must QUOTE the parent head at least once or the payoff has no soil to grow in"
},
{
"claim": "combat never routes through the community",
"source": "docs/spine/CH_03.md:58",
"quote": "Combat routes through the bought outside Caci Champion, the deforestation extraction crew, the roused naga tana / darat (the violated land, appeased not slain), and the twisted-word sorcerer -- never the Manggarai community."
},
{
"claim": "the caci is a scored, timed contest and a courtesy with teeth, not a brawl",
"source": "docs/spine/CH_03.md:144",
"quote": "Dance the caci rounds against Kaba Lomes ... one dancer holds the whip and one the rattan shield ... a courtesy with teeth and not a brawl, scored and timed"
},
{
"claim": "the region's Thread-21 anchor is the gong-waning and the ceremonial drumming",
"source": "docs/spine/CH_03.md:42",
"quote": "Thread 21 Music -- ANCHOR: the Manggarai gong-waning and ceremonial drumming context (Pak Kornelius's caci ensemble)"
},
{
"claim": "each cue carries its own primary melodic material; the region is carried by everything except the tune",
"source": "docs/spine/DECISIONS_PENDING_JOSH.md (2026-08-07, floor addition)",
"quote": "please don't use the same exemplar melodies across all tracks, even if in the same region we still need novelty"
},
{
"claim": "every cue carries forward energy, scaled by class; the calmest class is peaceful AND uplifting, never sedative",
"source": "docs/spine/DECISIONS_PENDING_JOSH.md (2026-08-07, floor addition)",
"quote": "we are building an ARPG, and this is a fantasy video game that needs to have energy across the board in every track. Scaled by theme as well."
}
],
"care": {
"allow_register": "this page's Section 10 documented instruments and technique, reference-composed",
"deny_register": "no consecrated-performance sampling and no fine-tune on one (the sourcing law); no region's own register used as the threat signal, systematically darkened, inverted or menace-coded (CVD 17.1 collective protection expressed in music -- the darkening operations belong to the antagonist material and travel WITH it, never with the place); nothing this page does not attest",
"sources": [
"registries/T0_Theme_Registry [DRAFT v0.1]/T0_Theme_Registry.csv :: REGION_FLORES_ISLAND.allow_register_list",
"registries/T0_Theme_Registry [DRAFT v0.1]/T0_Theme_Registry.csv :: REGION_FLORES_ISLAND.deny_register_list",
"_source/02_Tier_2_Region_Pages/flores_island.md:844 (Section 10)",
"docs/spine/CH_03.md:58 (combat_framing)",
"docs/spine/CH_03.md:226 (Hard-line handling: HL_0003, HL_0005, HL_0123)"
],
"honest_limits": [
"NO PITCHED GONG EXISTS IN EITHER CC0 SET. `Gong 1.sfz` maps three sampled strokes of one instrument, not three pitches, so the tuned-bronze half of a gong waning has no sample-level counterpart here at all. The pitched-metal lane is vibraphone, hand chimes, glockenspiel and xylophone: manufactured concert instruments standing in for tuned bronze, and declared as standing in.",
"THE TUNING IS 12-TET AND A GONG WANING IS NOT. No claim is made that this render is in the tradition's tuning; it is not, and no CC0 route to that tuning exists at this rung.",
"THE BAMBOO FLUTE IS A BAROQUE RECORDER. A wooden edge-blown pipe is the nearest thing either set carries; it is a European concert instrument and is named as an analogue.",
"THE PHRASE GRAMMAR IS CLASSICAL-PERIOD EUROPEAN PRACTICE. It is the FRAME around the region's own form and never a replacement for it: the gong-chime colotomic cycle governs the clock in all three cues and the sentence-and-period apparatus fills the melodic level inside it. Where the two disagree the cycle wins, which is why every phrase is laid on the cycle grid rather than the cycle being cut to fit a phrase.",
"THE KOTEKAN FIGURE SELECTION IS BALINESE PRACTICE APPLIED TO A MANGGARAI NODE, AND THAT IS A DECLARED IMPORT. The ornament lane's own care line warns against filling a documented Manggarai gap with Balinese kotekan because Balinese kotekan is what a composer knows. What is taken here is the general interlocking-cycle principle the region page itself attests for the gong-waning, realised by a figure-selection rule borrowed from a neighbour and named as borrowed; the page's specific gap is left open rather than filled with a plausible sentence.",
"NOTHING HERE HAS BEEN HEARD. Every number attached to these plans is a property of the writing or of a measured render; no listening verdict stands behind any of it."
],
"threat_material_layers": [],
"threat_material_note": "THERE IS NO THREAT MATERIAL IN THIS CUE and that is the point rather than an omission: the region at its own work is the place sounding like itself. No layer here is menace-coded and there is nothing for a darkening operation to attach to."
},
"target_duration_s": 223.448,
"tempo_bpm": 116.0,
"beats_per_bar": 4,
"key": {
"tonic_midi": 62,
"mode_name": "D anhemitonic pentatonic (D E F sharp A B) -- authored reference composition",
"scale_semitones": [
0,
2,
4,
7,
9
],
"tuning_note": "12-TET, because the sampler is. A gong waning is not, and nothing in this plan claims otherwise."
},
"cycle": {
"period_bars": 4,
"why": "the colotomic clock: the largest gong marks the cycle and the smaller strokes subdivide it at fixed positions, so the metre is stated by INSTRUMENTATION rather than by accent. The phrase grammar is laid ON this clock and never cuts it."
},
"harmony": [
[
"D",
[
38,
50,
57,
62
]
],
[
"Bm",
[
35,
47,
54,
62
]
],
[
"G",
[
31,
43,
50,
59
]
],
[
"A",
[
33,
45,
52,
57
]
]
],
"harmony_variants": [
[
[
"D",
[
38,
50,
57,
62
]
],
[
"Bm",
[
35,
47,
54,
62
]
],
[
"G",
[
31,
43,
50,
59
]
],
[
"A",
[
33,
45,
52,
57
]
]
],
[
[
"Bm",
[
35,
47,
54,
62
]
],
[
"G",
[
31,
43,
50,
59
]
],
[
"D",
[
38,
50,
57,
62
]
],
[
"A",
[
33,
45,
52,
57
]
]
],
[
[
"G",
[
31,
43,
50,
59
]
],
[
"A",
[
33,
45,
52,
61
]
],
[
"Bm",
[
35,
47,
54,
62
]
],
[
"D",
[
38,
50,
57,
66
]
]
],
[
[
"D",
[
38,
50,
57,
66
]
],
[
"G",
[
31,
43,
50,
62
]
],
[
"A",
[
33,
45,
52,
64
]
],
[
"D",
[
38,
50,
57,
62
]
]
]
],
"pokok": [
0,
1,
2,
3,
5,
3,
2,
0
],
"pokok_variants": [
[
0,
1,
2,
3,
5,
3,
2,
0
],
[
2,
3,
4,
5,
7,
5,
4,
2
],
[
0,
-1,
-2,
-3,
-5,
-3,
-2,
0
],
[
0,
2,
2,
4,
5,
4,
2,
1
]
],
"sections": [
{
"id": "S00",
"name": "the road, alone",
"cycles": 1,
"energy": 0.42,
"intensity": 0.42,
"texture_type": "monophonic",
"colour_change": null,
"harmony_variant": 0,
"pokok_variant": 0
},
{
"id": "S01",
"name": "the ground under it",
"cycles": 1,
"energy": 0.5,
"intensity": 0.5,
"texture_type": "heterophonic",
"colour_change": "solo to ensemble",
"harmony_variant": 0,
"pokok_variant": 0
},
{
"id": "S02",
"name": "the pokok enters",
"cycles": 1,
"energy": 0.58,
"intensity": 0.58,
"texture_type": "stratified",
"colour_change": "family: tuned wood",
"harmony_variant": 1,
"pokok_variant": 0
},
{
"id": "S03",
"name": "the interlock opens",
"cycles": 1,
"energy": 0.66,
"intensity": 0.66,
"texture_type": "polyphonic",
"colour_change": "counter-line: polos",
"harmony_variant": 0,
"pokok_variant": 1
},
{
"id": "S04",
"name": "the answer begins",
"cycles": 1,
"energy": 0.7,
"intensity": 0.7,
"texture_type": "polyphonic",
"colour_change": "carrier: flute",
"harmony_variant": 2,
"pokok_variant": 1
},
{
"id": "S05",
"name": "the horn answers",
"cycles": 1,
"energy": 0.76,
"intensity": 0.76,
"texture_type": "polyphonic",
"colour_change": "counter-melody enters",
"harmony_variant": 1,
"pokok_variant": 2
},
{
"id": "S06",
"name": "the ring fills",
"cycles": 1,
"energy": 0.76,
"intensity": 0.76,
"texture_type": "polyphonic",
"colour_change": "family: plucked",
"harmony_variant": 3,
"pokok_variant": 0
},
{
"id": "S07",
"name": "the cadence is denied",
"cycles": 1,
"energy": 0.76,
"intensity": 0.76,
"texture_type": "polyphonic",
"colour_change": "evaded cadence",
"harmony_variant": 0,
"pokok_variant": 3
},
{
"id": "S08",
"name": "one more time",
"cycles": 1,
"energy": 0.6,
"intensity": 0.6,
"texture_type": "heterophonic",
"colour_change": "the retry",
"harmony_variant": 0,
"pokok_variant": 0
},
{
"id": "S09",
"name": "the departure",
"cycles": 1,
"energy": 0.68,
"intensity": 0.68,
"texture_type": "polyphonic",
"colour_change": "carrier: oboe",
"harmony_variant": 1,
"pokok_variant": 1
},
{
"id": "S10",
"name": "the plagal face",
"cycles": 1,
"energy": 0.76,
"intensity": 0.76,
"texture_type": "polyphonic",
"colour_change": "modal mutation",
"harmony_variant": 2,
"pokok_variant": 2
},
{
"id": "S11",
"name": "the second idea",
"cycles": 1,
"energy": 0.88,
"intensity": 0.88,
"texture_type": "polyphonic",
"colour_change": "second melodic idea",
"harmony_variant": 0,
"pokok_variant": 0
},
{
"id": "S12",
"name": "displaced",
"cycles": 2,
"energy": 0.88,
"intensity": 0.88,
"texture_type": "polyphonic",
"colour_change": "carrier: solo violin",
"harmony_variant": 3,
"pokok_variant": 1
},
{
"id": "S13",
"name": "grown, and combined",
"cycles": 2,
"energy": 0.88,
"intensity": 0.88,
"texture_type": "polyphonic",
"colour_change": "contrapuntal combination",
"harmony_variant": 1,
"pokok_variant": 0
},
{
"id": "S14",
"name": "the ring empties",
"cycles": 1,
"energy": 0.44,
"intensity": 0.44,
"texture_type": "monophonic",
"colour_change": "subtraction, then silence",
"harmony_variant": 2,
"pokok_variant": 3,
"cut": {
"at_beat": 10.0,
"beats": 6.0
},
"cut_survivors": [],
"re_entry_cycle": 17,
"cut_note": "the ring empties and then stops; the augmented theme enters at 17"
},
{
"id": "S15",
"name": "the theme, slowed",
"cycles": 2,
"energy": 0.48,
"intensity": 0.48,
"texture_type": "heterophonic",
"colour_change": "augmentation, coupled",
"harmony_variant": 0,
"pokok_variant": 2
},
{
"id": "S16",
"name": "the last of it",
"cycles": 1,
"energy": 0.44,
"intensity": 0.44,
"texture_type": "monophonic",
"colour_change": "the phrase left incomplete",
"harmony_variant": 1,
"pokok_variant": 0
},
{
"id": "S17",
"name": "and stops",
"cycles": 1,
"energy": 0.4,
"intensity": 0.4,
"texture_type": "monophonic",
"colour_change": "the composed silence",
"harmony_variant": 0,
"pokok_variant": 0,
"cut": {
"at_beat": 6.0,
"beats": 10.0
},
"cut_survivors": [],
"re_entry_cycle": 21,
"cut_note": "the withdrawal before the arrival -- ten beats of nothing, which is what makes cycle 21 an arrival rather than another statement"
},
{
"id": "S18",
"name": "the arrival",
"cycles": 2,
"energy": 0.88,
"intensity": 0.88,
"texture_type": "polyphonic",
"colour_change": "tutti, widest registration",
"harmony_variant": 2,
"pokok_variant": 1
},
{
"id": "S19",
"name": "the count is kept",
"cycles": 2,
"energy": 0.88,
"intensity": 0.88,
"texture_type": "polyphonic",
"colour_change": "the parent quotation",
"harmony_variant": 0,
"pokok_variant": 0
},
{
"id": "S20",
"name": "the open end",
"cycles": 2,
"energy": 0.54,
"intensity": 0.54,
"texture_type": "heterophonic",
"colour_change": "liquidation into the loop",
"harmony_variant": 0,
"pokok_variant": 0
}
],
"layers": [
{
"id": "B01",
"instrument": "gong.stroke",
"stratum": "background",
"role": "cycle_marker",
"register_slot": "low_bass",
"gain_db": -13.0,
"pan": -0.1,
"velocity": 96,
"entry_cycle": 0,
"exit_cycle": 27,
"rest_spans": [
[
16,
17
],
[
20,
21
]
],
"of_the_place": true,
"pattern": {
"kind": "colotomic",
"strokes": [
{
"at_beat": 0.0,
"key": 60,
"dur": 15.0,
"vel_scale": 1.0
},
{
"at_beat": 8.0,
"key": 61,
"dur": 7.0,
"vel_scale": 0.62
},
{
"at_beat": 0.0,
"key": 62,
"dur": 15.0,
"vel_scale": 0.85,
"every": 4
}
]
},
"source_kind": "authored",
"melodic_role": "none",
"ornament_layer": false,
"long_tail": true,
"cultural_licence": "_source/02_Tier_2_Region_Pages/flores_island.md Section 10 -- the documented ensemble, reference-composed with a declared concert analogue",
"ostinato_whole_cue": true
},
{
"id": "B02",
"instrument": "bass_drum",
"stratum": "background",
"role": "pulse",
"register_slot": "sub",
"gain_db": -17.0,
"pan": 0.0,
"velocity": 78,
"entry_cycle": 1,
"exit_cycle": 27,
"rest_spans": [
[
8,
9
],
[
26,
27
]
],
"of_the_place": true,
"pattern": {
"kind": "colotomic",
"strokes": [
{
"at_beat": 0.0,
"key": 60,
"dur": 1.0
},
{
"at_beat": 8.0,
"key": 60,
"dur": 1.0
}
]
},
"source_kind": "authored",
"melodic_role": "none",
"ornament_layer": false,
"long_tail": false,
"cultural_licence": "_source/02_Tier_2_Region_Pages/flores_island.md Section 10 -- the documented ensemble, reference-composed with a declared concert analogue"
},
{
"id": "B03",
"instrument": "frame_drum",
"stratum": "background",
"role": "pulse",
"register_slot": "bass",
"gain_db": -15.0,
"pan": 0.18,
"velocity": 86,
"entry_cycle": 0,
"exit_cycle": 27,
"rest_spans": [
[
8,
9
],
[
26,
27
]
],
"of_the_place": true,
"pattern": {
"kind": "ostinato",
"grid": [
0.0,
1.5,
3.0,
4.0,
5.5,
7.0,
8.0,
9.5,
11.0,
12.0,
13.5,
15.0
],
"keys": [
60,
62,
61,
60,
63,
61,
60,
62,
64,
60,
63,
61
],
"dur": 0.45
},
"source_kind": "authored",
"melodic_role": "none",
"ornament_layer": false,
"long_tail": false,
"cultural_licence": "_source/02_Tier_2_Region_Pages/flores_island.md Section 10 -- the documented ensemble, reference-composed with a declared concert analogue"
},
{
"id": "B04",
"instrument": "tom.low",
"stratum": "background",
"role": "pulse",
"register_slot": "low_bass",
"gain_db": -18.0,
"pan": -0.28,
"velocity": 74,
"entry_cycle": 2,
"exit_cycle": 27,
"rest_spans": [
[
8,
10
],
[
26,
27
]
],
"of_the_place": true,
"pattern": {
"kind": "ostinato",
"grid": [
0.0,
6.0,
10.0
],
"keys": [
60,
61,
60
],
"dur": 0.55
},
"source_kind": "authored",
"melodic_role": "none",
"ornament_layer": false,
"long_tail": false,
"cultural_licence": "_source/02_Tier_2_Region_Pages/flores_island.md Section 10 -- the documented ensemble, reference-composed with a declared concert analogue"
},
{
"id": "B05",
"instrument": "slit_drum",
"stratum": "background",
"role": "pulse",
"register_slot": "low_mid",
"gain_db": -19.0,
"pan": 0.34,
"velocity": 70,
"entry_cycle": 1,
"exit_cycle": 24,
"rest_spans": [
[
8,
10
]
],
"of_the_place": true,
"pattern": {
"kind": "ostinato",
"grid": [
2.0,
5.0,
9.0,
13.0
],
"keys": [
60,
61
],
"dur": 0.35,
"rotate_per_cycle": 1
},
"source_kind": "authored",
"melodic_role": "none",
"ornament_layer": false,
"long_tail": false,
"cultural_licence": "_source/02_Tier_2_Region_Pages/flores_island.md Section 10 -- the documented ensemble, reference-composed with a declared concert analogue"
},
{
"id": "B06",
"instrument": "shaker",
"stratum": "background",
"role": "pulse",
"register_slot": "air",
"gain_db": -21.0,
"pan": 0.42,
"velocity": 58,
"entry_cycle": 1,
"exit_cycle": 27,
"rest_spans": [],
"of_the_place": true,
"pattern": {
"kind": "ostinato",
"grid": [
0.0,
0.5,
1.0,
1.5,
2.0,
2.5,
3.0,
3.5,
4.0,
4.5,
5.0,
5.5,
6.0,
6.5,
7.0,
7.5,
8.0,
8.5,
9.0,
9.5,
10.0,
10.5,
11.0,
11.5,
12.0,
12.5,
13.0,
13.5,
14.0,
14.5,
15.0,
15.5
],
"keys": [
60,
61,
62
],
"dur": 0.22
},
"source_kind": "authored",
"melodic_role": "none",
"ornament_layer": false,
"long_tail": false,
"cultural_licence": "_source/02_Tier_2_Region_Pages/flores_island.md Section 10 -- the documented ensemble, reference-composed with a declared concert analogue"
},
{
"id": "B07",
"instrument": "claps",
"stratum": "background",
"role": "pulse",
"register_slot": "presence",
"gain_db": -20.0,
"pan": -0.44,
"velocity": 66,
"entry_cycle": 3,
"exit_cycle": 27,
"rest_spans": [
[
8,
11
],
[
26,
27
]
],
"of_the_place": true,
"pattern": {
"kind": "ostinato",
"grid": [
2.0,
6.0,
10.0,
14.0
],
"keys": [
60,
61
],
"dur": 0.25
},
"source_kind": "authored",
"melodic_role": "none",
"ornament_layer": false,
"long_tail": false,
"cultural_licence": "_source/02_Tier_2_Region_Pages/flores_island.md Section 10 -- the documented ensemble, reference-composed with a declared concert analogue"
},
{
"id": "B08",
"instrument": "woodblock",
"stratum": "background",
"role": "pulse",
"register_slot": "presence",
"gain_db": -20.0,
"pan": 0.4,
"velocity": 72,
"entry_cycle": 5,
"exit_cycle": 27,
"rest_spans": [
[
8,
11
],
[
26,
27
]
],
"of_the_place": true,
"pattern": {
"kind": "ostinato",
"grid": [
1.0,
4.0,
9.0,
12.0
],
"keys": [
60,
61,
62
],
"dur": 0.2
},
"source_kind": "authored",
"melodic_role": "none",
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"note": "span 5 -- the subtraction: presentation only, augmented, incomplete, and the chain reset to the plant"
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{
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76.0,
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[
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[
78.0,
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76.0,
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[
74.0,
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[
71.0,
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[
76.0,
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76.0,
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78.0,
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76.0,
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76.0,
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1.1132
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[
78.0,
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[
76.0,
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78.0,
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59.0,
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76.0,
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},
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},
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"promoted_from": "F05"
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"id": "F07",
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"register_slot": "bass",
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},
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69.0,
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66.0,
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0.75,
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64.0,
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62.0,
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69.0,
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74.0,
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69.0,
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64.0,
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62.0,
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69.0,
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74.0,
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0.5,
0.86
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69.0,
3.5,
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66.0,
5.0,
0.75,
0.86
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64.0,
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0.9,
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62.0,
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0.9,
0.86
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69.0,
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74.0,
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69.0,
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66.0,
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64.0,
6.0,
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62.0,
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},
"note": "the contrasting idea -- the theme's retrograde, transposed: family membership guaranteed, recognition never claimed (Dowling 1972)"
},
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"melodic_role": "second_tune",
"ornament_layer": false,
"long_tail": false,
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},
{
"id": "F09",
"instrument": "trumpet.sus",
"stratum": "foreground",
"role": "parent_quotation",
"register_slot": "upper_mid",
"gain_db": -11.0,
"pan": 0.0,
"velocity": 92,
"entry_cycle": 23,
"exit_cycle": 24,
"rest_spans": [],
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"pattern": {
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62.0,
0.0,
1.0,
1.05
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66.0,
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1.0,
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[
69.0,
2.0,
2.0,
1.05
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[
78.0,
4.0,
4.0,
1.05
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]
},
"note": "the JOURNEY_WORLD head, verbatim, once"
},
"source_kind": "authored",
"melodic_role": "none",
"ornament_layer": false,
"long_tail": false,
"cultural_licence": "no region licence claimed: this is the scoring frame, not the region's own register"
}
],
"novelty_schedule": [
{
"cycle": 1,
"kind": "instrument_entry",
"magnitude": "medium",
"layer_ids": [],
"why": "the drums arrive under the stated theme"
},
{
"cycle": 2,
"kind": "instrument_entry",
"magnitude": "medium",
"layer_ids": [],
"why": "the pokok enters on marimba"
},
{
"cycle": 3,
"kind": "instrument_entry",
"magnitude": "medium",
"layer_ids": [],
"why": "the interlocking polos opens above it"
},
{
"cycle": 4,
"kind": "hook_transformation",
"magnitude": "large",
"layer_ids": [],
"why": "span 2: the answer, on flute, as a period"
},
{
"cycle": 5,
"kind": "instrument_entry",
"magnitude": "large",
"layer_ids": [],
"why": "the horn's counter-melody, in the theme's own rests"
},
{
"cycle": 6,
"kind": "instrument_entry",
"magnitude": "small",
"layer_ids": [],
"why": "harp and the plucked frame"
},
{
"cycle": 7,
"kind": "hook_transformation",
"magnitude": "large",
"layer_ids": [],
"why": "the cadence is EVADED at its expected bar"
},
{
"cycle": 8,
"kind": "texture_change",
"magnitude": "medium",
"layer_ids": [],
"why": "the retry, thinned"
},
{
"cycle": 9,
"kind": "hook_transformation",
"magnitude": "large",
"layer_ids": [],
"why": "span 3: the departure, on oboe"
},
{
"cycle": 10,
"kind": "harmonic_shift",
"magnitude": "large",
"layer_ids": [],
"why": "modal mutation into the plagal face"
},
{
"cycle": 11,
"kind": "instrument_entry",
"magnitude": "medium",
"layer_ids": [],
"why": "the contrasting idea enters as a real second voice"
},
{
"cycle": 12,
"kind": "hook_transformation",
"magnitude": "large",
"layer_ids": [],
"why": "span 4: grown by a factor of 1.5 and displaced"
},
{
"cycle": 14,
"kind": "texture_change",
"magnitude": "large",
"layer_ids": [],
"why": "theme and second idea together, once"
},
{
"cycle": 16,
"kind": "beat_drop",
"magnitude": "large",
"layer_ids": [],
"why": "the ensemble empties to two parts, and then stops"
},
{
"cycle": 17,
"kind": "hook_transformation",
"magnitude": "large",
"layer_ids": [],
"why": "span 5: presentation only, augmented and coupled"
},
{
"cycle": 19,
"kind": "texture_change",
"magnitude": "medium",
"layer_ids": [],
"why": "the phrase is left incomplete"
},
{
"cycle": 20,
"kind": "beat_drop",
"magnitude": "large",
"layer_ids": [],
"why": "and stops"
},
{
"cycle": 21,
"kind": "hook_return",
"magnitude": "large",
"layer_ids": [],
"why": "span 6: the arrival, near-plain, widest registration"
},
{
"cycle": 23,
"kind": "hook_return",
"magnitude": "large",
"layer_ids": [],
"why": "the parent head, quoted once, where it is earned"
},
{
"cycle": 25,
"kind": "texture_change",
"magnitude": "large",
"layer_ids": [],
"why": "liquidation into the loop join, cadence withheld"
},
{
"cycle": 26,
"kind": "instrument_exit",
"magnitude": "medium",
"layer_ids": [],
"why": "the ensemble leaves one part at a time"
}
],
"hook": {
"name": "the road that keeps count",
"head_cell": [
[
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0.0,
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[
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2.0,
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76,
6.5,
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],
"head_bars": 2,
"plain_statement_cycle": 0,
"breathability": {
"rest_fraction": 0.3,
"why": "a gapless hook forbids dialogue by construction; round 2's head measured 0.000 and both its counterlines scored onset coincidence 1.00"
},
"returns": [
{
"cycle": 4,
"transform": "sequence_tonal",
"layer": "F02",
"note": "span 2 -- the answer: a period, its cadence evaded and retried"
},
{
"cycle": 8,
"transform": "modal_mutation",
"layer": "F03",
"note": "span 3 -- the departure, mutated into the plagal face"
},
{
"cycle": 12,
"transform": "rhythmic_displacement",
"layer": "F04",
"note": "span 4 -- displaced against a held grid, and combined"
},
{
"cycle": 17,
"transform": "augmentation",
"layer": "F05",
"note": "span 5 -- the subtraction: presentation only, augmented, incomplete, and the chain reset to the plant"
},
{
"cycle": 21,
"transform": "reharmonisation_profound",
"layer": "F06",
"note": "span 6 -- the arrival, near-plain, then the open end"
},
{
"cycle": 25,
"transform": "liquidation",
"layer": "F06",
"note": "the loop join -- liquidation, cadence withheld, ending a step under the tonic so the loop wants to continue"
}
]
},
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"id": "ROAD",
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"role": "primary",
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],
"rest_fraction": 0.3,
"contour": [
1,
1,
1,
1,
-1
],
"spine": [
2,
3,
2,
5,
-5
],
"why": "upbeat register: the corpus says upbeat is energy, brightness and forward motion rather than major mode, so this idea CLIMBS and the accompaniment never stops moving"
},
{
"id": "ROAD_CONTRAST",
"label": "the answering idea",
"role": "contrasting",
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],
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1,
-1,
-1,
-1,
-1
],
"spine": [
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-5,
-2,
-3,
-2
],
"why": "the theme's retrograde, transposed -- family membership guaranteed, recognition never claimed"
}
],
"mode": "D anhemitonic pentatonic (D E F sharp A B) -- authored reference composition",
"borrowed_mode": "G anhemitonic pentatonic -- the plagal face",
"care_gate_on_modal_mutation": "the mutation applied to the PLACE's material moves to the same collection heard from another centre, which is brighter rather than darker. deny_register_list forbids the region's own register from being systematically darkened, and this cue has no antagonist material for a darkening operation to attach to."
},
"phrases": [
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"bars": 16,
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},
{
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},
{
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"start_bar": 12,
"end_bar": 16
}
],
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"bar": 15,
"strength": 1
},
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"derived_from": null,
"operation": "plant",
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"op": "sequence_tonal",
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}
},
{
"op": "sequence_tonal",
"where": "presentation/repetition[statement_response]",
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},
{
"op": "fragmentation",
"where": "continuation",
"params": {
"which": "head"
}
},
{
"op": "sequence_tonal",
"where": "continuation",
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"step_degrees": -1
}
},
{
"op": "division",
"where": "continuation",
"params": {
"level": 1
}
},
{
"op": "liquidation",
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"params": {
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}
}
],
"span_label": "span 1 -- the theme, stated whole and plain",
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]
},
{
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{
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},
{
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},
{
"name": "continuation",
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},
{
"name": "cadential",
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"end_bar": 18
}
],
"cadence": {
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"bar": 17,
"strength": 3,
"weak_cadence": "HC",
"weak_strength": 1,
"evaded_at_bar": 15
},
"expansion": {
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"bars_added": 2,
"at_bar": 16,
"normalises_to": 16
},
"basic_idea_ref": "ROAD",
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],
"operations": [
{
"op": "division",
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}
},
{
"op": "fragmentation",
"where": "consequent",
"params": {
"which": "largest_leap",
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}
},
{
"op": "evaded_cadence",
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"params": {
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}
},
{
"op": "phrase_expansion",
"where": "one-more-time retry",
"params": {
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"bars": 2
}
}
],
"span_label": "span 2 -- the answer: a period, its cadence evaded and retried",
"note_count": 63,
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74.0,
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76.0,
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1.0
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78.0,
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0.23
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76.0,
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78.0,
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74.0,
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76.0,
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],
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71.0,
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],
[
69.0,
69.6,
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],
[
62.0,
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]
]
},
{
"id": "ROAD_P3",
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"scale": "compound",
"start_bar": 34,
"bars": 16,
"functions": [
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},
{
"name": "contrasting_idea",
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},
{
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},
{
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}
],
"cadence": {
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"bar": 15,
"strength": 2
},
"expansion": null,
"basic_idea_ref": "ROAD_PLAGAL",
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],
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],
"operations": [
{
"op": "fragmentation",
"where": "continuation",
"params": {
"which": "interior"
}
},
{
"op": "sequence_tonal",
"where": "continuation",
"params": {
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"step_degrees": 1
}
}
],
"span_label": "span 3 -- the departure, mutated into the plagal face",
"note_count": 67,
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},
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{
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}
],
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},
{
"op": "sequence_tonal",
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{
"op": "fragmentation",
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},
{
"op": "sequence_tonal",
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},
{
"op": "division",
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},
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],
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},
{
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"at_beat": 6.0,
"beats": 10.0,
"why": "the withdrawal that makes the arrival an arrival"
}
],
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{
"kind": "parent_quotation",
"what": "JOURNEY_WORLD's four head notes, verbatim, with the licensed +9 leap",
"at_cycle": 23,
"layer": "F09",
"earned_by": "the arrival span, where the road opens onto the lingko fields and the count the chapter is named for is kept -- one scheduled moment, in one cue of the three, which is what the registry's transformation_plan asks for",
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1.0
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"what": "the theme, near-plain, in the widest registration of the cue",
"at_cycle": 21,
"layer": "F06",
"earned_by": "plant-then-never-neutrally, with its one licensed exception at the arrival"
}
],
"instrumentation_plan": {
"region": "Manggarai highlands, western Flores",
"period": "pre-colonial, roughly 1000-1500 CE (T0_Chapter_Index :: CH_03.era)",
"documented_register": "the gong-waning tuned gong-and-drum ensemble and its interlocking-cycle structure; the ceremonial drumming that scores the caci rounds",
"realisation": "a concert gong marking the cycle, frame drum and toms as the hand-drum layer, shaker and claps as the ring keeping time, marimba carrying a pokok derived from the theme's own spine, vibraphone and hand chimes interlocking above it with the figure chosen by its destination, xylophone carrying the division layer, and recorders, flute, oboe, clarinet and solo violin taking the theme one span each.",
"care_line": "reference-composed, never sampled from consecrated performance; the concert analogues are declared per layer and in honest_limits"
},
"declared_expectations": {
"max_cycles_unchanged_bound": 3,
"energy_note": "EXPLORATION leans BRIGHT and forward. The corpus says upbeat is energy, brightness and forward motion rather than major mode -- BATTLE is zero of five major and the brightest class in the whole corpus -- so this cue carries it with a continuous eighth-note layer that never stops, a climbing theme, and a register that lifts across the six spans.",
"score_side_targets": "build/audio/pass3/SCORE_SCORECARD.json is the primary acceptance evidence per the score-first ruling; the audio battery is the render-fidelity check and runs second",
"note": "These are PREDICTIONS about the render, stated so the render can falsify them. Nothing here has been heard."
}
}