music/complete_tracks/loop_cadence.json
{
"_doc": "Measured loop-seam cadence over the shipped complete tracks.",
"_emitter": "harness/music_gen/loop_cadence.py",
"_replaces": "loop_seam.cadence, which carried the CARD's specification sentence unchanged on all twenty records",
"_law": "KONDO PHRASE-05 -- a loop point never takes a perfect authentic cadence",
"classifier_proofs": [
{
"mutation": "perfect_authentic",
"expected": "PAC",
"measured": "PAC",
"pass": true,
"proves": "the cadence PHRASE-05 forbids at a loop point is detected and refused"
},
{
"mutation": "imperfect_authentic",
"expected": "IAC",
"measured": "IAC",
"pass": true,
"proves": "a weakened authentic cadence is NOT reported as a perfect one"
},
{
"mutation": "half_cadence",
"expected": "HALF",
"measured": "HALF",
"pass": true,
"proves": "PHRASE-05's first remedy reads as itself"
},
{
"mutation": "bvii_substitution",
"expected": "BVII",
"measured": "BVII",
"pass": true,
"proves": "PHRASE-05's second remedy reads as itself"
},
{
"mutation": "plagal",
"expected": "PLAGAL",
"measured": "PLAGAL",
"pass": true,
"proves": "a plagal close is not an authentic one and is not refused"
},
{
"mutation": "open_drone",
"expected": "OPEN",
"measured": "OPEN",
"pass": true,
"proves": "a drone frame is reported OPEN rather than forced into a triad"
},
{
"mutation": "injected_pac_end_to_end",
"expected": "PAC",
"measured": "PAC",
"pass": true,
"proves": "THE WHOLE PATH, not just the classifier: bar arithmetic, percussion exclusion and the card's tonic all have to be right for a real track's loop point to read PAC when a PAC is put there"
}
],
"tracks_measured": 20,
"tracks_pac": [],
"class_tally": {
"PAC": 0,
"IAC": 5,
"HALF": 3,
"BVII": 2,
"PLAGAL": 0,
"OPEN": 10
},
"tracks": [
{
"measurable": true,
"reading_confidence": "medium",
"final_pitch_class_count": 6,
"final_root_fit_score": 1.35,
"final_bar": 95,
"penultimate_bar": 94,
"final_pitch_classes": [
0,
2,
6,
8,
9,
11
],
"final_root_pc": 2,
"final_quality": "major",
"penultimate_root_pc": 1,
"penultimate_quality": "minor",
"bass_pc": 0,
"soprano_pc": 11,
"tonic_pc": 2,
"class": "IAC",
"why": "lands on the tonic from degree 11, not from the dominant",
"penult_degree": 11,
"final_degree": 0,
"root_position": false,
"soprano_tonic": false,
"pass": true,
"card_id": "HF_MT_01_TITLE",
"arm": "A",
"key": "D major",
"loop_class": "none_linear",
"card_claim": "weakened -- half cadence or a bVII substitution, never a perfect authentic cadence (KONDO PHRASE-05, the anti-fatigue law)",
"midi": "build/audio/complete_tracks/tracks/HF_MT_01_TITLE/HF_MT_01_TITLE.mid"
},
{
"measurable": true,
"reading_confidence": "high",
"final_pitch_class_count": 3,
"final_root_fit_score": 3.35,
"final_bar": 95,
"penultimate_bar": 94,
"final_pitch_classes": [
0,
5,
9
],
"final_root_pc": 5,
"final_quality": "major",
"penultimate_root_pc": 5,
"penultimate_quality": "major",
"bass_pc": 5,
"soprano_pc": 0,
"tonic_pc": 7,
"class": "BVII",
"why": "the final chord is the subtonic -- no leading tone, so nothing is pulling toward the tonic",
"penult_degree": 10,
"final_degree": 10,
"pass": true,
"card_id": "HF_MT_02_EXPLORATION_TRAVERSAL",
"arm": "B",
"key": "G mixolydian",
"loop_class": "phrase_pool",
"card_claim": "weakened -- half cadence or a bVII substitution, never a perfect authentic cadence (KONDO PHRASE-05, the anti-fatigue law)",
"midi": "build/audio/complete_tracks/tracks/HF_MT_02_EXPLORATION_TRAVERSAL/HF_MT_02_EXPLORATION_TRAVERSAL.mid"
},
{
"measurable": true,
"reading_confidence": "high",
"final_pitch_class_count": 4,
"final_root_fit_score": 2.8,
"final_bar": 99,
"penultimate_bar": 98,
"final_pitch_classes": [
1,
4,
7,
9
],
"final_root_pc": 1,
"final_quality": "dim",
"penultimate_root_pc": 2,
"penultimate_quality": "sus2",
"bass_pc": 1,
"soprano_pc": 9,
"tonic_pc": 4,
"class": "OPEN",
"why": "the final chord is degree 9 -- the loop point does not close onto the tonic at all",
"penult_degree": 10,
"final_degree": 9,
"pass": true,
"card_id": "HF_MT_03_BATTLE_ORDINARY",
"arm": "A",
"key": "E dorian",
"loop_class": "short_loop_composed_seam",
"card_claim": "weakened -- half cadence or a bVII substitution, never a perfect authentic cadence (KONDO PHRASE-05, the anti-fatigue law)",
"midi": "build/audio/complete_tracks/tracks/HF_MT_03_BATTLE_ORDINARY/HF_MT_03_BATTLE_ORDINARY.mid"
},
{
"measurable": true,
"reading_confidence": "high",
"final_pitch_class_count": 3,
"final_root_fit_score": 3.35,
"final_bar": 95,
"penultimate_bar": 94,
"final_pitch_classes": [
0,
3,
7
],
"final_root_pc": 0,
"final_quality": "minor",
"penultimate_root_pc": 0,
"penultimate_quality": "minor",
"bass_pc": 0,
"soprano_pc": 7,
"tonic_pc": 0,
"class": "IAC",
"why": "lands on the tonic from degree 0, not from the dominant",
"penult_degree": 0,
"final_degree": 0,
"root_position": true,
"soprano_tonic": false,
"pass": true,
"card_id": "HF_MT_04_BOSS_CHAPTER",
"arm": "B",
"key": "C phrygian",
"loop_class": "short_loop_composed_seam",
"card_claim": "weakened -- half cadence or a bVII substitution, never a perfect authentic cadence (KONDO PHRASE-05, the anti-fatigue law)",
"midi": "build/audio/complete_tracks/tracks/HF_MT_04_BOSS_CHAPTER/HF_MT_04_BOSS_CHAPTER.mid"
},
{
"measurable": true,
"reading_confidence": "medium",
"final_pitch_class_count": 3,
"final_root_fit_score": 1.45,
"final_bar": 175,
"penultimate_bar": 174,
"final_pitch_classes": [
0,
2,
9
],
"final_root_pc": 2,
"final_quality": "power",
"penultimate_root_pc": 7,
"penultimate_quality": "power",
"bass_pc": 9,
"soprano_pc": 2,
"tonic_pc": 2,
"class": "OPEN",
"why": "the final sonority is an open fifth or a quartal frame -- no third, no leading tone, nothing closing",
"penult_degree": 5,
"final_degree": 0,
"pass": true,
"card_id": "HF_MT_05_BOSS_APEX",
"arm": "A",
"key": "D minor",
"loop_class": "multiphase_linear_with_loop_tails",
"card_claim": "weakened -- half cadence or a bVII substitution, never a perfect authentic cadence (KONDO PHRASE-05, the anti-fatigue law)",
"midi": "build/audio/complete_tracks/tracks/HF_MT_05_BOSS_APEX/HF_MT_05_BOSS_APEX.mid"
},
{
"measurable": true,
"reading_confidence": "low",
"final_pitch_class_count": 2,
"final_root_fit_score": 1.3,
"final_bar": 86,
"penultimate_bar": 85,
"final_pitch_classes": [
4,
7
],
"final_root_pc": 0,
"final_quality": "major",
"penultimate_root_pc": 0,
"penultimate_quality": "sus2",
"bass_pc": 7,
"soprano_pc": 4,
"tonic_pc": 5,
"class": "HALF",
"why": "the final chord is the dominant -- the phrase is left open, which is PHRASE-05's remedy",
"penult_degree": 7,
"final_degree": 7,
"pass": true,
"card_id": "HF_MT_06_SANCTUARY_REST",
"arm": "B",
"key": "F major",
"loop_class": "long_loop",
"card_claim": "weakened -- half cadence or a bVII substitution, never a perfect authentic cadence (KONDO PHRASE-05, the anti-fatigue law)",
"midi": "build/audio/complete_tracks/tracks/HF_MT_06_SANCTUARY_REST/HF_MT_06_SANCTUARY_REST.mid"
},
{
"measurable": true,
"reading_confidence": "medium",
"final_pitch_class_count": 4,
"final_root_fit_score": 0.9,
"final_bar": 95,
"penultimate_bar": 94,
"final_pitch_classes": [
4,
7,
8,
9
],
"final_root_pc": 9,
"final_quality": "power",
"penultimate_root_pc": 8,
"penultimate_quality": "dim",
"bass_pc": 7,
"soprano_pc": 8,
"tonic_pc": 9,
"class": "OPEN",
"why": "the final sonority is an open fifth or a quartal frame -- no third, no leading tone, nothing closing",
"penult_degree": 11,
"final_degree": 0,
"pass": true,
"card_id": "HF_MT_07_TRADE_AND_FESTIVAL",
"arm": "A",
"key": "A major",
"loop_class": "long_loop",
"card_claim": "weakened -- half cadence or a bVII substitution, never a perfect authentic cadence (KONDO PHRASE-05, the anti-fatigue law)",
"midi": "build/audio/complete_tracks/tracks/HF_MT_07_TRADE_AND_FESTIVAL/HF_MT_07_TRADE_AND_FESTIVAL.mid"
},
{
"measurable": true,
"reading_confidence": "low",
"final_pitch_class_count": 2,
"final_root_fit_score": 1.65,
"final_bar": 53,
"penultimate_bar": 44,
"final_pitch_classes": [
7,
9
],
"final_root_pc": 7,
"final_quality": "sus2",
"penultimate_root_pc": 7,
"penultimate_quality": "power",
"bass_pc": 7,
"soprano_pc": 9,
"tonic_pc": 2,
"class": "OPEN",
"why": "the final chord is degree 5 -- the loop point does not close onto the tonic at all",
"penult_degree": 5,
"final_degree": 5,
"pass": true,
"card_id": "HF_MT_08_SORROW_LOSS",
"arm": "B",
"key": "D aeolian",
"loop_class": "none_linear",
"card_claim": "weakened -- half cadence or a bVII substitution, never a perfect authentic cadence (KONDO PHRASE-05, the anti-fatigue law)",
"midi": "build/audio/complete_tracks/tracks/HF_MT_08_SORROW_LOSS/HF_MT_08_SORROW_LOSS.mid"
},
{
"measurable": true,
"reading_confidence": "medium",
"final_pitch_class_count": 3,
"final_root_fit_score": 1.45,
"final_bar": 71,
"penultimate_bar": 70,
"final_pitch_classes": [
3,
4,
8
],
"final_root_pc": 8,
"final_quality": "power",
"penultimate_root_pc": 1,
"penultimate_quality": "minor",
"bass_pc": 3,
"soprano_pc": 4,
"tonic_pc": 9,
"class": "OPEN",
"why": "the final sonority is an open fifth or a quartal frame -- no third, no leading tone, nothing closing",
"penult_degree": 4,
"final_degree": 11,
"pass": true,
"card_id": "HF_MT_09_WONDER_DISCOVERY",
"arm": "A",
"key": "A lydian",
"loop_class": "tail_loop",
"card_claim": "weakened -- half cadence or a bVII substitution, never a perfect authentic cadence (KONDO PHRASE-05, the anti-fatigue law)",
"midi": "build/audio/complete_tracks/tracks/HF_MT_09_WONDER_DISCOVERY/HF_MT_09_WONDER_DISCOVERY.mid"
},
{
"measurable": true,
"reading_confidence": "medium",
"final_pitch_class_count": 3,
"final_root_fit_score": 1.1,
"final_bar": 106,
"penultimate_bar": 105,
"final_pitch_classes": [
2,
4,
6
],
"final_root_pc": 2,
"final_quality": "major",
"penultimate_root_pc": 2,
"penultimate_quality": "major",
"bass_pc": 2,
"soprano_pc": 4,
"tonic_pc": 2,
"class": "IAC",
"why": "lands on the tonic from degree 0, not from the dominant",
"penult_degree": 0,
"final_degree": 0,
"root_position": true,
"soprano_tonic": false,
"pass": true,
"card_id": "HF_MT_10_CREDITS",
"arm": "B",
"key": "D major",
"loop_class": "none_linear",
"card_claim": "weakened -- half cadence or a bVII substitution, never a perfect authentic cadence (KONDO PHRASE-05, the anti-fatigue law)",
"midi": "build/audio/complete_tracks/tracks/HF_MT_10_CREDITS/HF_MT_10_CREDITS.mid"
},
{
"measurable": true,
"reading_confidence": "medium",
"final_pitch_class_count": 5,
"final_root_fit_score": 1.9,
"final_bar": 127,
"penultimate_bar": 126,
"final_pitch_classes": [
1,
2,
4,
9,
11
],
"final_root_pc": 2,
"final_quality": "sus2",
"penultimate_root_pc": 2,
"penultimate_quality": "major",
"bass_pc": 1,
"soprano_pc": 9,
"tonic_pc": 7,
"class": "HALF",
"why": "the final chord is the dominant -- the phrase is left open, which is PHRASE-05's remedy",
"penult_degree": 7,
"final_degree": 7,
"pass": true,
"card_id": "HF_MT_11_REGION_FLORES",
"arm": "A",
"key": "pentatonic centred on G",
"loop_class": "long_loop",
"card_claim": "weakened -- half cadence or a bVII substitution, never a perfect authentic cadence (KONDO PHRASE-05, the anti-fatigue law)",
"midi": "build/audio/complete_tracks/tracks/HF_MT_11_REGION_FLORES/HF_MT_11_REGION_FLORES.mid"
},
{
"measurable": true,
"reading_confidence": "medium",
"final_pitch_class_count": 3,
"final_root_fit_score": 0.75,
"final_bar": 132,
"penultimate_bar": 131,
"final_pitch_classes": [
0,
2,
3
],
"final_root_pc": 0,
"final_quality": "minor",
"penultimate_root_pc": 0,
"penultimate_quality": "sus2",
"bass_pc": 3,
"soprano_pc": 2,
"tonic_pc": 7,
"class": "OPEN",
"why": "the final chord is degree 5 -- the loop point does not close onto the tonic at all",
"penult_degree": 5,
"final_degree": 5,
"pass": true,
"card_id": "HF_MT_12_REGION_BALI",
"arm": "B",
"key": "pelog-derived scale, reference-composed",
"loop_class": "long_loop",
"card_claim": "weakened -- half cadence or a bVII substitution, never a perfect authentic cadence (KONDO PHRASE-05, the anti-fatigue law)",
"midi": "build/audio/complete_tracks/tracks/HF_MT_12_REGION_BALI/HF_MT_12_REGION_BALI.mid"
},
{
"measurable": true,
"reading_confidence": "medium",
"final_pitch_class_count": 4,
"final_root_fit_score": 0.9,
"final_bar": 79,
"penultimate_bar": 78,
"final_pitch_classes": [
0,
7,
10,
11
],
"final_root_pc": 0,
"final_quality": "power",
"penultimate_root_pc": 0,
"penultimate_quality": "major",
"bass_pc": 11,
"soprano_pc": 0,
"tonic_pc": 2,
"class": "BVII",
"why": "the final chord is the subtonic -- no leading tone, so nothing is pulling toward the tonic",
"penult_degree": 10,
"final_degree": 10,
"pass": true,
"card_id": "HF_MT_13_REGION_SUMATRA_JAVA",
"arm": "A",
"key": "D aeolian",
"loop_class": "long_loop",
"card_claim": "weakened -- half cadence or a bVII substitution, never a perfect authentic cadence (KONDO PHRASE-05, the anti-fatigue law)",
"midi": "build/audio/complete_tracks/tracks/HF_MT_13_REGION_SUMATRA_JAVA/HF_MT_13_REGION_SUMATRA_JAVA.mid"
},
{
"measurable": true,
"reading_confidence": "low",
"final_pitch_class_count": 2,
"final_root_fit_score": 2.0,
"final_bar": 73,
"penultimate_bar": 72,
"final_pitch_classes": [
2,
7
],
"final_root_pc": 7,
"final_quality": "power",
"penultimate_root_pc": 0,
"penultimate_quality": "sus4",
"bass_pc": 2,
"soprano_pc": 7,
"tonic_pc": 7,
"class": "OPEN",
"why": "the final sonority is an open fifth or a quartal frame -- no third, no leading tone, nothing closing",
"penult_degree": 5,
"final_degree": 0,
"pass": true,
"card_id": "HF_MT_14_REGION_SRI_LANKA",
"arm": "B",
"key": "G mixolydian",
"loop_class": "long_loop",
"card_claim": "weakened -- half cadence or a bVII substitution, never a perfect authentic cadence (KONDO PHRASE-05, the anti-fatigue law)",
"midi": "build/audio/complete_tracks/tracks/HF_MT_14_REGION_SRI_LANKA/HF_MT_14_REGION_SRI_LANKA.mid"
},
{
"measurable": true,
"reading_confidence": "medium",
"final_pitch_class_count": 5,
"final_root_fit_score": 1.9,
"final_bar": 139,
"penultimate_bar": 138,
"final_pitch_classes": [
1,
7,
8,
9,
10
],
"final_root_pc": 7,
"final_quality": "dim",
"penultimate_root_pc": 3,
"penultimate_quality": "sus4",
"bass_pc": 8,
"soprano_pc": 9,
"tonic_pc": 2,
"class": "OPEN",
"why": "the final chord is degree 5 -- the loop point does not close onto the tonic at all",
"penult_degree": 1,
"final_degree": 5,
"pass": true,
"card_id": "HF_MT_15_REGION_SOUTH_INDIA",
"arm": "A",
"key": "a raga-derived collection, reference-composed",
"loop_class": "long_loop",
"card_claim": "weakened -- half cadence or a bVII substitution, never a perfect authentic cadence (KONDO PHRASE-05, the anti-fatigue law)",
"midi": "build/audio/complete_tracks/tracks/HF_MT_15_REGION_SOUTH_INDIA/HF_MT_15_REGION_SOUTH_INDIA.mid"
},
{
"measurable": true,
"reading_confidence": "low",
"final_pitch_class_count": 2,
"final_root_fit_score": 1.65,
"final_bar": 63,
"penultimate_bar": 60,
"final_pitch_classes": [
0,
2
],
"final_root_pc": 0,
"final_quality": "sus2",
"penultimate_root_pc": 2,
"penultimate_quality": "aug",
"bass_pc": 0,
"soprano_pc": 2,
"tonic_pc": 0,
"class": "IAC",
"why": "lands on the tonic from degree 2, not from the dominant",
"penult_degree": 2,
"final_degree": 0,
"root_position": true,
"soprano_tonic": false,
"pass": true,
"card_id": "HF_MT_16_REGION_SWAHILI_COAST",
"arm": "B",
"key": "C dorian",
"loop_class": "long_loop",
"card_claim": "weakened -- half cadence or a bVII substitution, never a perfect authentic cadence (KONDO PHRASE-05, the anti-fatigue law)",
"midi": "build/audio/complete_tracks/tracks/HF_MT_16_REGION_SWAHILI_COAST/HF_MT_16_REGION_SWAHILI_COAST.mid"
},
{
"measurable": true,
"reading_confidence": "low",
"final_pitch_class_count": 2,
"final_root_fit_score": 1.65,
"final_bar": 122,
"penultimate_bar": 121,
"final_pitch_classes": [
4,
6
],
"final_root_pc": 4,
"final_quality": "sus2",
"penultimate_root_pc": 4,
"penultimate_quality": "sus2",
"bass_pc": 4,
"soprano_pc": 6,
"tonic_pc": 4,
"class": "IAC",
"why": "lands on the tonic from degree 0, not from the dominant",
"penult_degree": 0,
"final_degree": 0,
"root_position": true,
"soprano_tonic": false,
"pass": true,
"card_id": "HF_MT_17_REGION_ETHIOPIA",
"arm": "A",
"key": "a four-mode system, reference-composed",
"loop_class": "long_loop",
"card_claim": "weakened -- half cadence or a bVII substitution, never a perfect authentic cadence (KONDO PHRASE-05, the anti-fatigue law)",
"midi": "build/audio/complete_tracks/tracks/HF_MT_17_REGION_ETHIOPIA/HF_MT_17_REGION_ETHIOPIA.mid"
},
{
"measurable": true,
"reading_confidence": "low",
"final_pitch_class_count": 2,
"final_root_fit_score": 0.1,
"final_bar": 95,
"penultimate_bar": 92,
"final_pitch_classes": [
9,
10
],
"final_root_pc": 10,
"final_quality": "power",
"penultimate_root_pc": 5,
"penultimate_quality": "major",
"bass_pc": 10,
"soprano_pc": 9,
"tonic_pc": 5,
"class": "OPEN",
"why": "the final sonority is an open fifth or a quartal frame -- no third, no leading tone, nothing closing",
"penult_degree": 0,
"final_degree": 5,
"pass": true,
"card_id": "HF_MT_18_REGION_CENTRAL_AFRICA",
"arm": "B",
"key": "F major",
"loop_class": "long_loop",
"card_claim": "weakened -- half cadence or a bVII substitution, never a perfect authentic cadence (KONDO PHRASE-05, the anti-fatigue law)",
"midi": "build/audio/complete_tracks/tracks/HF_MT_18_REGION_CENTRAL_AFRICA/HF_MT_18_REGION_CENTRAL_AFRICA.mid"
},
{
"measurable": true,
"reading_confidence": "medium",
"final_pitch_class_count": 6,
"final_root_fit_score": 1.7,
"final_bar": 127,
"penultimate_bar": 126,
"final_pitch_classes": [
0,
1,
6,
7,
9,
11
],
"final_root_pc": 1,
"final_quality": "quartal",
"penultimate_root_pc": 0,
"penultimate_quality": "major",
"bass_pc": 1,
"soprano_pc": 11,
"tonic_pc": 4,
"class": "OPEN",
"why": "the final sonority is an open fifth or a quartal frame -- no third, no leading tone, nothing closing",
"penult_degree": 8,
"final_degree": 9,
"pass": true,
"card_id": "HF_MT_19_REGION_WEST_AFRICA",
"arm": "A",
"key": "E minor",
"loop_class": "long_loop",
"card_claim": "weakened -- half cadence or a bVII substitution, never a perfect authentic cadence (KONDO PHRASE-05, the anti-fatigue law)",
"midi": "build/audio/complete_tracks/tracks/HF_MT_19_REGION_WEST_AFRICA/HF_MT_19_REGION_WEST_AFRICA.mid"
},
{
"measurable": true,
"reading_confidence": "low",
"final_pitch_class_count": 2,
"final_root_fit_score": 0.1,
"final_bar": 96,
"penultimate_bar": 92,
"final_pitch_classes": [
4,
5
],
"final_root_pc": 4,
"final_quality": "power",
"penultimate_root_pc": 0,
"penultimate_quality": "power",
"bass_pc": 4,
"soprano_pc": 5,
"tonic_pc": 9,
"class": "HALF",
"why": "the final chord is the dominant -- the phrase is left open, which is PHRASE-05's remedy",
"penult_degree": 3,
"final_degree": 7,
"pass": true,
"card_id": "HF_MT_20_REGION_SOUTH_AFRICA",
"arm": "B",
"key": "A minor",
"loop_class": "long_loop",
"card_claim": "weakened -- half cadence or a bVII substitution, never a perfect authentic cadence (KONDO PHRASE-05, the anti-fatigue law)",
"midi": "build/audio/complete_tracks/tracks/HF_MT_20_REGION_SOUTH_AFRICA/HF_MT_20_REGION_SOUTH_AFRICA.mid"
}
]
}