music/generated/COMPLETE_PICKS.json
{
"_doc": "What the site may serve from the COMPLETE-TRACK lane.",
"_emitter": "harness/music_gen/emit_complete_picks.py",
"_ruling_served": "Josh 2026-08-05 -- 12 to 20 complete tracks with actual full orchestra complexity, not one 30-second texture fifteen times.",
"_rung": "COMPLETE_TRACK",
"_rung_rank": 4,
"_rung_note": "Rank 4, above the recomposed rung two, because these are complete CUES rather than theme statements. The 30-second rungs are not deleted; they demote to an archive row on the same page.",
"_archive_note": "The earlier thirty-second rung, kept rather than removed. This is the cohort the complete tracks are an answer to, and it is the control arm the sameness measurement was taken on — a page that dropped it would be hiding the comparison that makes the answer legible.",
"_refusals_are_measurements": "R1 and R2 read per_part_tiling.json and loop_cadence.json. A track serves when the rulers say it may, never because someone remembered that it was fixed.",
"picks_n": 11,
"refusals_n": 9,
"bridge_records_written": [
"build/audio/records/complete_tracks/HF_MT_02_EXPLORATION_TRAVERSAL/HF_MT_02_EXPLORATION_TRAVERSAL.generation.json",
"build/audio/records/complete_tracks/HF_MT_03_BATTLE_ORDINARY/HF_MT_03_BATTLE_ORDINARY.generation.json",
"build/audio/records/complete_tracks/HF_MT_05_BOSS_APEX/HF_MT_05_BOSS_APEX.generation.json",
"build/audio/records/complete_tracks/HF_MT_07_TRADE_AND_FESTIVAL/HF_MT_07_TRADE_AND_FESTIVAL.generation.json",
"build/audio/records/complete_tracks/HF_MT_08_SORROW_LOSS/HF_MT_08_SORROW_LOSS.generation.json",
"build/audio/records/complete_tracks/HF_MT_09_WONDER_DISCOVERY/HF_MT_09_WONDER_DISCOVERY.generation.json",
"build/audio/records/complete_tracks/HF_MT_11_REGION_FLORES/HF_MT_11_REGION_FLORES.generation.json",
"build/audio/records/complete_tracks/HF_MT_13_REGION_SUMATRA_JAVA/HF_MT_13_REGION_SUMATRA_JAVA.generation.json",
"build/audio/records/complete_tracks/HF_MT_15_REGION_SOUTH_INDIA/HF_MT_15_REGION_SOUTH_INDIA.generation.json",
"build/audio/records/complete_tracks/HF_MT_17_REGION_ETHIOPIA/HF_MT_17_REGION_ETHIOPIA.generation.json",
"build/audio/records/complete_tracks/HF_MT_19_REGION_WEST_AFRICA/HF_MT_19_REGION_WEST_AFRICA.generation.json"
],
"refusals": [
{
"artifact": "HF_MT_01_TITLE",
"rule": "R3",
"why": "serves no chapter node (chapters_served = ['front_end']); it is a front-end cue and this surface is the chapter pages"
},
{
"artifact": "HF_MT_04_BOSS_CHAPTER",
"rule": "R1",
"why": "per-part anti-tiling ruler REFUSES it: worst part 'perc:bass_drum [bass_drum]' runs 18 verbatim bars against a limit of 8. It serves when the ruler says it may"
},
{
"artifact": "HF_MT_06_SANCTUARY_REST",
"rule": "R1",
"why": "per-part anti-tiling ruler REFUSES it: worst part 'harp:left_hand [harp]' runs 16 verbatim bars against a limit of 8. It serves when the ruler says it may"
},
{
"artifact": "HF_MT_10_CREDITS",
"rule": "R1",
"why": "per-part anti-tiling ruler REFUSES it: worst part 'perc:timpani [timpani.hit]' runs 9 verbatim bars against a limit of 8. It serves when the ruler says it may"
},
{
"artifact": "HF_MT_12_REGION_BALI",
"rule": "R1",
"why": "per-part anti-tiling ruler REFUSES it: worst part 'drum:answer [toms]' runs 19 verbatim bars against a limit of 8. It serves when the ruler says it may"
},
{
"artifact": "HF_MT_14_REGION_SRI_LANKA",
"rule": "R1",
"why": "per-part anti-tiling ruler REFUSES it: worst part 'strings:contrabass [contrabass.sus_quiet]' runs 8 verbatim bars against a limit of 8. It serves when the ruler says it may"
},
{
"artifact": "HF_MT_16_REGION_SWAHILI_COAST",
"rule": "R1",
"why": "per-part anti-tiling ruler REFUSES it: worst part 'perc:frame_drum_implied [frame_drum]' runs 8 verbatim bars against a limit of 8. It serves when the ruler says it may"
},
{
"artifact": "HF_MT_18_REGION_CENTRAL_AFRICA",
"rule": "R1",
"why": "per-part anti-tiling ruler REFUSES it: worst part 'perc:clapped_sticks [claves]' runs 18 verbatim bars against a limit of 8. It serves when the ruler says it may"
},
{
"artifact": "HF_MT_20_REGION_SOUTH_AFRICA",
"rule": "R1",
"why": "per-part anti-tiling ruler REFUSES it: worst part 'perc:hand_clapping [claps]' runs 41 verbatim bars against a limit of 8. It serves when the ruler says it may"
}
],
"picks": [
{
"artifact_id": "HF_MT_02_EXPLORATION_TRAVERSAL",
"role": "complete_cue",
"display_name": "The Road Between",
"theme_id": "HF_MT_02_EXPLORATION_TRAVERSAL",
"cue_role": "exploration_traversal",
"picked_by": "harness/music_gen/emit_complete_picks.py — every complete track whose per-part tiling ruler and loop-seam cadence are both measured green",
"tier_label": "complete track — awaiting Josh's ear",
"tier_note": "A COMPLETE CUE, not a theme statement. Everything else on this page is a twenty-five to thirty second statement of one idea; these run two and a half to five minutes across five to twelve composed sections, each with its own instrumentation, dynamic level and harmonic plan. They exist because Josh listened to the thirty-second cohort and ruled that it was all the same track — which the sameness baseline then measured and confirmed on every axis a listener hears first. WHAT IS MEASURED: the form is real (the section count, the bar map and the instrumentation come from the card, and the record says what each section was composed to do); no single layer tiles (every part is measured alone against an eight-bar refusal, because an ensemble measurement cannot see a pad repeating under a moving flute); and the loop point does not take a perfect authentic cadence, read off the notes rather than copied off the card. WHAT IS NOT CLAIMED: that any of it is good. It is a public-domain sampled orchestra played from a composed score — not a recorded session, and no player has touched a note of it. No human has heard these yet. Josh's ear is the gate.",
"rung": "COMPLETE_TRACK",
"rung_rank": 4,
"loop": true,
"seconds": null,
"serves_nodes": [
"CH_02",
"CH_03",
"CH_05",
"CH_06",
"CH_08",
"CH_10",
"CH_11"
],
"nodes_derived_from": "HF_MT_02_EXPLORATION_TRAVERSAL.json :: chapters_served",
"instrumentation_family": "strings_and_winds_chamber",
"energy_class": "E04_open_warm",
"section_count": 12,
"bpm": 92,
"key": "G mixolydian",
"measured_before_serving": {
"per_part_worst_run_bars": 6,
"per_part_worst_part": "frame:cello [cello_ens.sus_quiet]",
"per_part_limit_bars": 8,
"loop_seam_cadence_class": "BVII",
"loop_seam_reading_confidence": "high"
},
"source_doc": "build/audio/complete_tracks/tracks/HF_MT_02_EXPLORATION_TRAVERSAL/HF_MT_02_EXPLORATION_TRAVERSAL.json"
},
{
"artifact_id": "HF_MT_03_BATTLE_ORDINARY",
"role": "complete_cue",
"display_name": "Ordinary Violence",
"theme_id": "HF_MT_03_BATTLE_ORDINARY",
"cue_role": "battle_ordinary",
"picked_by": "harness/music_gen/emit_complete_picks.py — every complete track whose per-part tiling ruler and loop-seam cadence are both measured green",
"tier_label": "complete track — awaiting Josh's ear",
"tier_note": "A COMPLETE CUE, not a theme statement. Everything else on this page is a twenty-five to thirty second statement of one idea; these run two and a half to five minutes across five to twelve composed sections, each with its own instrumentation, dynamic level and harmonic plan. They exist because Josh listened to the thirty-second cohort and ruled that it was all the same track — which the sameness baseline then measured and confirmed on every axis a listener hears first. WHAT IS MEASURED: the form is real (the section count, the bar map and the instrumentation come from the card, and the record says what each section was composed to do); no single layer tiles (every part is measured alone against an eight-bar refusal, because an ensemble measurement cannot see a pad repeating under a moving flute); and the loop point does not take a perfect authentic cadence, read off the notes rather than copied off the card. WHAT IS NOT CLAIMED: that any of it is good. It is a public-domain sampled orchestra played from a composed score — not a recorded session, and no player has touched a note of it. No human has heard these yet. Josh's ear is the gate.",
"rung": "COMPLETE_TRACK",
"rung_rank": 4,
"loop": true,
"seconds": 157.895,
"serves_nodes": [
"CH_03",
"CH_07",
"CH_12",
"CH_13"
],
"nodes_derived_from": "HF_MT_03_BATTLE_ORDINARY.json :: chapters_served",
"instrumentation_family": "full_orchestra_tutti",
"energy_class": "E14_driving_combat",
"section_count": 7,
"bpm": 152,
"key": "E dorian",
"measured_before_serving": {
"per_part_worst_run_bars": 3,
"per_part_worst_part": "perc_hi :: clash_cymbals",
"per_part_limit_bars": 8,
"loop_seam_cadence_class": "OPEN",
"loop_seam_reading_confidence": "high"
},
"source_doc": "build/audio/complete_tracks/tracks/HF_MT_03_BATTLE_ORDINARY/HF_MT_03_BATTLE_ORDINARY.generation.json"
},
{
"artifact_id": "HF_MT_05_BOSS_APEX",
"role": "complete_cue",
"display_name": "The Ceiling",
"theme_id": "HF_MT_05_BOSS_APEX",
"cue_role": "boss_apex_tier",
"picked_by": "harness/music_gen/emit_complete_picks.py — every complete track whose per-part tiling ruler and loop-seam cadence are both measured green",
"tier_label": "complete track — awaiting Josh's ear",
"tier_note": "A COMPLETE CUE, not a theme statement. Everything else on this page is a twenty-five to thirty second statement of one idea; these run two and a half to five minutes across five to twelve composed sections, each with its own instrumentation, dynamic level and harmonic plan. They exist because Josh listened to the thirty-second cohort and ruled that it was all the same track — which the sameness baseline then measured and confirmed on every axis a listener hears first. WHAT IS MEASURED: the form is real (the section count, the bar map and the instrumentation come from the card, and the record says what each section was composed to do); no single layer tiles (every part is measured alone against an eight-bar refusal, because an ensemble measurement cannot see a pad repeating under a moving flute); and the loop point does not take a perfect authentic cadence, read off the notes rather than copied off the card. WHAT IS NOT CLAIMED: that any of it is good. It is a public-domain sampled orchestra played from a composed score — not a recorded session, and no player has touched a note of it. No human has heard these yet. Josh's ear is the gate.",
"rung": "COMPLETE_TRACK",
"rung_rank": 4,
"loop": true,
"seconds": 240.0,
"serves_nodes": [
"CH_08",
"CH_13"
],
"nodes_derived_from": "HF_MT_05_BOSS_APEX.json :: chapters_served",
"instrumentation_family": "full_orchestra_and_choir",
"energy_class": "E16_apocalyptic",
"section_count": 9,
"bpm": 176,
"key": "D minor",
"measured_before_serving": {
"per_part_worst_run_bars": 7,
"per_part_worst_part": "perc_mid :: bass_drum",
"per_part_limit_bars": 8,
"loop_seam_cadence_class": "OPEN",
"loop_seam_reading_confidence": "medium"
},
"source_doc": "build/audio/complete_tracks/tracks/HF_MT_05_BOSS_APEX/HF_MT_05_BOSS_APEX.generation.json"
},
{
"artifact_id": "HF_MT_07_TRADE_AND_FESTIVAL",
"role": "complete_cue",
"display_name": "The Working Street",
"theme_id": "HF_MT_07_TRADE_AND_FESTIVAL",
"cue_role": "trades_festival",
"picked_by": "harness/music_gen/emit_complete_picks.py — every complete track whose per-part tiling ruler and loop-seam cadence are both measured green",
"tier_label": "complete track — awaiting Josh's ear",
"tier_note": "A COMPLETE CUE, not a theme statement. Everything else on this page is a twenty-five to thirty second statement of one idea; these run two and a half to five minutes across five to twelve composed sections, each with its own instrumentation, dynamic level and harmonic plan. They exist because Josh listened to the thirty-second cohort and ruled that it was all the same track — which the sameness baseline then measured and confirmed on every axis a listener hears first. WHAT IS MEASURED: the form is real (the section count, the bar map and the instrumentation come from the card, and the record says what each section was composed to do); no single layer tiles (every part is measured alone against an eight-bar refusal, because an ensemble measurement cannot see a pad repeating under a moving flute); and the loop point does not take a perfect authentic cadence, read off the notes rather than copied off the card. WHAT IS NOT CLAIMED: that any of it is good. It is a public-domain sampled orchestra played from a composed score — not a recorded session, and no player has touched a note of it. No human has heard these yet. Josh's ear is the gate.",
"rung": "COMPLETE_TRACK",
"rung_rank": 4,
"loop": true,
"seconds": 261.818,
"serves_nodes": [
"CH_07",
"CH_08",
"CH_12"
],
"nodes_derived_from": "HF_MT_07_TRADE_AND_FESTIVAL.json :: chapters_served",
"instrumentation_family": "wind_and_drum_period_band",
"energy_class": "E09_communal_celebration",
"section_count": 8,
"bpm": 132,
"key": "A major",
"measured_before_serving": {
"per_part_worst_run_bars": 5,
"per_part_worst_part": "perc_low :: bass_drum",
"per_part_limit_bars": 8,
"loop_seam_cadence_class": "OPEN",
"loop_seam_reading_confidence": "medium"
},
"source_doc": "build/audio/complete_tracks/tracks/HF_MT_07_TRADE_AND_FESTIVAL/HF_MT_07_TRADE_AND_FESTIVAL.generation.json"
},
{
"artifact_id": "HF_MT_08_SORROW_LOSS",
"role": "complete_cue",
"display_name": "What It Cost",
"theme_id": "HF_MT_08_SORROW_LOSS",
"cue_role": "sorrow_loss",
"picked_by": "harness/music_gen/emit_complete_picks.py — every complete track whose per-part tiling ruler and loop-seam cadence are both measured green",
"tier_label": "complete track — awaiting Josh's ear",
"tier_note": "A COMPLETE CUE, not a theme statement. Everything else on this page is a twenty-five to thirty second statement of one idea; these run two and a half to five minutes across five to twelve composed sections, each with its own instrumentation, dynamic level and harmonic plan. They exist because Josh listened to the thirty-second cohort and ruled that it was all the same track — which the sameness baseline then measured and confirmed on every axis a listener hears first. WHAT IS MEASURED: the form is real (the section count, the bar map and the instrumentation come from the card, and the record says what each section was composed to do); no single layer tiles (every part is measured alone against an eight-bar refusal, because an ensemble measurement cannot see a pad repeating under a moving flute); and the loop point does not take a perfect authentic cadence, read off the notes rather than copied off the card. WHAT IS NOT CLAIMED: that any of it is good. It is a public-domain sampled orchestra played from a composed score — not a recorded session, and no player has touched a note of it. No human has heard these yet. Josh's ear is the gate.",
"rung": "COMPLETE_TRACK",
"rung_rank": 4,
"loop": false,
"seconds": null,
"serves_nodes": [
"CH_02",
"CH_13"
],
"nodes_derived_from": "HF_MT_08_SORROW_LOSS.json :: chapters_served",
"instrumentation_family": "choir_and_low_strings",
"energy_class": "E17_peak_grief",
"section_count": 6,
"bpm": 50,
"key": "D aeolian",
"measured_before_serving": {
"per_part_worst_run_bars": 6,
"per_part_worst_part": "strings:cello_divisi_1 [cello_ens.sus_vib]",
"per_part_limit_bars": 8,
"loop_seam_cadence_class": "OPEN",
"loop_seam_reading_confidence": "low"
},
"source_doc": "build/audio/complete_tracks/tracks/HF_MT_08_SORROW_LOSS/HF_MT_08_SORROW_LOSS.json"
},
{
"artifact_id": "HF_MT_09_WONDER_DISCOVERY",
"role": "complete_cue",
"display_name": "The First Time It Answers",
"theme_id": "HF_MT_09_WONDER_DISCOVERY",
"cue_role": "wonder_discovery",
"picked_by": "harness/music_gen/emit_complete_picks.py — every complete track whose per-part tiling ruler and loop-seam cadence are both measured green",
"tier_label": "complete track — awaiting Josh's ear",
"tier_note": "A COMPLETE CUE, not a theme statement. Everything else on this page is a twenty-five to thirty second statement of one idea; these run two and a half to five minutes across five to twelve composed sections, each with its own instrumentation, dynamic level and harmonic plan. They exist because Josh listened to the thirty-second cohort and ruled that it was all the same track — which the sameness baseline then measured and confirmed on every axis a listener hears first. WHAT IS MEASURED: the form is real (the section count, the bar map and the instrumentation come from the card, and the record says what each section was composed to do); no single layer tiles (every part is measured alone against an eight-bar refusal, because an ensemble measurement cannot see a pad repeating under a moving flute); and the loop point does not take a perfect authentic cadence, read off the notes rather than copied off the card. WHAT IS NOT CLAIMED: that any of it is good. It is a public-domain sampled orchestra played from a composed score — not a recorded session, and no player has touched a note of it. No human has heard these yet. Josh's ear is the gate.",
"rung": "COMPLETE_TRACK",
"rung_rank": 4,
"loop": true,
"seconds": 240.0,
"serves_nodes": [
"CH_03",
"CH_04",
"CH_06",
"CH_10",
"CH_11"
],
"nodes_derived_from": "HF_MT_09_WONDER_DISCOVERY.json :: chapters_served",
"instrumentation_family": "strings_and_winds_chamber",
"energy_class": "E03_luminous_wonder",
"section_count": 5,
"bpm": 72,
"key": "A lydian",
"measured_before_serving": {
"per_part_worst_run_bars": 3,
"per_part_worst_part": "harmony0 :: violin_ens.sus_quiet",
"per_part_limit_bars": 8,
"loop_seam_cadence_class": "OPEN",
"loop_seam_reading_confidence": "medium"
},
"source_doc": "build/audio/complete_tracks/tracks/HF_MT_09_WONDER_DISCOVERY/HF_MT_09_WONDER_DISCOVERY.generation.json"
},
{
"artifact_id": "HF_MT_11_REGION_FLORES",
"role": "complete_cue",
"display_name": "Flores — Gong-Waning Country",
"theme_id": "HF_MT_11_REGION_FLORES",
"cue_role": "region_theme",
"picked_by": "harness/music_gen/emit_complete_picks.py — every complete track whose per-part tiling ruler and loop-seam cadence are both measured green",
"tier_label": "complete track — awaiting Josh's ear",
"tier_note": "A COMPLETE CUE, not a theme statement. Everything else on this page is a twenty-five to thirty second statement of one idea; these run two and a half to five minutes across five to twelve composed sections, each with its own instrumentation, dynamic level and harmonic plan. They exist because Josh listened to the thirty-second cohort and ruled that it was all the same track — which the sameness baseline then measured and confirmed on every axis a listener hears first. WHAT IS MEASURED: the form is real (the section count, the bar map and the instrumentation come from the card, and the record says what each section was composed to do); no single layer tiles (every part is measured alone against an eight-bar refusal, because an ensemble measurement cannot see a pad repeating under a moving flute); and the loop point does not take a perfect authentic cadence, read off the notes rather than copied off the card. WHAT IS NOT CLAIMED: that any of it is good. It is a public-domain sampled orchestra played from a composed score — not a recorded session, and no player has touched a note of it. No human has heard these yet. Josh's ear is the gate.",
"rung": "COMPLETE_TRACK",
"rung_rank": 4,
"loop": true,
"seconds": 243.81,
"serves_nodes": [
"CH_02",
"CH_03"
],
"nodes_derived_from": "HF_MT_11_REGION_FLORES.json :: chapters_served",
"instrumentation_family": "percussion_forward",
"energy_class": "E10_ceremonial_drive",
"section_count": 8,
"bpm": 126,
"key": "pentatonic centred on G",
"measured_before_serving": {
"per_part_worst_run_bars": 6,
"per_part_worst_part": "perc_low :: bass_drum, toms.low",
"per_part_limit_bars": 8,
"loop_seam_cadence_class": "HALF",
"loop_seam_reading_confidence": "medium"
},
"source_doc": "build/audio/complete_tracks/tracks/HF_MT_11_REGION_FLORES/HF_MT_11_REGION_FLORES.generation.json"
},
{
"artifact_id": "HF_MT_13_REGION_SUMATRA_JAVA",
"role": "complete_cue",
"display_name": "Sumatra and Java — What Was Kept By Saying It",
"theme_id": "HF_MT_13_REGION_SUMATRA_JAVA",
"cue_role": "region_theme",
"picked_by": "harness/music_gen/emit_complete_picks.py — every complete track whose per-part tiling ruler and loop-seam cadence are both measured green",
"tier_label": "complete track — awaiting Josh's ear",
"tier_note": "A COMPLETE CUE, not a theme statement. Everything else on this page is a twenty-five to thirty second statement of one idea; these run two and a half to five minutes across five to twelve composed sections, each with its own instrumentation, dynamic level and harmonic plan. They exist because Josh listened to the thirty-second cohort and ruled that it was all the same track — which the sameness baseline then measured and confirmed on every axis a listener hears first. WHAT IS MEASURED: the form is real (the section count, the bar map and the instrumentation come from the card, and the record says what each section was composed to do); no single layer tiles (every part is measured alone against an eight-bar refusal, because an ensemble measurement cannot see a pad repeating under a moving flute); and the loop point does not take a perfect authentic cadence, read off the notes rather than copied off the card. WHAT IS NOT CLAIMED: that any of it is good. It is a public-domain sampled orchestra played from a composed score — not a recorded session, and no player has touched a note of it. No human has heard these yet. Josh's ear is the gate.",
"rung": "COMPLETE_TRACK",
"rung_rank": 4,
"loop": true,
"seconds": 282.353,
"serves_nodes": [
"CH_05"
],
"nodes_derived_from": "HF_MT_13_REGION_SUMATRA_JAVA.json :: chapters_served",
"instrumentation_family": "voice_led_chant_ensemble",
"energy_class": "E18_austere_tension",
"section_count": 7,
"bpm": 68,
"key": "D aeolian",
"measured_before_serving": {
"per_part_worst_run_bars": 3,
"per_part_worst_part": "harmony0 :: cello_ens.sus_quiet",
"per_part_limit_bars": 8,
"loop_seam_cadence_class": "BVII",
"loop_seam_reading_confidence": "medium"
},
"source_doc": "build/audio/complete_tracks/tracks/HF_MT_13_REGION_SUMATRA_JAVA/HF_MT_13_REGION_SUMATRA_JAVA.generation.json"
},
{
"artifact_id": "HF_MT_15_REGION_SOUTH_INDIA",
"role": "complete_cue",
"display_name": "South India — The Master's Count",
"theme_id": "HF_MT_15_REGION_SOUTH_INDIA",
"cue_role": "region_theme",
"picked_by": "harness/music_gen/emit_complete_picks.py — every complete track whose per-part tiling ruler and loop-seam cadence are both measured green",
"tier_label": "complete track — awaiting Josh's ear",
"tier_note": "A COMPLETE CUE, not a theme statement. Everything else on this page is a twenty-five to thirty second statement of one idea; these run two and a half to five minutes across five to twelve composed sections, each with its own instrumentation, dynamic level and harmonic plan. They exist because Josh listened to the thirty-second cohort and ruled that it was all the same track — which the sameness baseline then measured and confirmed on every axis a listener hears first. WHAT IS MEASURED: the form is real (the section count, the bar map and the instrumentation come from the card, and the record says what each section was composed to do); no single layer tiles (every part is measured alone against an eight-bar refusal, because an ensemble measurement cannot see a pad repeating under a moving flute); and the loop point does not take a perfect authentic cadence, read off the notes rather than copied off the card. WHAT IS NOT CLAIMED: that any of it is good. It is a public-domain sampled orchestra played from a composed score — not a recorded session, and no player has touched a note of it. No human has heard these yet. Josh's ear is the gate.",
"rung": "COMPLETE_TRACK",
"rung_rank": 4,
"loop": true,
"seconds": 282.692,
"serves_nodes": [
"CH_07"
],
"nodes_derived_from": "HF_MT_15_REGION_SOUTH_INDIA.json :: chapters_served",
"instrumentation_family": "percussion_forward",
"energy_class": "E07_processional_grand",
"section_count": 8,
"bpm": 104,
"key": "a raga-derived collection, reference-composed",
"measured_before_serving": {
"per_part_worst_run_bars": 6,
"per_part_worst_part": "perc_low :: bass_drum, toms.low",
"per_part_limit_bars": 8,
"loop_seam_cadence_class": "OPEN",
"loop_seam_reading_confidence": "medium"
},
"source_doc": "build/audio/complete_tracks/tracks/HF_MT_15_REGION_SOUTH_INDIA/HF_MT_15_REGION_SOUTH_INDIA.generation.json"
},
{
"artifact_id": "HF_MT_17_REGION_ETHIOPIA",
"role": "complete_cue",
"display_name": "Ethiopia — Instruments That Scarcely Changed",
"theme_id": "HF_MT_17_REGION_ETHIOPIA",
"cue_role": "region_theme",
"picked_by": "harness/music_gen/emit_complete_picks.py — every complete track whose per-part tiling ruler and loop-seam cadence are both measured green",
"tier_label": "complete track — awaiting Josh's ear",
"tier_note": "A COMPLETE CUE, not a theme statement. Everything else on this page is a twenty-five to thirty second statement of one idea; these run two and a half to five minutes across five to twelve composed sections, each with its own instrumentation, dynamic level and harmonic plan. They exist because Josh listened to the thirty-second cohort and ruled that it was all the same track — which the sameness baseline then measured and confirmed on every axis a listener hears first. WHAT IS MEASURED: the form is real (the section count, the bar map and the instrumentation come from the card, and the record says what each section was composed to do); no single layer tiles (every part is measured alone against an eight-bar refusal, because an ensemble measurement cannot see a pad repeating under a moving flute); and the loop point does not take a perfect authentic cadence, read off the notes rather than copied off the card. WHAT IS NOT CLAIMED: that any of it is good. It is a public-domain sampled orchestra played from a composed score — not a recorded session, and no player has touched a note of it. No human has heard these yet. Josh's ear is the gate.",
"rung": "COMPLETE_TRACK",
"rung_rank": 4,
"loop": true,
"seconds": 293.684,
"serves_nodes": [
"CH_09"
],
"nodes_derived_from": "HF_MT_17_REGION_ETHIOPIA.json :: chapters_served",
"instrumentation_family": "plucked_and_struck_period_ensemble",
"energy_class": "E06_nocturnal_ritual",
"section_count": 7,
"bpm": 76,
"key": "a four-mode system, reference-composed",
"measured_before_serving": {
"per_part_worst_run_bars": 5,
"per_part_worst_part": "bass :: cello_ens.sus_quiet",
"per_part_limit_bars": 8,
"loop_seam_cadence_class": "IAC",
"loop_seam_reading_confidence": "low"
},
"source_doc": "build/audio/complete_tracks/tracks/HF_MT_17_REGION_ETHIOPIA/HF_MT_17_REGION_ETHIOPIA.generation.json"
},
{
"artifact_id": "HF_MT_19_REGION_WEST_AFRICA",
"role": "complete_cue",
"display_name": "West Africa — The Drum That Is Spoken",
"theme_id": "HF_MT_19_REGION_WEST_AFRICA",
"cue_role": "region_theme",
"picked_by": "harness/music_gen/emit_complete_picks.py — every complete track whose per-part tiling ruler and loop-seam cadence are both measured green",
"tier_label": "complete track — awaiting Josh's ear",
"tier_note": "A COMPLETE CUE, not a theme statement. Everything else on this page is a twenty-five to thirty second statement of one idea; these run two and a half to five minutes across five to twelve composed sections, each with its own instrumentation, dynamic level and harmonic plan. They exist because Josh listened to the thirty-second cohort and ruled that it was all the same track — which the sameness baseline then measured and confirmed on every axis a listener hears first. WHAT IS MEASURED: the form is real (the section count, the bar map and the instrumentation come from the card, and the record says what each section was composed to do); no single layer tiles (every part is measured alone against an eight-bar refusal, because an ensemble measurement cannot see a pad repeating under a moving flute); and the loop point does not take a perfect authentic cadence, read off the notes rather than copied off the card. WHAT IS NOT CLAIMED: that any of it is good. It is a public-domain sampled orchestra played from a composed score — not a recorded session, and no player has touched a note of it. No human has heard these yet. Josh's ear is the gate.",
"rung": "COMPLETE_TRACK",
"rung_rank": 4,
"loop": true,
"seconds": 291.646,
"serves_nodes": [
"CH_12"
],
"nodes_derived_from": "HF_MT_19_REGION_WEST_AFRICA.json :: chapters_served",
"instrumentation_family": "percussion_forward",
"energy_class": "E15_ferocious",
"section_count": 8,
"bpm": 158,
"key": "E minor",
"measured_before_serving": {
"per_part_worst_run_bars": 5,
"per_part_worst_part": "perc_low :: bass_drum, toms.low",
"per_part_limit_bars": 8,
"loop_seam_cadence_class": "OPEN",
"loop_seam_reading_confidence": "medium"
},
"source_doc": "build/audio/complete_tracks/tracks/HF_MT_19_REGION_WEST_AFRICA/HF_MT_19_REGION_WEST_AFRICA.generation.json"
}
]
}