music/authored/journey_world/JOURNEY_WORLD_RECOMPOSED_RUNG_TWO.json
{
"_doc": "THE ORCHESTRAL REALISATION of an authored score. The notes are the composition's own, unchanged; the orchestration and the composed loop turnaround are this rung's.",
"_honest_tier": "AUTHORED_SCORE_RECOMPOSED_RUNG_TWO",
"_tier_meaning": "RECOMPOSED to an exemplar-anchored rubric and realised by four sampled voices. The rubric is a DIALECT-CONFORMANCE FLOOR -- it says this is in the language of the exemplar class, and it does not say the tune is good. No human has heard it.",
"_not_claimed": [
"that it is finished, or that it is the theme",
"that any human listener has judged it -- the doctrine's B1/D1/D2/D8 gates are unrun",
"that the rubric ranks anything: it saturated at 48/49 across all sixteen candidates",
"that a CLEAR anti-plagiarism screen is a clean-room certificate -- the seed set declares 14 absent exemplars"
],
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"licence_commit": "4e70dc0bef53b41f2853ed46e26f5911114c92d0",
"licence_stored_at": "docs/licence_records/sfizz/LICENSE"
},
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"store_as": "LICENSE",
"why": "the CC0 legal code, on the same commit the samples were pulled from",
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"why": "the CC0 legal code, pinned on the MASTER commit -- the sfz branch this download pulls from carries no LICENSE file at its root",
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"path": "README.md",
"store_as": "README_sfz_branch.md",
"why": "the licence STATEMENT as it appears on the branch actually downloaded: 'This collection is under a Creative Commons 0 license... you can do whatever you want with these sounds (even make commercial software), no royalties, no credit, no special terms.'",
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}
},
"manifest": "build/audio/stack/sfz_stack_manifest.json",
"conditioning_rule": "NO sample from either set is a conditioning, fine-tune or LoRA input to ACE-Step or any other generator."
},
"theme_id": "JOURNEY_WORLD",
"public_name": "Journey and World",
"row_class": "cardinal_theme",
"tier": "A",
"publish": true,
"held_reason": "",
"brief_ref": "docs/proposals/music/COMPOSER_BRIEF_PACK.md section 5",
"spec_ref": "harness/music_gen/theme_specs.json :: JOURNEY_WORLD",
"key": "D major",
"bpm": 112,
"time_signature": "4/4",
"form": "24-bar loop: an 8-bar sentence, restated, then an 8-bar B section -- 9 distinct bars and 15 repeated",
"contour_class": "triad_outlining",
"deviant_class": "unusual_leap",
"family_thread_refs": "",
"deviant_spec": {
"leap_semitones": 7,
"direction": "up"
},
"composition": {
"wide_interval_threshold": 7,
"note_count": 66,
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"note_names": [
"F#4",
"D4",
"A4",
"B4",
"F#4",
"D4",
"A4",
"B4",
"A4",
"G4",
"F#4",
"E4",
"D4",
"E4",
"A4",
"G4",
"F#4",
"E4",
"F#4",
"B4",
"F#4",
"D4",
"A4",
"B4",
"F#4",
"D4",
"A4",
"B4",
"A4",
"G4",
"F#4",
"E4",
"D4",
"E4",
"A4",
"G4",
"F#4",
"E4",
"F#4",
"B4",
"G4",
"A4",
"B4",
"A4",
"G4",
"F#4",
"G4",
"A4",
"B4",
"A4",
"G4",
"B4",
"G4",
"A4",
"B4",
"A4",
"G4",
"F#4",
"G4",
"A4",
"B4",
"A4",
"G4",
"A4",
"G4",
"F#4"
],
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1.0,
2.0,
4.0,
8.0,
9.0,
10.0,
12.0,
16.0,
17.0,
18.0,
18.5,
20.0,
21.0,
24.0,
25.0,
26.0,
26.5,
28.0,
29.0,
32.0,
33.0,
34.0,
36.0,
40.0,
41.0,
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48.0,
49.0,
50.0,
50.5,
52.0,
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58.5,
60.0,
61.0,
64.0,
64.5,
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66.0,
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75.0,
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80.0,
80.5,
81.0,
82.0,
83.0,
84.0,
88.0,
88.5,
89.0,
90.0,
91.0,
92.0,
92.5,
93.0
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"head_midi": [
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"head_note_names": [
"F#4",
"D4",
"A4",
"B4"
],
"head_intervals_semitones": [
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2
],
"head_onsets_beats": [
0.0,
1.0,
2.0,
4.0
],
"head_is_triad_outlining": true,
"head_first_three_pitch_classes": [
"F#",
"D",
"A"
],
"wide_intervals": [
7,
7,
7,
7
],
"distinct_wide_interval_magnitudes": [
7
],
"max_abs_interval": 7,
"ambitus_semitones": 9,
"lowest": "D4",
"highest": "B4",
"all_pitches_in_declared_scale": true,
"out_of_declared_scale": [],
"out_of_scale_pitch_classes": [],
"scale_degree_contour": [
2,
0,
4,
5,
2,
0,
4,
5,
4,
3,
2,
1,
0,
1,
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"final_scale_degree": 4,
"ends_on_tonic": false,
"final_onset_beat_in_bar": 1.0,
"intervals_across_phrase_breaks": [],
"phrase_break_indices": [],
"loop_join_interval": 0,
"loop_gap_beats": 1.5,
"loop_join_is_across_silence": false,
"beat_s": 0.5357142857142857,
"bar_s": 2.142857142857143,
"sentence_s": 51.42857142857143,
"total_s": 51.42857142857143,
"chords_per_bar": 1,
"harmonic_rhythm_constant": true,
"cadence_chord": "C",
"continuation_start_interval_index": 7,
"continuation_intervals": [
-2,
-2,
-1,
-2,
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1,
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2,
-2,
-2,
2,
-2,
-1
]
},
"harmony_per_bar": [
"D",
"G/D",
"D",
"G/D",
"G",
"Gm",
"D",
"A",
"D",
"G/D",
"D",
"G/D",
"Bb",
"C",
"D",
"D",
"Bm",
"E",
"A",
"G",
"Gm",
"Bb",
"C",
"C"
],
"harmony_voicings_midi": [
[
38,
45,
54
],
[
38,
50,
55
],
[
38,
45,
54
],
[
38,
50,
55
],
[
43,
50,
59
],
[
43,
50,
58
],
[
38,
45,
54
],
[
45,
52,
57
],
[
38,
45,
54
],
[
38,
50,
55
],
[
38,
45,
54
],
[
38,
50,
55
],
[
34,
41,
50
],
[
36,
43,
52
],
[
38,
45,
54
],
[
38,
45,
54
],
[
35,
42,
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],
[
40,
47,
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],
[
45,
52,
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],
[
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43,
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[
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[
36,
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]
],
"realisation_tier": "AUTHORED_SCORE_RECOMPOSED_RUNG_TWO",
"realisation_tier_label": "recomposed to the anchored bar — awaiting Josh's ear",
"supersedes_sketch": "JOURNEY_WORLD_AUTHORED_HEAD_CELL",
"instrumentation": {
"register": "four voices, one job each -- the Famicom allocation in the CC0 orchestra: clarinet lead, horn counterline, contrabass bass, harp pulse",
"parts": {
"lead": {
"instrument": "clarinet.sus",
"gain_db": 0.0,
"pan": 0.0,
"velocity": 108,
"window": [
62,
79
],
"why": "pulse 1 -- the tune, and nothing else"
},
"counter": {
"instrument": "horn.sus",
"gain_db": -11.0,
"pan": -0.28,
"velocity": 62,
"window": [
50,
61
],
"why": "pulse 2 -- a second melody in its own register"
},
"bass": {
"instrument": "contrabass.sus_quiet",
"gain_db": -13.0,
"pan": 0.0,
"velocity": 54,
"window": [
34,
50
],
"why": "the triangle -- a bass LINE, not a doubled root"
},
"pulse": {
"instrument": "harp",
"gain_db": -16.0,
"pan": 0.3,
"velocity": 58,
"window": [
45,
57
],
"why": "the noise channel's job: the pulse a traveller walks to"
}
},
"names_an_instrument": true,
"refusal": null,
"_why_not_a_string_frame": "the landed card's three-ensemble block frame is modern orchestral density, which the rubric's AXIS 7 names as the fastest way to lose this dialect",
"_articulation_is_not_percussion": "the harp is doing a percussion layer's JOB. The CC0 concert percussion that would be register-neutral is not in the closed palette and is not on disk, and VCSL's world percussion is a care line no card here authorises"
},
"loop_seam": {
"bars": 2,
"rule": "S3 triadic: a dominant prepares the tonic across the wrap",
"why": "the score ends on bVII by design (Y1, the anti-fatigue law); a turnaround that restated bVII would make the join static, so it walks IV - V into the head",
"checks": [
{
"check": "S1 the wrap adds no second deviant",
"ok": true,
"detail": "turnaround ends E4 -> head F#4 = +2"
},
{
"check": "S2 no new pitch class",
"ok": true,
"detail": "turnaround pitch classes [4, 6, 9, 11] vs scale [1, 2, 4, 6, 7, 9, 11]"
},
{
"check": "S3 the final chord prepares the opening chord",
"ok": true,
"detail": "last turnaround chord A is the dominant"
},
{
"check": "S4 the harmonic signature survives",
"ok": true,
"detail": "2 chords for 2 appended bars, one per bar as in the score"
}
]
},
"realisation": {
"audio": "build/audio/authored/journey_world/JOURNEY_WORLD_RECOMPOSED_RUNG_TWO.wav",
"midi": "build/audio/authored/journey_world/JOURNEY_WORLD_RECOMPOSED_RUNG_TWO.mid",
"sha256": "dbbbb214e5fc9434e8dc5083b726b80e6ce25d9c5205f17d18b35b346a0c52ea",
"sha256_samples": "0f8a5aae74d600f8b444cedb85ffe9f3636e82397076e43bbb5884f4451c9acd",
"seconds": 55.714,
"sample_rate": 48000,
"stems": {
"carrier": {
"instrument": "clarinet.sus",
"role": "carrier",
"sfz": "D:/audio/sfz/vsco2_ce/ClarinetSus.sfz",
"notes": 70,
"gain_db": 0.0,
"pan": 0.0,
"sfizz_call": {
"cmd": [
"--sfz",
"D:\\audio\\sfz\\vsco2_ce\\ClarinetSus.sfz",
"--midi",
"C:\\Users\\joshu\\AppData\\Local\\Temp\\orch_2u7dnkf0\\carrier.mid",
"--wav",
"C:\\Users\\joshu\\AppData\\Local\\Temp\\orch_2u7dnkf0\\carrier.wav",
"-s",
"48000",
"--quality",
"10",
"-b",
"1024",
"-p",
"256"
],
"returncode": 0
},
"raw_peak": 0.075989
},
"counter:horn": {
"instrument": "horn.sus",
"role": "counter",
"sfz": "D:/audio/sfz/vsco2_ce/FHornSus.sfz",
"notes": 46,
"gain_db": -11.0,
"pan": -0.28,
"sfizz_call": {
"cmd": [
"--sfz",
"D:\\audio\\sfz\\vsco2_ce\\FHornSus.sfz",
"--midi",
"C:\\Users\\joshu\\AppData\\Local\\Temp\\orch_2u7dnkf0\\counter_horn.mid",
"--wav",
"C:\\Users\\joshu\\AppData\\Local\\Temp\\orch_2u7dnkf0\\counter_horn.wav",
"-s",
"48000",
"--quality",
"10",
"-b",
"1024",
"-p",
"256"
],
"returncode": 0
},
"raw_peak": 0.032776
},
"bass:contrabass": {
"instrument": "contrabass.sus_quiet",
"role": "bass",
"sfz": "D:/audio/sfz/vsco2_ce/ContrabassSusVB-Quiet.sfz",
"notes": 35,
"gain_db": -13.0,
"pan": 0.0,
"sfizz_call": {
"cmd": [
"--sfz",
"D:\\audio\\sfz\\vsco2_ce\\ContrabassSusVB-Quiet.sfz",
"--midi",
"C:\\Users\\joshu\\AppData\\Local\\Temp\\orch_2u7dnkf0\\bass_contrabass.mid",
"--wav",
"C:\\Users\\joshu\\AppData\\Local\\Temp\\orch_2u7dnkf0\\bass_contrabass.wav",
"-s",
"48000",
"--quality",
"10",
"-b",
"1024",
"-p",
"256"
],
"returncode": 0
},
"raw_peak": 0.019775
},
"pulse:harp": {
"instrument": "harp",
"role": "pulse",
"sfz": "D:/audio/sfz/vsco2_ce/Harp.sfz",
"notes": 36,
"gain_db": -16.0,
"pan": 0.3,
"sfizz_call": {
"cmd": [
"--sfz",
"D:\\audio\\sfz\\vsco2_ce\\Harp.sfz",
"--midi",
"C:\\Users\\joshu\\AppData\\Local\\Temp\\orch_2u7dnkf0\\pulse_harp.mid",
"--wav",
"C:\\Users\\joshu\\AppData\\Local\\Temp\\orch_2u7dnkf0\\pulse_harp.wav",
"-s",
"48000",
"--quality",
"10",
"-b",
"1024",
"-p",
"256"
],
"returncode": 0
},
"raw_peak": 0.012238
}
}
},
"midi": {
"parts": [
"bass:contrabass",
"carrier",
"counter:horn",
"pulse:harp"
],
"is_a_score": false,
"authored_not_extracted": true,
"note": "MIDI only: pitches, rhythm and the part each line is assigned to. No orchestration, dynamics or articulation."
},
"battery": {
"passed": true,
"checks": [
{
"check": "C11 the four-voice mixdown still reads as a MELODY to the rig",
"ok": true,
"detail": "melodic_salience=1.0 (floor 0.75) over 79 recovered notes"
},
{
"check": "C12 the authored deviant survives its own orchestration",
"ok": true,
"detail": "unusual_leap on the line recovered from the SOLOED CARRIER stem: wide intervals [7, 7, 7, 7], distinct magnitudes [7]"
},
{
"check": "C15 NEGATIVE CONTROL: the same four voices playing the de-deviated melody do NOT fire",
"ok": true,
"detail": "control render (every interval clamped to a fifth): wide intervals [], distinct magnitudes []"
},
{
"check": "C16 the detector SEPARATES the two renders",
"ok": true,
"detail": "artifact fires, control does not"
},
{
"check": "C13 the render sits on the grid its declared tempo implies",
"ok": true,
"detail": "median onset distance 0.0406 beats via pitch-track note starts, after removing a measured constant latency of 0.2045 beats (110 ms of sampled attack); at a 25%-wrong tempo, same correction, 0.5695 beats"
},
{
"check": "C14 no baked fade at either boundary, and the probe is armed",
"ok": true,
"detail": "head difference 0.0 of its own peak (bound 0.05); the SAME head with a quarter-second ramp differs by 0.39804; tail energy ratio 1.0436 (floor 0.25)"
},
{
"check": "S5 the composed seam is measurably smoother than the same artifact with the release discarded",
"ok": true,
"detail": "wrap/bar-line flux ratio 1.8726 as built; 8.1455 with the release thrown away instead of carried over; 3.1572 with the turnaround removed (REPORTED, not gated -- S1-S4 check the turnaround over the notes). Turnaround helps: True. 25 interior bar lines are the control, where 1.0 would mean the loop point is indistinguishable from a bar line"
},
{
"check": "S1 the wrap adds no second deviant",
"ok": true,
"detail": "turnaround ends E4 -> head F#4 = +2"
},
{
"check": "S2 no new pitch class",
"ok": true,
"detail": "turnaround pitch classes [4, 6, 9, 11] vs scale [1, 2, 4, 6, 7, 9, 11]"
},
{
"check": "S3 the final chord prepares the opening chord",
"ok": true,
"detail": "last turnaround chord A is the dominant"
},
{
"check": "S4 the harmonic signature survives",
"ok": true,
"detail": "2 chords for 2 appended bars, one per bar as in the score"
},
{
"check": "X2 the texture is four parts and stays thin",
"ok": true,
"detail": "4 parts, at most 4 notes sounding at once, roles ['bass', 'carrier', 'counter', 'pulse']"
}
],
"contrary_motion": {
"contrary": 15,
"similar": 1,
"oblique_or_static": 29,
"contrary_motion_ratio": 0.9375,
"counter_notes": 46
},
"voices": {
"parts": 4,
"peak_simultaneous_notes": 4,
"roles": [
"bass",
"carrier",
"counter",
"pulse"
]
},
"diagnostics": {
"whole_mix_recovered_notes": 79,
"whole_mix_recovered_intervals": [
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7,
2,
-5,
-4,
7,
2,
-2,
-2,
-1,
-2,
-2,
2,
-21,
12,
14,
-2,
-1,
-2,
2,
5,
-26,
21,
-4,
7,
2,
-5,
-4,
7,
2,
-2,
-2,
-1,
-2,
-2,
2,
-28,
33,
-2,
-1,
-2,
2,
5,
-4,
2,
2,
-2,
-2,
-1,
1,
2,
2,
-2,
-2,
4,
-28,
24,
2,
2,
-2,
-2,
-1,
-20,
21,
2,
2,
-2,
-2,
2,
-2,
-1,
-11,
16,
-2,
-10,
7,
-2,
-7
],
"carrier_recovered_notes": 70,
"carrier_recovered_intervals": [
-4,
7,
2,
-5,
-4,
7,
2,
-2,
-2,
-1,
-2,
-2,
2,
5,
-2,
-1,
-2,
2,
5,
-5,
-4,
7,
2,
-5,
-4,
7,
2,
-2,
-2,
-1,
-2,
-2,
2,
5,
-2,
-1,
-2,
2,
5,
-4,
2,
2,
-2,
-2,
-1,
1,
2,
2,
-2,
-2,
4,
-4,
2,
2,
-2,
-2,
-1,
1,
2,
2,
-2,
-2,
2,
-2,
-1,
5,
-2,
-3,
-2
],
"carrier_melodic_salience": 1.0,
"written_notes": 70,
"seam_turnaround_helps": true,
"seam_release_wrap_helps": true,
"_why_carrier": "C12 reads the soloed carrier because the whole-mix pitch track hops between parts across the melody's composed rests; C11 proves on the whole mix that the carrier is the predominant line"
}
},
"artifact_stem": "JOURNEY_WORLD",
"reveal_gate": "NONE",
"architecture_row_id": "JOURNEY_WORLD",
"pre_gate_surface": "",
"first_full_statement_node": "",
"first_full_statement_ref": "",
"fragment_form_id": "",
"records": {
"licence_audio": "build/audio/records/journey_world/JOURNEY_WORLD_RECOMPOSED_RUNG_TWO.licence.json",
"licence_midi": "build/audio/records/journey_world/JOURNEY_WORLD_RECOMPOSED_RUNG_TWO_MIDI.licence.json",
"generation_audio": "build/audio/records/journey_world/JOURNEY_WORLD_RECOMPOSED_RUNG_TWO.generation.json",
"generation_midi": "build/audio/records/journey_world/JOURNEY_WORLD_RECOMPOSED_RUNG_TWO_MIDI.generation.json"
},
"candidate_id": "C07",
"candidate_identity": "C01's head under the harder pedal plan -- borrowed iv instead of bVI as the first colour",
"rubric": {
"doc": "docs/proposals/music/NOSTALGIA_RUBRIC.md",
"axis_scores": {
"hook": {
"pass_rate": 1.0,
"passes": 8,
"scored": 8,
"not_computable": 0,
"hard_fail": false,
"verdict": "EXCEEDS"
},
"contour_singability": {
"pass_rate": 1.0,
"passes": 6,
"scored": 6,
"not_computable": 0,
"hard_fail": false,
"verdict": "EXCEEDS"
},
"interval_vocabulary": {
"pass_rate": 1.0,
"passes": 8,
"scored": 8,
"not_computable": 0,
"hard_fail": false,
"verdict": "EXCEEDS"
},
"phrase_architecture": {
"pass_rate": 0.833,
"passes": 5,
"scored": 6,
"not_computable": 0,
"hard_fail": false,
"verdict": "MEETS"
},
"harmonic_signature": {
"pass_rate": 1.0,
"passes": 11,
"scored": 11,
"not_computable": 2,
"hard_fail": false,
"verdict": "EXCEEDS"
},
"loop_form": {
"pass_rate": 1.0,
"passes": 6,
"scored": 6,
"not_computable": 1,
"hard_fail": false,
"verdict": "EXCEEDS"
},
"voice_economy": {
"pass_rate": 1.0,
"passes": 4,
"scored": 4,
"not_computable": 5,
"hard_fail": false,
"verdict": "EXCEEDS"
}
},
"hard_fails": [],
"axes_meeting": 7,
"anti_plagiarism": "CLEAR",
"declared_cost": "P4 asks bars_per_sentence == 8 while L1 (HARD) asks for >= 24 bars. This loop is 24 bars of composed material and declares 24, so P4 fails. Declaring 8 and tiling three times would pass both and would be an 8-bar loop heard three times."
},
"supersedes": {
"artifacts": [
"JOURNEY_WORLD_AUTHORED_HEAD_CELL",
"JOURNEY_WORLD_ORCHESTRAL_RUNG_ONE"
],
"why": "both are realisations of the SUPERSEDED SCORE. Josh, 2026-08-05: 'Youve failed hard on the music from what I heard on the website.' The old score measures 2 of 7 rubric axes with four hard gates tripped; this one measures 7 of 7 with none. They stay on disk as the losing control of the A/B."
},
"verifier_verdict": {
"verdict": "NOT-YET",
"verified": "2026-08-05, fresh-context cold verification of the nostalgia-bar lane",
"findings": [
"F1",
"F2",
"F3"
],
"F1": "the ladder does not discriminate -- 32 of 57 features are identical across all 16 candidates and only 2 distinct verdict vectors exist, because every arm was built from ONE fixed 24-bar assembly. '7/7 across 16 candidates' is one template wearing sixteen names, so it is not evidence about C07 specifically, and the pick was actually made on derived proxy axes -- the metric class Josh's ruling named as the defect.",
"F2": "the pick under-delivers the rubric's own headline anti-fatigue mechanism and is WORSE than the theme Josh rejected on that exact feature: L2 motif_count_per_loop = 3 against a band of '>= 3 (target 4)', where the shipped ARM_ZERO scores 4. Hand-verified: 9 distinct bars in 24, bars 9-16 a verbatim repeat of bars 1-8, one 1-bar cell occupying bars 17/19/21/23.",
"F3": "phantom authority -- the school grammars the rubric quoted existed only in a workflow run journal. Closed by the same close-out that recorded this verdict (docs/proposals/music/school_grammars/), and named here because it is the reason the rung's own citations could not be read when it was promoted.",
"what_is_kept": "the artifact, its records and its stems stay on disk as the next rung's measured baseline and as the winning arm of the A/B against ARM_ZERO -- it beats the shipped control on 18 anchored features and loses on 1. Demoted is not deleted.",
"clears_when": "a ladder whose arms differ STRUCTURALLY (so the score discriminates), a loop composed to L2's target of four mutually-unlike motifs rather than its floor, and one listening pass in front of Josh -- the complaint was auditory and no symbolic gate can discharge it.",
"recorded_by": "docs/proposals/music/RECOMPOSE_RUNG_TWO_FINDINGS.md"
}
}