REC_REASONS.csv

assets/boards/REC_REASONS.csv

301 rows

board_idrow_keyrow_verdictrecommended_candidatereasondefects
BRD_0002ROW:material-palette-and-style-register-plateREGENERATE_ALLEvery option carries exactly the content the v2 ruling removed — the Central-Asian ikat panel stood in as Flores cloth, a human face/mouth cell sits in the colour key, and O1 renders headline lettering on the plate.Rendered lettering (O1 'THE REGISTER SPLIT'/'THE REGISTER'); human lips/face cell; Central-Asian ikat as Flores cloth (board's own v2 note confirms all four); metal screw in the timber cell; flame-filled cave cell reads as non-physical light where the impossible-light clause is NONE PROPOSED.
BRD_0002ROW:flores-material-grid-wet-and-dryMIXED1O1 is the only option that carries the ruled plain undyed handspun cotton with no human-body cell and no rendered lettering anywhere on the grid.O1's cloud-forest and cone cells render conifer belts plus small modern buildings on the plain — needs tropical broadleaf/casuarina; timber cell shows metal fixings; O2/O3/O4 all carry the banned human-mouth cell and O3/O4 add garbled lettering.
BRD_0002ROW:register-split-one-chamber-twiceREGENERATE_ALLNo option actually shows the two registers — all four are the same photoreal chamber rendered empty then with a figure, so the law plate never states the law it exists to state.Register split not depicted (both halves realistic); floor-length hooded cowled figure is a non-Flores garment/identity; O1/O2 torch held by a disembodied hand or floating unsupported; O3/O4 torch is a manufactured metal pole stand; white splatter artifacts across the limestone.
BRD_0003ROW:kelimutu-three-lakes-rimMIXED2O2 is the only option that delivers three mutually distinct waterlines (pale grey-green, cyan, deep teal) with no tourist infrastructure in frame.Remove the modern-dress hiker figures (O1/O2/O3) and O4's parasol plus jacketed tourist group; rim vegetation reads as plantation pine and needs verifying as casuarina; O1/O4 carry only two waterlines; O3 carries agave/yucca flora foreign to Flores.
BRD_0003ROW:falls-pool-and-spray-ring-planMIXED1O1 is the only plan where fall, plunge pool and spray ring all read cleanly with no manufactured object in frame.O1's pool rim reads as cut masonry rather than natural rock and the scale figure is modern-dress; O2 puts hard-hatted surveyors on a wooden pallet; O3 is conifer forest; O4 adds a built staircase and boardwalk.
BRD_0003ROW:falls-approach-and-cover-planREGENERATE_ALLNot one option contains the waterfall, and every frame stages a boreal pine forest with built infrastructure instead of an approach-and-cover read.Conifer/pine forest on all four; O1 carries a modern survey instrument on the rock; O2/O3/O4 carry cut stone staircases and graded roads; O3 has unfinished white frame borders; falls and cover geometry entirely absent.
BRD_0003ROW:falls-threshold-sectionMIXED1O1 alone reads the threshold as a real body of moving air, with no text artifact and no modern dress on the figure.None of the four is a true section — all are elevations; O1's rock reads as abstract faceted collage with stray timber shapes; O2 has embossed pseudo-lettering across the cliff and a modern tank top and shorts; O3/O4 carry corner text scribbles.
BRD_0003ROW:kelimutu-rim-three-pits-establishingREGENERATE_ALLNo option shows three pits and the terrain reads as flat steppe rather than the Kelimutu caldera, so the establishing brief fails across the row.One lake on O1/O2/O3 and two on O4 against a required three; O2's child has pointed elf ears (wrong species/register); flat plain horizon with conifer scrub; O4 carries a distant white structure on the rim.
BRD_0003ROW:kelimutu-saddle-between-two-pitsMIXED1O1 is the only option where the saddle between two pits is legible, and its frame is free of figures, built objects and text.O1's two waterlines are the same teal and must be mutually distinct; palette reads arid-Andean rather than Flores highland; O3/O4 show only one basin under heavy abstract debris.
BRD_0003ROW:kelimutu-rim-path-eye-levelREGENERATE_ALLEvery option puts a pointed-eared child reading a bound book on flat steppe instead of delivering an eye-level rim-path traversal.Pointed elf ears on the figure (wrong species/register); bound book is a manufactured object; hooded modern-cut smock; single lake and no rim path or traversal geometry in frame.
BRD_0003ROW:kelimutu-dawn-steamPICK_READY3O3 gives a physically-lit sunrise over the rim with the steam plume reading off the water and nothing banned in frame.Foreground rock reads as faceted collage at final tier; single waterline only, so the plate cannot stand as the colour-triple answer.
BRD_0003ROW:kelimutu-clear-high-sunREGENERATE_ALLNot one option contains a crater or a lake — all four are bare desert ridges, so the subject is simply absent.No caldera and no waterline in any option; arid badlands register foreign to Flores; O4 adds a modern white building with flag and canopy structures.
BRD_0003ROW:kelimutu-ash-haze-duskPICK_READY3O3 holds the ash column and dusk haze on physical light alone, without inventing incandescent rock or lamp light on a lake that is not erupting.O1/O2 render glowing lava veins on the rim and O4 puts a line of artificial point-lights plus conifers on the ridge; O3's stray orange specks want checking at final tier.
BRD_0003ROW:kelimutu-caldera-site-planREGENERATE_ALLAll four are centred radial sunbursts with a single lake, an invented waterfall and managed-park infrastructure — the exact tourist-viewpoint staging the care note bars.Centred radial symmetry; one main basin instead of three; a waterfall belonging to recharge_waterfall; radial roads, ring boardwalks, staircases and buildings; map-icon and lettering artifacts on O3/O4.
BRD_0003ROW:kelimutu-vent-and-tidemark-detailPICK_READY1O1 delivers all three material reads — tidemark banding above the waterline, sulfur vent with radial cracks, oxide crust — clean of text, props and figures.O4 carries yellow pseudo-lettering down the vent panel, O3 has unfinished white gutters between panels, O2's tidemark panel is smeared.
BRD_0004ROW:mount-inerie-cone-countryMIXED2Only frame with an off-centre cone, broadleaf tropical forest edge and nothing built on the slope.Sawn-plank-white debris scattered on the scree in all four; O1 carries a rust-red roof-like form on the mid-right slope; O3 is dead-centre symmetric; O4's forest reads as temperate conifer.
BRD_0004ROW:the-first-fire-nightREGENERATE_ALLEvery frame carries modern manufactured kit and a shelter that reads as instructed technique, which the care line bars outright.Steel knife + flip-flops (O1), modern tank top and blade (O2), grey tray object (O3), sawn pallet board and T-shirt (O4); araucaria/pine skyline on all four; neatly lashed A-frame reads as taught craft, not a stranger's improvisation.
BRD_0004ROW:flores-canopy-agility-courseREGENERATE_ALLAll four put modern kit on the child and systematic rattan lashings through a forest the care line says carries no structure or craft.T-shirt, cargo shorts, sneakers and backpack on the child in O1/O3/O4 (shoes in O2); rattan bindings on trunks and the traverse log = human craft in declared-uninhabited forest.
BRD_0004ROW:inerie-establishing-ridgeMIXED3Only frame that carries the whole cone at establishing scale with corridor and forest edge, garment covering the torso, and no structure or terrace.Bleached splinter/plank-like fragments persist across the row; O1's far-left pale cylinder reads as a culvert; the child's ear silhouette reads pointed on every plate.
BRD_0004ROW:inerie-upslope-from-the-corridorREGENERATE_ALLEvery frame plants a masonry obelisk on the slope — the exact built structure the row's NAMED V1 FIX bars.Masonry obelisk/tower in all four; rendered building with door and windows plus a paved ramp in O2 and O4; graded bench-cut terracing across the mid slope; arid tan palette instead of ash-grey volcanic and cloud-forest green.
BRD_0004ROW:inerie-scree-traverse-eye-levelREGENERATE_ALLAll four are close figure portraits against a blank fog void, so no eye-level traverse corridor is delivered at all.Wrong subject (figure sheet, not traversal environment); bright-orange prosthetic-looking pointed ears on every plate; chest left bare against the stated garment floor in O1 and O3; no scree corridor, no depth, no site read.
BRD_0004ROW:inerie-dawn-first-lightMIXED4Off-centre cone with raking dawn light down a real scree corridor, and the only frame free of both a road-like track and centred symmetry.Palette skews arid ochre rather than the region's ash-grey volcanic; the forest band the bible fixes for the lower slope is absent; O2 and O3 tracks read as graded roads; O1 and O3 are centred-symmetric.
BRD_0004ROW:inerie-dusk-windMIXED3Wind is genuinely carried by bent tussock and drifting ash on an off-centre cone with no road or built form.O2 and O4 render a graded/paved road with a shoulder line; O1 and O2 centre the cone; O3's slope is under-described and the cloud-forest band is missing; O2's wind reads as decorative curling wisps.
BRD_0004ROW:inerie-ash-haze-middayREGENERATE_ALLAll four build a glowing orange paved causeway to a haloed sun on a flat desert plain, breaching the impossible-light clause and the no-structure line at once.Non-physical orange glow (bible says impossible-light NONE PROPOSED); paved slab/sleeper walkway = built structure; hard centred symmetry with the sun on the summit; flat desert plain instead of cone-country slope; O4 adds an erupting plume and a molten-lava trench.
BRD_0004ROW:inerie-corridor-site-planREGENERATE_ALLAll four are European alpine hiking-map top-downs, wrong species register and wrong region, with buildings drawn in.Dense spruce/fir conifer icons in every plate; hut/cabin icons (O1, O2, O4) and a vehicle icon (O3); temperate-alpine map idiom, no Flores register; no legible playable-corridor annotation for a layout plan.
BRD_0004ROW:inerie-ground-material-detailMIXED2Tightest material set in one read — ash tread, black scoria, grit and bleached wood — and the only frame free of modern intrusions.Plant register is arid sagebrush/pampas rather than Flores; splintered plank-like fragments persist (row bars plank debris); O4 shows modern tourists in coloured jackets at the top edge; O3 drops to a coastal desert plain and loses the corridor.
BRD_0004ROW:inerie-p1-jungle-stalk-stagingMIXED3Only frame where the man is turned away in plain undyed cloth with no woven pattern legible, so the stalk stages at the attested floor without asserting a face.Flat orange paint-blob artifacts across the row, one reading as a glyph on the trail in O3; O1, O2 and O4 cast the Manggarai highland man as a fair-skinned light-haired European; O4 makes the shoulder-cloth weave pattern legible, which the dress_route bars.
BRD_0005ROW:the-kelimutu-carved-markREGENERATE_ALLAll four render the mark as a hand-stencil rock-art panel — the exact §17.1 breach the board's own v2 care note names (real Pleistocene/Maros-Pangkep grammar borrowed for an invented child's private mark).Hand/palm forms on all 4 (17.1 rock-art appropriation); centred triptych symmetry; O4 carries a swoosh-shaped artifact top-centre; superseded by the v2 A0023-A0025 rows.
BRD_0005ROW:carved-mark-deliberate-and-completeREGENERATE_ALLThe care fix landed (no hand stencils) but on every plate the mark reads as pale cut rods LYING ON the rock — cylindrical volume, bevelled end-caps, cast highlights — not an incision, so the row's own subject noun is unrealised.Mark reads as laid sticks/dowels, not carved: needs cut walls, groove shadow, tool striations below the surface plane; substrate is generic painterly grey mush with no limestone-karst grey-cream read and no cavern context; near-centred symmetry on O1/O2/O4; O1 has a star/sparkle artifact lower-right
BRD_0005ROW:carved-mark-shallow-and-abandonedMIXED3O3 is the only plate that actually reads shallow — hairline striations, terminals feathering out, one arm losing itself — while O1, O2 and O4 all cut a full-depth deliberate mark that duplicates the complete-valence row.O1/O2/O4 wrong fork valence (deep, even, finished); O3 keeps two small dark hook artifacts at the upper terminals, sits dead-centre on a featureless pale plane with no cavern/wet-stone context, and shows two strokes where the sibling rows show three.
BRD_0005ROW:carved-mark-hard-and-overworkedREGENERATE_ALLEvery plate renders a legible Latin letterform carved in stone (O1/O2 an 'A A' pair, O3 a 'V', O4 an 'M'), which breaks the row's absolute rule that the mark must never read as writing at Ch 2.Legible Roman capitals on all 4 (pre-script/Thread-17 breach); O1 additionally carries garbled inscribed TEXT across the top ('VAIIEIE DOTE… VALENCE HERE'); scale reads as a monumental quarried slab rather than a child's small private mark; O1 also drifts to a monument-inscription register.
BRD_0006ROW:protagonist-arrival-stateREGENERATE_ALLO1, O2 and O3 all stream blood from the eye down the cheek (the stated injury cap bars eye-blood and wound spectacle on the child) and O4 carries the embossed seal-like roundels on the tunic that the v2 care note names as an HL_0095 reveal-discipline leak.Blood-from-eye on O1/O2/O3; tunic roundels front and back on O4 plus a red gash in the hair; warm halo glow behind the crouch figure on O1/O2/O3 against the region's NONE-PROPOSED impossible-light clause; superseded by the v2 A0034 row.
BRD_0006ROW:protagonist-full-figure-arrival-stateMIXED1O1 is the only plate that holds the affirmative garment statement — short-sleeved torn tunic covering torso and thighs completely, injury capped at a single wet tear-track, sound hands and feet — while O2 and O4 bare the shoulder and chest and O3 breaks both the eye-blood cap and the roundel ban.O3 blood from the eye plus two disc/roundel forms on the skirt; O2 one-shoulder drape leaves torso uncovered and carries a pale cyan patterned marking on the cloth; O4 bare shoulder plus faint glyph-like flecks on the tunic; on O1 flatten the round tan lumps on the tunic front so they cannot read as
BRD_0006ROW:protagonist-concealment-crouchREGENERATE_ALLAll four abandon the character entirely — a modern white collared button shirt, round human ears instead of the established pointed-ear child, dark hair instead of the arrival grey, and no mud, injury, concealment staging or Flores ground anywhere.Manufactured modern collared/button shirt on all 4; wrong identity (round ears, dark hair, clean skin) against CHAR_0001's arrival state; non-physical radial halo behind the head on all 4 (impossible-light clause reads NONE PROPOSED); empty studio interior with no cover geometry, so the concealment
BRD_0006ROW:protagonist-hands-and-feet-detailREGENERATE_ALLO3 and O4 render six-digit hands, and all four dress the child in a tailored long-sleeved shirt with gathered elastic cuffs — a different manufactured garment from the torn arrival tunic this same board establishes, and one that pre-empts the ruled slice-end garment pass.Polydactyly on O3 and O4; malformed clubbed big-toenails and lumpy toes on O2; tailored cuffed long-sleeve shirt on all 4 (O4 adds a placket and pocket) contradicting the A0034 tunic; blank white studio floor gives the detail plate no material or scale reference.
BRD_0006ROW:protagonist-silhouette-sheetMIXED2O2 is the only sheet where all five poses read cleanly — its side-on crouch separates head, knees, arms and feet — whereas O1's crouch collapses to a shapeless blob and O4's top-right pose is a broken half-figure.O1 crouch is an unreadable mass; O4 top-right silhouette is a legless grey-gradient half-figure and its standing arms are over-long; O3 front squat reads heavy; row-wide, the hair buries the pointed ears on every pose so the sheet never carries CHAR_0001's key identity read — regenerate with at leas
BRD_0007rangku-wera-the-quiet-stepREGENERATE_ALLAll four render a polished forged-steel spearhead and steel butt-spike, which flores_island.md:840-841 rules out for this region (rattan-and-hide, not forged steel), and none delivers the row's stalk grammar at all.Forged-steel spear head + butt-spike on all 4 (canon: rattan-and-hide only); static front/walk/back turnaround instead of the ruled three-pose stalk triad, no quiet-step pose anywhere; O1 repeats one identical neutral pose three times (null sheet) and carries gold/brass bead bracelets; O3 and O4 car
BRD_0008kelimutu-waterfall-cavern-boss-pocketREGENERATE_ALLEvery plate puts modern manufactured kit in frame — a hiking daypack on the second figure in all four, plus coils reading as orange electrical cable — and O2 rebuilds the exact cruciform-in-the-red-water breach the row's own care line already struck.Modern daypack with webbing straps on a figure in O1/O2/O3/O4 and a modern billed cap in O4; orange/copper cable-coil litter across the cavern floor in all four; hi-vis cadmium-yellow wall patches reading as paint, not sulfur; O2 stages a domed cross-and-cruciform silhouette standing in the red wate
BRD_0008cavern-arena-establishingMIXED4O4 is the only plate that reads the arena as one legible space with real depth and a physical light source (low sun through the mouth), with the child clothed torso-to-thigh and no conifers, no built object and no incoherent prop.O4 to fix: the cadmium-yellow ground and wall patches read as spilled paint with emissive orange rims — restate as dull crusted sulfur with no self-light; the crimson veining on the far cliffs is graphic stripe, not mineral tidemark; strike the loose straw/cord bundle on the near floor. Row-wide reg
BRD_0008cavern-phase-two-approach-pillar-countryREGENERATE_ALLAll four stage a fluted classical colonnade at exterior dusk instead of a lava-pillar cavern, and arm the child with a European round shield with a forged metal boss.Built Greek/Doric colonnade with dressed lintels and fluted drums replacing natural cave pillars in all 4, plus palm-lined open sky — not a cavern; European round shield with turned metal boss carried by the child (manufactured object, wrong martial register); pointed elf ears on the child in all 4;
BRD_0008cavern-phase-two-cornered-frenzyREGENERATE_ALLRangku Wera is rendered as a pale, European-featured youth with pointed elf ears in all four — a wrong-identity breach on a figure canon states is a real Flores man (BOSS_PERSONAS.md:44-46).Pointed elf ears and European facial register on the boss in all 4, and on the child in all 4 — he must read as an adult Manggarai highland man; polished steel spear blade (and butt-spike in O1/O2) against the rattan-and-hide material law; child bare-chested in O1 and O2 (child-safety garment line);
BRD_0008cavern-torch-counter-momentREGENERATE_ALLEvery plate builds manufactured architecture into the cavern behind the child — a red-painted classical column in O1, fluted columns in O2/O3, a timber-framed interior with a hanging lamp in O4 — and gives the child pointed elf ears.Built classical column with base and capital in O1/O2/O3 (O1's is painted red) and a timber-frame structure with a hanging lamp fixture in O4 — no built structure belongs in this cavern; pointed elf ears on the child in all 4; O1's background silhouette wears a hard-hat/helmet profile reading modern
BRD_0008cavern-arena-site-planMIXED1O1 is the only layout plate with no modern figure and no cartoon slop — the plunge pool, the flat fighting floor and the cover line all read at a glance.O1 to fix: the cover element is coursed dressed-ashlar masonry with cut quoins — restate as fallen basalt columns and collapsed limestone blocks, since nothing is built in this cavern; the plan carries no red-water edge and no annotated affordance (entry, cover, vent, threshold), which a layout plat
BRD_0009ROW:the-polos-offerREGENERATE_ALLEvery candidate literalises the beat's naming noun as giant glowing letters (O1/O2/O4) or renders the apparition as the barred translucent human family group (O3).Text artifacts (glowing letters) O1/O2/O4; human family group + faces O3 (bars in row care_conditions); manufactured/modern props throughout (panelled door with metal hardware, ceramic plates, spoons, jars); disembodied arms; child in modern tee/shorts/sneakers O3/O4; conifer silhouettes on the ridg
BRD_0009ROW:the-hollow-gift-key-frameREGENERATE_ALLAll four are a temperate European lakeshore with a free-standing milled door and an elf-eared child - wrong biome, wrong register, manufactured props, in every candidate.Pointed elf ears on the Ch-2 human child (all 4); conifer treeline and European farmhouse on the far shore; milled panelled door with metal hinge/knob; wicker basket; white ceramic plates and bowls; cool grey-mauve palette carries none of the Flores set (limestone/volcanic/cloud-forest/dry-season as
BRD_0009ROW:the-hollow-gift-alternate-wideREGENERATE_ALLThe apparition is rendered as a rank of translucent human CHILD figures with faces - the exact construction the row's own binding care_conditions forbid.CARE BREACH: human child forms with faces as the offer (care_conditions require NON-HUMAN forms of plenty, no faces, no family group); pointed elf ears on the protagonist; bare-torso child ranked at a pit edge is an unsanctioned register; flat beige nowhere-place with no Flores material or palette r
BRD_0009ROW:the-hollow-gift-transparency-detailREGENERATE_ALLAll four are dead-centred abstract rinds on flat beige in which the assembled gift is not legible at all, so no candidate carries the row's canon content.Centred-symmetry in all four (circle on axis, flat field); subject illegible - reads as a broken geode/loaf, no forms of plenty, no offer; palette entirely beige-brown with none of the Flores set. O1 is nearest structurally (translucent interior) if a partial re-run is preferred over a full one.
BRD_0009ROW:polos-offer-the-refusal-and-the-costREGENERATE_ALLAll four are a boreal birch-and-conifer lakeshore with a dead-centred elf-eared child, and the refusal and its cost appear in none of them.Pointed elf ears (all 4); conifer/birch treeline and a European wagtail; dead-centred symmetry with flat horizon in all four; O2 has no place at all (flat red/grey colour field); the boss beat - the offer and its cost - is absent from every frame.
BRD_0009ROW:guardian-pair-at-the-falls-thresholdPICK_READY4O4 is the only candidate that reads as a threshold - komodo and single-headed python holding the left side, an open lane to the falls, child entering at right - with correct species, tropical staging and no rite tokens.Recurring yellow/dark band across the komodo's shoulder reads as a strap in all four; komodo snout drifts crocodilian; O1 carries a small yellow glyph-like squiggle on the rock face. O3 is a close second.
BRD_0009ROW:guardian-pair-two-lanes-one-fight-spaceMIXED4O4 is the only top-down plate with a single-headed python and both lanes legible (komodo dry lane, python wet-rock lane) around the child.Python head duplicated in O1 and O2; komodo head drifts crocodilian across the whole row; teal bead/lens artifacts on the ground in O1 and O4; heavy confetti-like debris littering the ground plane.
BRD_0009ROW:guardian-pair-the-withdraw-and-openPICK_READY2O2 is the only candidate with one komodo on all fours, one python with one head and one child - the withdraw-and-open lane opens cleanly to the falls with no kill and no blood.O1 and O3 rear the komodo into a bipedal theropod pose; O3 and O4 duplicate the python into two animals; O4 adds a second child (canon: companions_present none at CH02_B03); faint shoulder-band artifact persists on the komodo in O2.
BRD_0009ROW:guardian-pair-encounter-staging-planREGENERATE_ALLEvery candidate dresses the Ch-2 child in a modern T-shirt, shorts and shoes and duplicates at least one entity.Modern garment and footwear on the child in all four; two komodos O1/O2; two children O2/O3; two pythons O4; stray black contour-scribble overlay O3; faint map-grid texture and a stray white line O4.
BRD_0010ROW:komodo-dragon-guardianPICK_READY1O1 is the only plate with a clean hide - no red lesions - plus correct anatomy, dry lowland leaf-litter habitat with a water margin, and a wary tongue-flick rather than a kill.O2 and O3 carry raised red wounds and open punctures (the row's marker is a pale healed seam, no red on the hide); O4 has a detached dark saddle/flap artifact on the shoulder; O1 has 3-4 small orange raised spots on the shoulder worth cleaning.
BRD_0010ROW:reticulated-python-guardianMIXED2O2 is the only candidate with a single head and one continuous body; the other three duplicate the head, exactly as the board's own v1 note predicted.Head duplication in O1, O3 and O4; O2 carries a small dark object on the rock at lower-centre that reads as a manufactured item (sunglasses-shaped) and should be cleaned.
BRD_0010ROW:flores-ambient-fauna-study-sheetPICK_READY1O1 is the only artifact-free sheet - four separable species on a neutral field, long-tailed macaque correct, honest ecology and no trophy staging.O2 contains a human hand emerging from the ground under the monitor lizard; O3 and O4 render the boar's forefeet as splayed paws rather than cloven hooves; O4 gives the macaque a short squirrel-like tail (wrong for the long-tailed macaque); minor across the row - the deer reads chital-spotted rather
BRD_0010ROW:komodo-hero-study-shade-lineMIXED4O4 holds the shade line with a clean unbroken silhouette and no red or foreign colour anywhere on the hide, which is the row's stated v1 fix.O2 carries a teal patch and a gold ring artifact on the flank plus a red mark at the jaw; O3 has a costume-like collar flap and confused forelimb geometry; O1 has a dark cavity read at the neck-shoulder junction; across the row the tongue renders as a solid unforked yellow blade and no plate shows t
BRD_0010ROW:komodo-behaviour-motion-stripREGENERATE_ALLAll four render a furry canid mammal with external ears and a banded tail instead of a Komodo dragon.Catastrophic wrong species in all four (wolf/jackal-like mammal, fur, pinnae, mammalian limb posture); O3 additionally drapes a black cloth over the animal; zero behaviour information delivered for CR_0001.
BRD_0010ROW:komodo-scale-against-childREGENERATE_ALLAll four render a deer-dog chimera instead of a Komodo dragon and pair it with a pointed-eared bare-torso child.Wrong species and broken chimeric anatomy in all four; pointed elf ears on the Ch-2 human child; bare-torso child in a scale plate is an unsanctioned register; no usable scale reference produced.
BRD_0010ROW:komodo-juvenile-arboreal-variantPICK_READY4O4 is the cleanest arboreal read - three correctly banded gracile juveniles fully in contact with the branch, correct species, good bamboo-grove light.O1 floats two juveniles off the branch and carries machined metal fittings on the wood; O3 has googly-eye-like blobs on the branch; O2 has a wire-like wrap on the bamboo; minor blob artifacts on the branch persist in O4 and a faint collar-like band sits at each throat.
BRD_0010ROW:komodo-leucistic-morph-variantREGENERATE_ALLAll four render a white fantasy quadruped with mammalian ear pinnae, forward-facing round eyes and upright mammal limb posture - not a Komodo, and a cryptid register the care line explicitly bars.Wrong species and mythic-creature register in all four (the care note requires ordinary documented fauna, never a cryptid or mythic dragon); no leucistic Komodo morphology anywhere; stubby curled tail contradicts the roster morphology.
BRD_0010ROW:komodo-adult-at-the-falls-lowland-approachPICK_READY4O4 seats a correct adult on the falls' dry sandy approach with the shade line intact, full silhouette, unbroken tail and no red or foreign colour on the hide.O2 carries a teal patch on the shoulder and red marks at the jaw and tail base; O3 has ragged unfinished canvas edges and a torn-flap read at the shoulder; O1 has small orange raised spots on the shoulder; across the row the animal sits at the water's edge rather than back on the lowland approach th
BRD_0010ROW:python-hero-study-ambush-stillPICK_READY2O2 is one animal with one head entering the water, a legible ambush coil on wet volcanic rock, and zoology only - no rite, offering, cloth or set stone anywhere in frame.O1 duplicates the head and carries letter-like artifacts at lower-left; O4 has a small digit-like artifact at the left edge; O3 is clean but the coil reads flatter than O2.
BRD_0010ROW:python-body-geometry-stripREGENERATE_ALLAll four render a low-poly white quadruped mammal with legs, ears and a muzzle - there is no snake in any candidate.Catastrophic wrong species in all four; zero body-geometry information delivered for CR_0002; the two-lane prompt failure the v2 note tried to fix has been replaced by total subject loss.
BRD_0010ROW:python-scale-against-childREGENERATE_ALLAll four render a beast-headed humanoid in a loincloth lying beside a pointed-eared bare-torso child - no python, and a humanoid-hybrid register that exists nowhere in canon.Wrong species and invented humanoid-beast register in all four; pointed elf ears on the Ch-2 human child; bare-torso child paired with a prone humanoid figure is an unsanctioned and care-adjacent staging; no scale reference produced.
BRD_0011ROW:the-polo-vril-hollow-registerREGENERATE_ALLAll four stage the night-form on a boreal-conifer temperate lakeshore — the exact omission failure this row's own V1 FIX names.Spruce/fir conifer horizon and non-Flores lakeshore in all 4; the mata mbere red point sits at the knee/shin instead of one mark at eye height (O2 adds a second dot at the foot); generic Western apparition register rather than the Ngada/Nage/Keo/Ende/Lio/Manggarai sent night-form.
BRD_0011ROW:the-polo-attested-animal-formsREGENERATE_ALLEvery strip pairs a defanged ordinary house cat with Western-breed dogs and full-size saddle horses under a manufactured candle-on-a-stand.Candle on a made metal/wood stand in all 4 (manufactured object); two glowing demon-dog eyes in O2/O3/O4 against the one-red-point rule; O1 dog wears a modern collar with hanging tag; erupting lava volcano invented in O1/O3; horses are large Western saddle types, not small island ponies; cat panels
BRD_0011ROW:polo-night-form-studyMIXED1O1 is the only plate carrying the mata mbere as one clean hard point at eye height over convincing tree-fern, bamboo and crater ground.O2 carries no tell on the figure at all (a stray red dot sits off in the shrubbery); all four are daylit despite the night-form register and none carries the vril-hollow the row title names; O4 has a yellow scribble artifact at right; figures are dead-centred in every option.
BRD_0011ROW:polo-hollow-and-red-point-detailREGENERATE_ALLThe hollow this plate exists to define is illegible in O1-O3, and O4 replaces the form with a rendered human male torso.O1/O2 show no hollow at all in near-black underexposed frames; O3's chest void is barely readable; O4 is a photoreal human chest with skin, nipples and anatomy under a floating red point — the physiognomy-on-a-human-body read the CR_0151 care register bars; all four dead-centred.
BRD_0011ROW:polo-scale-in-the-darkMIXED1O1 is the only plate with no conifers, a clean unbroken cliff read and a correctly-eared child holding the scale.Spruce/fir conifers on the far rim in O3 and O4; pointed elf-style ears on the child in O3/O4; colour-confetti noise across the cliff faces in O2/O4; the polo reads as a tailored black overcoat with the red point floating above the head rather than one mark at eye height in a hollow face.
BRD_0011ROW:polo-forerunner-catMIXED3O3 is the only plate with a single red point and a legible flank hollow on believable bamboo and tree-fern ground.A candle or torch on a made stand in all four (manufactured object); O1/O2/O4 give the cat two glowing eyes, one red and one yellow, against the one-small-hard-mark rule; O4's 'hollow' reads as a woven lattice panel and a stray second tail floats at right; O1/O2 carry foreground confetti artifacts;
BRD_0011ROW:polo-forerunner-great-dogMIXED3O3 is the only plate free of modern objects and wrong-place architecture while keeping the single red eye on an ordinary village dog.O2 prints a world map across the whole sky; O1 sets clapboard gable houses, a picket fence and a mailbox behind the dog; O4 adds a power pole, overhead wires and an urban skyline; no plate carries the mandatory hollow read; confetti-blob litter artifacts in the O1/O2/O3 foregrounds.
BRD_0011ROW:polo-forerunner-horseREGENERATE_ALLEvery plate substitutes a heavy Western draught/cob for the small island pony the care conditions name, and three carry fence or floating-bar artifacts.White painted paddock rail and posts in O1; floating white bars across the sky in O1/O3/O4; O4 puts the red point on the rump instead of at eye height; O2's upper panel carries no tell and ships as an unrequested stacked diptych; no hollow read anywhere; temperate moor ground rather than Flores.
BRD_0012ROW:the-recovered-realm-objectMIXED2O2 is the only sheet whose pieces all sit inside the 6 cm cap and shows the grimed-and-clean pairing without machined metal.O3 renders the ring as bright machined metal with a split-ring cut and adds a metal clasp to the cord; O1/O4 show a long animal-bone shaft far over the 6 cm cap; the capped-shaft piece is never on a thong in any option so it fails the worn-form rule; O2 duplicates the disc as a redundant fourth item
BRD_0012ROW:realm-object-variant-a-worn-ringPICK_READY4O4 gives the crispest same-object pair — real cave earth on the grimed half, the notch signature legible in both halves.O1/O3 render the grime as a flat painted smear rather than cave earth; O2 drops the notch so the object carries no recognisable signature.
BRD_0012ROW:realm-object-variant-b-pierced-discMIXED1O1 is the only strong grimed/clean pair that actually keeps the central pierce the variant is named for.O2 and O4 omit the central pierce entirely, leaving a blank tag; O3's clean half reads as a machined regular washer and its outline does not match its grimed half; O1's two halves differ in stone colour so the same-object read is weakened.
BRD_0012ROW:realm-object-variant-c-capped-shaftREGENERATE_ALLAll four render an unworked animal long bone with epiphyses and a marrow cavity instead of a made shaft with a cap.Raw limb-bone read in all 4 and well over the 6 cm cap; no distinguishable cap on any plate; O2 adds metal ferrules on both cord ends; O3/O4 leave the cord floating unattached so no option delivers a worn form.
BRD_0013ROW:shell-the-water-familiar-registrationREGENERATE_ALLAll four render a hard-scuted river terrapin; FAM_01's species_class is the Flores giant softshell (Chitra chitra javanensis), which has a flat leathery scute-less carapace and a tubular snout.Wrong species on all 4 (hard keratin scutes, domed shell); O3/O4 add spiny non-turtle limb tubercles and a malformed forelimb; Shell is not one of the two register-split stylized subjects, so real-species accuracy binds.
BRD_0013ROW:shell-read-through-water-studyREGENERATE_ALLSame wrong-species failure as the registration row, and no candidate actually reads the animal THROUGH water — all four sit the turtle surfaced and fully exposed, so the row's own brief is unmet.Hard-scuted terrapin instead of the canon softshell; subject above water in every option, no refraction/submerged read; spiny limb tubercles inconsistent with the species.
BRD_0013ROW:shell-surfacing-snout-studyMIXED3O3 is the only candidate with a clean snorkel-snout read — correct nostril tube, plausible neck, clean ripple ring — and no text artifact or duplicated head.Whole row greyscale-only with no carapace in frame, so the species cannot be confirmed; necks read gharial-long rather than softshell; O2 carries a scribbled text artifact bottom-left plus a duplicated head in the reflection; O4 grows a serrated dorsal crest.
BRD_0013ROW:shell-scale-across-the-poolREGENERATE_ALLEvery candidate stages the scale comparison in a modern swimming pool — concrete coping, tiled edge, poolside furniture, chlorinated turquoise water.Modern built pool and poolside furniture in all 4; sea-turtle flippers instead of the softshell's webbed feet; anime/cel register breaks the realistic-ethnographic bar; O2 renders two turtles.
BRD_0013ROW:shell-carapace-surface-detailMIXED3O3 is the only option carrying the correct leathery scute-less carapace read without the disembodied human hand that mars O1, O2 and O4.O1/O2/O4 insert a floating cropped human hand at wrong scale; O2 grows crab claws; O3's salmon rim reads crustacean and the shells present as dead specimens on white rather than a live animal's back.
BRD_0014ROW:insc-77h-ch02-fragment-carrierREGENERATE_ALLAll four reproduce the exact v1 defect the row's own care note names — the limestone carrier resolves into a carved anthropomorphic hand, a finished figurative sculpture in a pre-script Austronesian stratum.Carved human hand on every option (O3/O4 unmistakable); the incised mark closes into a self-contained sigil reading as a numeral on O1/O3; iridescent rainbow nacre flirts with the NONE-PROPOSED impossible-light clause; centred studio triptych symmetry throughout.
BRD_0014ROW:fragment-carrier-worked-limestoneMIXED1O1 is the only candidate whose strokes stay faint, open-ended and un-closed — O2 forms a numeral-like sigil, O3 a framed cartouche glyph, O4 legible CJK-like characters.O2/O3/O4 all breach the closed-sigil and legible-script bar; O1's blocks read as sawn rectangular quarry stock rather than natural fracture fragments, marks are near-invisible at review tier, and the paired-block studio staging is symmetric.
BRD_0014ROW:fragment-carrier-river-worn-shellREGENERATE_ALLThree of four incise legible letterforms (O4 reads as literal text, O3 as letter pairs, O2 as a cursive signature) and the one remaining option still carries a handwriting-like stroke on a marine conch that is not a river-worn shell.Legible letterforms and text artifacts on O2/O3/O4; marine gastropod substituted for a freshwater river-worn carrier on all 4; exaggerated rainbow nacre flare; O2 includes an untextured white clay-render pipeline artifact.
BRD_0014ROW:fragment-carrier-weathered-boneREGENERATE_ALLNo candidate renders bone at all — every option is a wheel-thrown ceramic vessel form, which is a manufactured object rather than the weathered bone carrier the row names.O1 a single broken plate with a glyph-cluster mark, O2 a rimmed bowl sherd, O3 four vessel sherds in perfect rotational symmetry, O4 four intact circular dishes; no cortical or cancellous bone structure anywhere; centred symmetry on O3/O4.
BRD_0015ROW:recharge-waterfall-first-waterREGENERATE_ALLCHILD-SAFETY BREACH: O1 and O2 render the child unclothed and O3/O4 put him in modern swim briefs — this is the v1 failure the row's own v2 ruling documents, and no candidate carries the affirmative garment.Unclothed child on O1/O2 (unusable, do not circulate); modern swimwear on O3/O4, explicitly barred; the ruled positive garment — plain soaked mud-caked cloth covering torso and thighs — is absent on all 4. Highest-priority regeneration on the board.
BRD_0015ROW:falls-establishing-across-poolREGENERATE_ALLEvery candidate sites the falls inside a landscaped built water feature — retaining walls, cut steps, cobble-faced masonry and a timber deck — in a zone the care line declares uninhabited with no built structure.Concrete/timber retaining wall (O1), paved steps and platform (O2), cobble-clad wall and woven panel (O3), painted coping wall plus timber deck and hanging lamp (O4); child bare-torsoed in a waist wrap on all 4 rather than the ruled torso-and-thigh covering garment.
BRD_0015ROW:falls-from-the-lip-looking-downMIXED4O4 gives the cleanest lip-looking-down read on natural irregular basalt with no masonry-like courses and no artifacts.O1/O2 right-hand rock face reads as coursed masonry; O3 carries small text-like scribbles on the lower rock; whole row sits in a flat cel/vector register that drifts from the region's realistic-ethnographic bar.
BRD_0015ROW:falls-wet-margin-approachMIXED4O4 is the only candidate whose left-bank slab reads as a natural limestone ledge rather than a cut stair, and its garment correctly covers torso and thighs.Cut-stone stairs or concrete-like pavers on the left bank in O1/O2/O3; O3 has a malformed hand; the tunic reads as a tailored modern hooded anorak with topstitched seams and the mud-caked state is under-rendered across the row.
BRD_0015ROW:falls-dawn-cold-sprayMIXED4O4 breaks the dead-centre axis best and carries the truest cold-dawn read — cool blue mist against warm sky through the canopy gap — with no conifers and no glow.All four compose the fall on the vertical centre axis; flat vector register against the region's realistic bar; O4 carries a stray plank-like object floating on the pool; canopy is thin for cloud forest.
BRD_0015ROW:falls-high-sun-spray-ringREGENERATE_ALLThe row's spray ring has been literalised as a glowing luminous ring or portal disc on all four, which is a direct breach of the NONE-PROPOSED impossible-light clause, and no candidate contains a waterfall at all.Non-physical glowing ring/portal on all 4 (HL_0028 / L3 discipline); subject entirely missing — no falls, no high sun, no spray; O2 shows an arid mountain vista; child staged bare-shouldered in a designed white drape-and-veil costume instead of the ruled plain soaked garment.
BRD_0015ROW:falls-dusk-green-goldMIXED2O2 is the only strong dusk green-gold read that is free of conifers, with the richest canyon walls and tree-fern foreground.O1 and O3 put conifers on the skyline (forbidden); the whole row reads temperate-canyon rather than Flores cloud forest — sparse bamboo/tree-fern cover, no karst or volcanic-black material read; flat vector register.
BRD_0015ROW:falls-rock-and-spray-material-detailPICK_READY4O4 is the cleanest material key — vesicular basalt, cave limestone, wet-margin fern mat and the spray curtain all legible, with no artifacts, text, manufactured objects or glow.Minor only: O4 duplicates the fern-mat cell twice; O2's basalt cell carries over-processed swirl lines and O3's limestone reads as marbled resin.
BRD_0015ROW:waterfall-perspective-aerialPICK_READY1O1 gives the deepest amphitheatre read with a clear cliff band, plunge pool and outflow stream, in a plausible tropical canopy with no built structure, text or glow.Minor only: O2 has a red man-made-looking object in the top-right canopy and O3 shows mown pasture and hedge blobs at the top-right corner; O1/O4 carry small ambiguous pale corner patches.
BRD_0015ROW:waterfall-perspective-eye-levelREGENERATE_ALLAll four hang polished marble or cast-stone slabs across the frame and O3 adds fluted columns, turning the wild recharge falls into a landscaped spa grotto.Manufactured marble/terrazzo lintels and benches on all 4, fluted stone columns on O3, formal pool coping throughout — built structure barred in this uninhabited water-body zone. Costume and figure are otherwise correct and worth carrying into the regen.
BRD_0015ROW:waterfall-perspective-low-angle-detailREGENERATE_ALLNo candidate contains the waterfall the perspective set owes, and the staging goes wrong in every option — O3 puts a printed book in the child's hands, O1/O2 lay him prone in water under a looming disembodied pair of adult legs.Printed codex on O3 (manufactured object plus a pre-script-register breach at Ch 2); collapsed-child-in-water staging with a cropped adult standing over him on O1/O2; subject absent (no falls) on all 4; O4 is closest but carries a black wire-like foreign object on the near rock and crops the figure
BRD_0016kelimutu-rim-circulation-planREGENERATE_ALLAll four are monochrome aerial-survey orthophotos of a road-cut farming valley with garbled map lettering — no caldera, no three lakes, no circulation read at all.Text/map-label artifacts in all four (O1 'SAMYSING'/'430'/'80'; O3 'oinnhmalue'); a graded highway corridor runs through every plate (modern infrastructure); wrong subject entirely — no crater rim, no three mutually-distinct waterlines, no walkable circulation diagram; register is survey photo, not
BRD_0016kelimutu-climax-pocket-in-the-wall-sectionREGENERATE_ALLEvery candidate is a centred waterfall-into-turquoise-pool quarry scene rather than a section through the crater-wall pocket, and each carries a hard defect.Conifers on the rim in O1, O3 and O4 (forbidden species); O2's wall is a collage of manufactured objects (keypad, printed panels, boxes) plus a timber rail; O3 carries garbled wall lettering and a modern building on the horizon; O4 is flat-vector register with hard centred symmetry; none is a sectio
BRD_0016kelimutu-perspective-aerialMIXED2O2 is the only candidate that delivers three mutually-distinct waterlines with no text artifact — O1 carries a watermark, O3 and O4 show only two lakes.O1 has a legible 'BAROSAAGE' text artifact on the dark lake; O3 and O4 fail the three-distinct-waterlines requirement; all four sit in a grey-black lunar moonscape webbed with graded haul roads that reads as an open-pit mine and drops the wet cloud-forest green the bible fixes — regenerate O2 with v
BRD_0016kelimutu-perspective-eye-levelMIXED2O2 is the cleanest rim read — coherent crater wall, no artifacts, correct plain-undyed garment and barefoot child, and no temperate pasture in the background.O4 shows green pasture and track-lined farmland plus a black wound-like blot on the leg; O1 has a dark tube-like object on the shore and temperate brown farmland horizon; O3 puts green sward on the rim; all four render one grey-teal lake in a slate-quarry register with no Flores mineral colour or ve
BRD_0016kelimutu-perspective-low-angle-detailPICK_READY3O3 is the strongest plate on either board: sulphur crust, black scoria and yellow mineral water under ash-haze light, with no manufactured object, text or artifact anywhere in frame.O2 has a machined ribbed grille object in the shingle and a blue-sky register off the dry-ash weather profile; O4 has a white plastic grommet ring on the scoria; O1 carries a floating translucent shard with a wire-like line.
BRD_0017first-fire-the-ember-key-frameREGENERATE_ALLAll four seat the fire on a planed, machine-sawn lumber board with square finished edges — a manufactured object in a beat where the child has nothing.Milled hearth board in all four (O3's reads as a laminated cutting board with edge banding); conifer/pine forest behind O1 and O2 (forbidden species); O2 also drops to a flat painterly register. Bar 'plank/board/lumber' tokens and specify a split green-bamboo hearth on bare ground.
BRD_0017first-fire-the-lean-to-alternateREGENERATE_ALLThree of four put a bare-chested child in only a waist wrap, breaking the row's own stated law that the child is fully clothed in a plain undyed wrapped tunic covering torso and thighs.O1, O2, O3 bare-chested and reading as a present-day local village child, not the elf stranger the care note requires; O4 is clothed but has a round-eared local child plus an enamel cooking pot and a white enamel cup (manufactured metal); all four render a neatly rattan-lashed community-grade bamboo
BRD_0017first-fire-fire-saw-detailREGENERATE_ALLThe prompt token 'fire-saw' produced a modern steel carpentry handsaw in every candidate — riveted handle, machine-cut teeth, forged blade.Steel handsaw with riveted wood/composite handle in O1 and O2; bare serrated steel blade embedded in the hearth stone in O3 and O4 (O4's is still an unmistakable toothed blade behind the embers). Forged steel is barred for this region (flores_island.md:840-841). Strike 'saw' from the prompt and desc
BRD_0017canopy-route-key-frameREGENERATE_ALLThe v1 care fix was never applied — all four still lash cordage to the logs, and all four strip the child to a waist wrap.Knotted rope handlines and regular bindings around both logs in all four — the exact community-craft-in-a-craft-free-zone defect the care line orders removed ('the fix is removal, not softening: the route is botany'); bare-chested child in all four against the stated fully-clothed garment law; O2's
BRD_0017forest-pod-alternate-stagingPICK_READY1O1 is the only candidate whose plain undyed tunic actually covers the torso front and back, in a clean botanical pod of arching limbs with no cordage, craft or manufactured object.O2, O3 and O4 render the wrap as a one-shoulder halter leaving most of the back bare, weakening the fully-clothed law; O4 also has dark shoe-like debris on the path. Pointed ears are correct canon (elf protagonist) and are not a defect.
BRD_0017canopy-route-height-readMIXED4O4 is the only candidate free of a hard artifact — the other three each carry a text or manufactured-object strike.O1 has open books with ruled pseudo-text lying on the limb (manufactured object plus text artifact); O2 has a machined spoked wheel set into the branch; O3 has a cursive 'WOMEN'-like watermark burned along the limb; O4's remaining notes are a flat wash void that fails to read as height and an incohe
BRD_0019region-traverse-03-inerie-cone-ash-fieldsREGENERATE_ALLEvery one of the four frames stages a barefoot child reading a bound BOOK on the ash slope — a manufactured object and a living-subject staging the row's own bar_reason forbids ('no living-dress or living-practice subject in frame').All 4: open bound book in hand (manufactured object) + human child in an uninhabited-corridor plate; dense temperate CONIFER/spruce forest instead of Flores cloud forest; ground reads as coal/quarry spoil and milled timber debris, not volcanic ash-and-scree; symmetric Fuji-style cone (centred symmet
BRD_0019region-traverse-04-recharge-waterfallMIXED4O4 is the only one where the fall reads physically — an off-centre plunge against a real dark rock face with tree ferns (correct tropical register) — while O1 carries a post-like manufactured stub, O2 is a symmetric top-down with no cliff, and O3 reads as a garden fountain issuing from flat open groO4 notes: flat cel/vector register clashes with the photoreal register elsewhere on the board; stray orange/yellow glyph marks on the left and right rocks; no scale cue or route read for a traversal step. O1 post-like object; O2/O3 dead-centre symmetry; O3 water falls from flat ground with no cliff.
BRD_0019region-traverse-06-kelimutu-rimMIXED2O2 is the only frame that reads as an ARRIVAL at the rim — a legible foreground path running to the crater edge, off-centre framing, dawn sky and correct mineral turquoise — and it carries no object-reads, whereas O3's neon-green/orange splotches and two dark shoreline lumps read as paint and droppeO2 notes: crater walls break into crumpled-foil / draped-sheeting facets that read as tarpaulin rather than oxidised rock; single lake only, no three-lake colour set. O1 same foil artifacting plus a truss-like dark structure right-of-centre and a cropped rim; O3 fluorescent lime/orange blobs and amb
BRD_0020ROW:inerie-perspective-aerialREGENERATE_ALLEvery candidate reads temperate-industrial rather than Flores: conifer stands and cultivated lowland on all four, plus a cursive text-like scrawl on the ash in O1, an orange tarp/tent in O2, red-roofed buildings in O3, and graded haul roads with machinery, sawn planks and a white bin in O4.conifers on all 4; dead-centred symmetric cone on all 4; cultivated fields/buildings on O1,O3,O4; cursive text artifact mid-slope O1; orange tent/tarp O2; graded roads + vehicles + sawn plank debris + white manufactured bin + red-roof structures O4 (repeats the named v1 built-structure defect)
BRD_0020ROW:inerie-perspective-eye-levelMIXED1O1 is the only candidate whose vent reads as real fumarole geology with sulfur staining rather than a manufactured vessel, and its figure matches the reserved elven-child identity (cream tunic, barefoot, pointed ears) on dry tussock slope with no buildings.O1 notes: vent mouth is suspiciously circular and the yellow patch beside it edges toward painted-tarp read; framing is high-angle over-shoulder, not the row's eye-level. O2 yellow painted splashes round a tyre-like ring plus arm's-length lava seams and a melted left-hand read. O3/O4 REJECT: black r
BRD_0020ROW:inerie-perspective-low-angle-detailREGENERATE_ALLAll four stage an adult male hand in a zone whose care line and beats hold a lone child and no community in frame, and all four render the sulfur as glossy enamel or expanding-foam goo rather than mineral crust.adult hand on all 4 (identity mismatch vs the reserved child); dark modern sleeve cuff O2,O3,O4; sulfur as plastic/foam blobs on all 4; cleanly sawn cylindrical log ends O1
BRD_0023ROW:char0011-anselmus-full-figureREGENERATE_ALLAll four carry the two hard defects the row's own care sentence forbids — a polished forged-steel spearhead with machined ferrule and metal butt-spike against 'rattan, hide, bamboo, hardwood, no forged steel in the highland layer', and a bold Central-Asian ikat MOTIF register against the R-E motif-fForged-steel spearhead + machined metal ferrule/butt-spike on all 4 (attested-materials breach); Central-Asian ikat motif vocabulary claimed on all 4 (Erb-gap care breach — must be motif-free resist-dye technique only: feathered warp band edges, hand-spun slub, indigo/morinda range); O2 and O4 garme
BRD_0023ROW:char0011-anselmus-at-workREGENERATE_ALLEvery candidate renders a blond/brown-haired white European man in a modern linen button shirt and cargo shorts with rendered text artifacts, which is the wrong person entirely for CHAR_0011, a Manggarai hunter of the Flores highland.Wrong ethnicity/identity — white European male in all 4 instead of the Manggarai hunter; rendered TEXT artifacts in all 4 (a painted 'Anselmus' sign in O1, garbled 'ANSEMUS'/'ANSELIUUS'/'AISETHIS' poster and clipboard headings in O2-O4); modern manufactured objects throughout — printed paper with ha
BRD_0024ROW:char0014-healer-maria-full-figureMIXED1Only candidate where the reserved triad (plants, basket, knife) reads as one coherent working kit in hand; O3 duplicates the blade and O4 breaks the knife into a floating handle plus a grey blob.Winner's blade reads as a polished modern kitchen knife (soften to a village forged parang at paintover); O3 knife duplicated, O4 knife broken; O2 blade tucked edge-up against the body is physically incoherent and its sarong carries a figured hook motif.
BRD_0024ROW:char0014-healer-maria-at-workREGENERATE_ALLAll four render a white European woman in a buttoned shirt, cargo trousers and hiking boots harvesting kale and leeks in a temperate nursery bed — wrong identity, wrong region, wrong era.Wrong subject identity and register; modern manufactured objects (plastic nursery trays and edging, rubber/riveted knife handles, footwear, finger ring); temperate garden flora and New World crops; no lingko_forest_edge read anywhere.
BRD_0024ROW:char0008-rangku-wera-full-figure-uncorruptedPICK_READY3Cleanest motif-free resist read on the shoulder cloth with the complete highland kit (rolled mat, rattan basket, bamboo tube, spear), barefoot and asymmetric, no garment anachronism.O2 carries a modern button placket down the tunic front; O4's shoulder cloth reads as a stiff kilim rug rather than hand-spun cloth; the mirror-polished spearhead reads machine-finished across the whole row.
BRD_0024ROW:char0008-rangku-wera-at-work-village-edgeREGENERATE_ALLEvery candidate puts modern manufactured objects in frame (blue plastic tub, plastic drum, corrugated metal roofing, turquoise-painted joinery) under conifer silhouettes, and none carries the ruled Manggarai grammar.Modern plastic/metal props; conifers on the ridge; footwear on O2/O3/O4; generic thatch huts instead of mbaru niang under ijuk with a compang centre; heavy scattered debris artifacts; painterly register clashes with the photoreal study row. O1 is the closest base (barefoot, no metal roof).
BRD_0025ROW:type-elder-at-compang-full-figurePICK_READY3Reads exactly the reserved 'presence and upkeep only' — a bound-fibre broom, no regalia, no rite — over motif-free feathered resist bands, barefoot and asymmetric.O2 and O4 attach the cane bundle incoherently to the shoulder and stand frontal-symmetric; O2's sarong carries a figured diamond motif that edges toward a claimed motif vocabulary.
BRD_0025ROW:type-elder-at-compang-at-workREGENERATE_ALLAll four build an East-Asian tiled-roof town around a fantasy glyph-carved monument, with a European figure in tunic, trousers and boots sweeping with a modern push-broom.Wrong architecture (upturned-eave tile roofs, not mbaru niang or a low compang ring); carved glyph text on the monument; European garment register plus boots; modern push-broom; utility poles and power lines in O3/O4; centred-symmetry composition throughout.
BRD_0025ROW:type-farmer-lingko-full-figureMIXED4Cleanest technique-only cloth (vertical feathered indigo and morinda bands, no figured motif) with a timber digging stick and rattan basket rather than a bladed implement.Winner's digging point still reads metal-shod against the row's timber-and-bamboo tool reservation; O1 and O2 carry full steel spade blades; O3 adds a figured medallion motif and a warty skin artifact on the legs; the bentwood market basket in O1/O2 reads Western.
BRD_0025ROW:type-farmer-lingko-at-workREGENERATE_ALLEvery candidate is contemporary Indonesian agriculture — T-shirts, shorts, a bucket hat, rubber sandals, steel spades and garden forks — on a furrowed monoculture rather than the lodok fan.Modern clothing and footwear; manufactured steel spade/fork; modern buildings with metal roofs and a silo on the horizon; parallel furrows instead of the lodok spider-web radial geometry; no compang stone in frame.
BRD_0025ROW:type-children-village-edge-full-figurePICK_READY4The only candidate whose cloth is pure feathered resist banding with no claimed motif language; ordinary children, no ornament, no ritual or endangerment in the staging.O1 and O3 carry a repeated diamond-lattice that reads as a specific motif vocabulary the Erb gap withholds; O2's girl wears a tailored strap bodice rather than wrapped cloth.
BRD_0025ROW:type-children-village-edge-at-workREGENERATE_ALLAll four dress the children in modern cobalt shirts and rubber flip-flops in a dry savanna mud-hut village with utility poles and wires — wrong dress, wrong architecture, wrong biome.Modern school-uniform-style clothing and footwear; power poles and lines; plastic water tank and moulded chair (O2); blue corrugated-metal and painted concrete houses (O1); conifers on the ridge (O4); round mud huts instead of the Manggarai village edge.
BRD_0025ROW:type-weaver-loom-full-figureMIXED4The only candidate that actually shows a tensioned warp between two beams with shed sticks; the other three are loose rods and a bobbin with no weaving happening at all.Winner still lacks the backstrap and breast-beam body tension and the warp is far too short to read as a backstrap loom; O1/O2/O3 show no warp; O1 also stages her in a strapless tube wrap on an elevated-care row.
BRD_0025ROW:type-weaver-loom-at-workREGENERATE_ALLEvery candidate is a South Asian weaving yard — denim kurtas, a rope-slung horizontal frame loom, mud-plaster and tile roofing — not a Wae Rebo backstrap weaver.Wrong regional dress and loom type; corrugated-metal and cement-tile roofing; glazed window and milled panel door with a metal handle (O4); leather sandals and flip-flops; terracotta flowerpot; floral-burst and check patterns that claim a motif language.
BRD_0025ROW:type-tua-teno-full-figurePICK_READY4Carries the working instruments (measuring pole and coiled lodok cord) in ordinary cultivator dress with motif-free feathered bands, so the authority reads in posture alone exactly as reserved.O2's coiled-spiral staff finial reads as the ceremonial regalia the row explicitly forbids; O1 and O3 cloths carry figured hook and diamond motifs; O3's coiled cord reads as a stiff cylinder.
BRD_0025ROW:type-tua-teno-at-workREGENERATE_ALLAll four dress the tua teno as a European medieval peasant in a hooded tunic, standing on a centred stone over parallel furrows under a conifer treeline.Wrong garment register (European tunic; boots on O2/O3); conifers throughout; machined metal implements with turned finials on the ground; heavy floating-polygon litter artifacts; a baseball cap on a background worker (O3); parallel furrows instead of the lodok radial fan; centred symmetry.
BRD_0025ROW:type-gong-player-full-figureREGENERATE_ALLEvery candidate hangs the gong from a modern bent-steel-wire hanger and strikes it with a synthetic-foam orchestral mallet, and three of four add a button placket.Modern manufactured gong hardware (steel wire hanger; the attested suspension is cord) and a synthetic-foam mallet head; button-front garment construction on O1/O2/O3; grinning studio trophy poses against the reserved ordinary evening playing; O2 is mirror-symmetric with a gong in each hand. O4 is t
BRD_0025ROW:type-gong-player-at-workREGENERATE_ALLAll four stage a modern community performance under electric light with a West African djembe standing in for the regional drum.Electric pendant and ceiling lights; glazed white-framed windows and milled panel doors; painted plaster with concrete-block dado; modern shirts, trousers, flip-flops, leather shoes and a wristwatch; a djembe (wrong culture); milled-timber fencing and overhead power lines; staged as an audience perf
BRD_0026ROW:type-household-threshold-group-studyREGENERATE_ALLAll four are photoreal grey-seamless frontal family line-ups staring into the lens — the posed portraiture and ethnographic-specimen framing this row's own care line bars by name.Studio type-series framing on all four: no threshold, no door, no settlement, flat strobe light instead of the region's working daylight; O1/O3/O4 render specific patterned ikat motif bands where R-E permits resist-dye TECHNIQUE only (feathered band edges, hand-spun slub, indigo/morinda, no motif al
BRD_0026ROW:type-household-threshold-at-workREGENERATE_ALLEvery plate is a modern rural house at night packed with manufactured objects, with no mbaru niang cone or ijuk thatch anywhere in frame.Manufactured/modern objects across the row: panelled hinged doors with lever handles and knobs, glazed windows, wall switch and socket plates, an electric fan (O2, O3), plastic buckets and bins, metal cooking pots, rubber flip-flops on every adult, T-shirts, jeans, gym shorts, a school-uniform skirt
BRD_0027ROW:python-head-and-scale-detailREGENERATE_ALLWrong species on all four — every plate is a legged, clawed, spiny-crested lizard/crocodilian chimera, not a reticulated python.Limbs, claws and dorsal crests on a snake row; O2 fuses two faces into one skull and tiles the body with eye-like scales; O3 carries a dial-like disc artifact on the head and melted skull forms. Regeneration must assert a limbless single-headed snake with the true reticulate net pattern and bar legs
BRD_0027ROW:python-leucistic-morph-variantMIXED2O2 is the only plate with one head and one continuous body — a single coiled pale snake on the falls' wet rock margin, zoology only, no rite, cloth or set stone.O1 carries a detached pale tail-like appendage on the rock above the body; O3 renders TWO heads (the v1 duplication defect returning); O4 has a stray white glyph artifact in the lower-left field. On the pick, the pattern reads blotched/saddled (carpet-python register) rather than the diagnostic reti
BRD_0027ROW:macaque-studyMIXED3O3 has the best-proportioned animal and the most natural seated posture; the anatomical inset is wrong on every candidate, so the pick is a re-render base rather than a clean plate.The hand-detail inset is a HUMAN hand on all four — an anatomy reference that teaches the wrong species; the face carries a bright red spectacle mask (rhesus register) instead of fascicularis grey-brown; O1 melts the raised hand and stages explicit genitalia centre-frame; O3 renders two gold-bead ar
BRD_0027ROW:macaque-behaviour-and-motion-stripMIXED4O4 reads three distinct behaviours (walk, overhead reach, open-mouth threat) with the cleanest silhouettes, believable weight and a coherent ground shadow.Red spectacle face mask persists across the row (rhesus not fascicularis); the left figure's near forelimb is thin and the hand digits melt; faint scribble/signature-like marks in the lower margin on O3 and O4; O3 grows a ghost hind limb behind the left animal.
BRD_0027ROW:macaque-scale-and-troop-readREGENERATE_ALLEvery plate draws the seated macaque at roughly twice true size — head at the child's chest where a 50 cm fascicularis should reach the hip — which is exactly the read this row exists to deliver.Scale wrong on all four (seated macaque must top out near the child's waist); O1 leaves the child bare-chested against the stated garment law (torso and thighs covered) and melts the near hand into six digits; O4 shows six digits on the main animal's hand; red rhesus face mask throughout; dark speck
BRD_0027ROW:macaque-leucistic-morph-variantMIXED3O3 is a coherent side-profile pale animal with pigmented brown eyes — a correct leucistic read rather than albino — and is the only candidate without an extra limb.O2 and O4 grow an extra white limb mass behind the shoulder and sit dead-centre symmetric; O2 also melts the raised hand and truncates the tail; fingers and toes elongate into dark claws on all four, including the pick.
BRD_0027ROW:wild-boar-studyPICK_READY3O3 is anatomically clean end to end — four correctly built legs with proper cloven hooves and dewclaws, symmetric upward tusks, coherent mane and tassel tail, honest ecology with no hunt, kill, carcass or hunter.
BRD_0027ROW:wild-boar-behaviour-and-motion-stripMIXED1O1 carries four legible behaviours (rooting in mud, alert head-up, walking, three-quarter) with sound anatomy and no duplicated features.O3 drops to three cells and doubles the muzzle on two animals; O4 renders two nose discs on the bottom-left and bottom-right boars; O2 has a green squiggle artifact at bottom-centre. On the pick, white speckle artifacts sit on the coats and the animals read as tuskless sows, inconsistent with the tu
BRD_0027ROW:wild-boar-scale-against-childREGENERATE_ALLThe scale child is drawn with pointed elf ears on all four, which reads the protagonist as non-human on sight and leaks the fairy-realm register that is held until the Ch-8 reveal.Pointed/elongated ears on the child in every candidate (wrong identity plus reveal leak); the boar is roughly twice scale — back at the child's chest to shoulder where a Flores banded pig should sit at hip height; O2 embeds blue-teal streaks and dark bead artifacts in the coat, O3 embeds paper-shard
BRD_0027ROW:ungulate-tracks-and-sign-detailREGENERATE_ALLNo candidate renders a cloven two-cleave ungulate track — the single thing this reference row exists to teach — and every plate imports an off-subject monitor lizard.Tracks read as single-slit ovals (O1), diagonal-slit rounds (O2), unshod-horseshoe crescents (O3) and peg-ringed circles (O4) instead of two kidney-shaped cleaves plus dewclaw dots; a monitor lizard intrudes in all four (O2's is legless, O4 adds a detached tail with no body); O4 also puts a machine-
BRD_0027ROW:flores-monitor-studyMIXED4O4 holds the slight, spotted, decidedly non-Komodo proportions the care line demands, with four coherent limbs, a complete banded tail and no body cavity artifact.The tongue is a single yellow hook on all four instead of the monitor's deeply forked dark tongue; O1, O2 and O3 carry a dark cavity/hole at the base of the neck and stray floating claws (O3 has a detached yellow claw beside the forelimb).
BRD_0027ROW:flores-monitor-behaviour-and-motion-stripMIXED3O3 is the only candidate whose three behaviours are all coherent animals — tongue-flick alert, ground walk and a trunk climb with all four limbs gripping.O1's third animal has a melted chimeric mass of claws where its head should be; O2 and O4 leave disembodied feet and limb fragments fused into the tree trunk; unforked yellow tongue persists on the pick, and the climbing figure's head merges into the ground shadow; green-yellow blob artifacts at the
BRD_0028flores-monitor-scale-against-childREGENERATE_ALLAll four put a bound codex book in the child's hands — a manufactured, era-impossible object on a Ch-2 stranded child, and it is the whole read of every plate.O1-O4 bound book (manufactured object); O1-O4 pointed elf ears on the protagonist (fairy-realm identity leak, HL_0095 reveal discipline); child bare-torso in O1/O3 contrary to the affirmative garment law; monitor rendered heavy-bodied with armoured osteoderm scaling and (O3/O4) a spiny dorsal crest
BRD_0028timor-deer-studyREGENERATE_ALLEvery plate gives the stag palmated fallow/red-deer antlers instead of the three-tined rusa lyre — on a species-base study the antler architecture IS the deliverable.O1-O4 wrong antler architecture (palmated, multi-tined) and heavily white-spotted coats; Rusa timorensis is plain coarse grey-brown with simple three-tine lyre antlers. O1-O4 all place a shed antler / skull-cap bone on the ground and O2 renders a severed antlered head — the row's care line bars the
BRD_0028timor-deer-behaviour-and-motion-stripMIXED1O1 is the only plate with four distinct, legible behaviour poses, all grounded with cast shadows and none anatomically broken.Coat is white-spotted across the whole row — wrong species register for Rusa timorensis (plain unspotted grey-brown); fix at re-render. O4 rejected: bottom-left figure is a mangled headless rear-view. O3 renders only three of four cells. O2 figures float with no shadow and repeat the grazing pose. O
BRD_0028timor-deer-scale-against-childREGENERATE_ALLEvery plate gives the protagonist pointed elf ears — an unsupported non-human marker that leaks fairy-realm identity before the Ch-8 reveal.O1-O4 pointed ears on the child (HL_0095 reveal-discipline leak, no canon basis); protagonist identity inconsistent across the board — pale/European here, Southeast-Asian on the CR_0005 row, same figure; O1-O4 wrong antler architecture (palmated fallow/red deer) and spotted coats; O1/O3 coats carry
BRD_0029lingko-margin-taro-and-tuber-bedsREGENERATE_ALLO1 carries a baked-in CJK signature watermark bottom-right, and the other three put built structures on the horizon of a plate whose own spec forbids settlement, field geometry and any identified place in frame.O1 text/watermark artifact (CJK glyphs lower-right) — hard reject; O2/O3/O4 built structures and roofs on the horizon, contrary to 'no settlement, no identified place in frame'; O1-O4 all render ploughed row-and-furrow field geometry, also barred on this crop-and-soil material study; O3 renders New
BRD_0029lingko-margin-forest-edge-aboveMIXED3O3 is the only plate that reads all three strata cleanly — mixed forest canopy above, stump-lined bund, dry worked ground below — with no standing water anywhere, so it alone clears the no-wet-rice-paddy bar.On the picked O3 the stubble reads as harvested cereal and should be re-read as taro/tuber-bed residue, and the posterized hard-edge vector quality needs the primary re-render. O2 rejected: the terraces carry water sheen and bunded flooding — a wet-rice paddy read, which the era bar forbids. O4 has
BRD_0030ROW:beat-b03-guardian-test-key-frameREGENERATE_ALLAll four put an open printed codex with legible text lines in the child's hands — a manufactured object plus a text artifact, and a literal misread of 'read the constriction and strike lanes'.O1-O4 printed book with legible page text in hand; O1/O4 pointed elf ears on the protagonist (fairy-realm species leak); Komodo rendered with a crocodilian snout and O4 a dorsal crest, not Varanus anatomy; no guardian TELL, no constriction/strike-lane read, child passive; python and Komodo never sha
BRD_0030ROW:beat-b07-tracker-meeting-key-frameREGENERATE_ALLThe tracker is a white European man in a generic belted tunic in all four, which is the exact identity and living-dress register the Lane-P underlay exists to carry.Wrong identity/dress register (European man, Roman-style tunic, no Manggarai/highland-Flores reference) O1-O4; pointed elf ears on the child O1/O3/O4; staging is a downed child on the ground with a spearpoint at them rather than a meeting turning to a hunt; active red lava on a dormant ash-and-scree
BRD_0030ROW:beat-b09-carving-the-mark-key-frameMIXED1Only O1 and O2 are free of the pointed-ear leak, and O1's mark stays a non-linguistic crossed scratch while still being a shape the Ch-63 revisit could recognise.O1 note: the mark reads as white pigment drawn on wet rock rather than incised into it, and the strokes are slightly too composed — regenerate the winner with a scratched, stone-dust-in-the-groove read. O3 pointed ear plus a bright manufactured fleck upper-left. O4 mark reads as a composed bind-rune
BRD_0030ROW:fork-ch02a-generative-the-wound-carried-wholeREGENERATE_ALLEvery candidate prints rune-like sigils on the child's tunic and trousers, which is the HL_0095 reveal leak the row explicitly bars.Sigil/rune marks on garment O1-O4 (HL_0095); pointed elf ears O1-O4; O2/O3/O4 are four-panel contact sheets, not single key frames; orange fire/lava glowing inside the water cavern (impossible-light clause reads NONE PROPOSED) O2-O4; black cylindrical manufactured object beside the mark O4; the carv
BRD_0030ROW:fork-ch02a-neutral-swallowed-unfeltREGENERATE_ALLO1 prints the letter A on the tunic and clones the child five times; the rest are collages, a UI arrow diagram, or have cameras composited into the rock.Legible letter 'A' on the garment O1; five cloned figures O1; contact-sheet/diptych collages O2-O4; giant painted UI arrow and grey studio backdrop O3; modern DSLR cameras composited into the cave wall O4; pointed elf ears O1-O4; the carved mark never appears, so the fork valence is unreadable.
BRD_0030ROW:fork-ch02a-corrosive-the-first-permission-to-distrustREGENERATE_ALLAll four render legible capital letters on the cave wall — script at Ch 2, the single hardest bar on this row.Legible letter 'A' (repeated in O1/O3) written on the rock O1-O4 — HL_0095 script breach and a text artifact; two cloned children O2-O4; pointed elf ears O1-O4; non-physical blue luminescence in the rock and water O1-O4 (impossible-light clause reads NONE PROPOSED); O1 also carries a painted-on grap
BRD_0030ROW:sq1-folklore-seed-point-key-frameREGENERATE_ALLEvery candidate hands the child a printed book, and the site reads as a grey slate-quarry moorland lake rather than the Kelimutu crater register.Printed book with legible page text O1-O4; wrong biome — temperate moorland/quarry, single flat grey waterline, no mineral crater-lake colour, no cloud-forest or ash register; graded vehicle track and cut roads read as a managed tourist viewpoint O1-O4; rusted metal structure at frame right O2; cabl
BRD_0030ROW:sq9-cryptid-seed-point-key-frameREGENERATE_ALLConifers fill all four frames, which the forbidden list bars outright, and the animal is already in shot on a row defined as the approach before it appears.Conifers/pines throughout O1-O4 (forbidden list); juvenile monitors already visible on the log O1-O4, contradicting the seed-point-before-the-animal brief; pointed elf ears O1-O4; wrong site — dry savanna over a black lava field instead of the wet approach to the recharge falls; flat cel-shaded/anim
BRD_0031ROW:mama-klaras-falls-ritual-chamber-sectionREGENERATE_ALLAll four render the falls as an eye-level view from in front, so the chamber behind the water, which is the only thing this drawing exists to show, is never opened.No candidate carries a cut plane or a hatched cut face. O1 adds scribbled marks across the top of the fall and a white plume artefact; O2 lays a paved stone apron at the pool edge; O4 sets a shaped standing stone at the lower right where the row admits no built shrine, altar or platform.
BRD_0031ROW:mama-klaras-falls-approach-and-pool-planMIXED4O4 is the only plan free of drawn annotation: the others carry a ruled dashed guideline, a red seal-like stamp or scribbled text on the sheet, and this one reads as painted terrain throughout.O1 and O3 carry a red stamp mark and faint lettering; O3 also renders the bank steps as a sawn-timber stair with regular treads and sets a pale bowl on the margin; O2 lays a large dressed rectangular slab beside the pool. O4's residue: the upper bowl reads flat and the pool colour runs bluer than th
BRD_0031ROW:mama-klaras-falls-establishing-eye-levelMIXED2O2 is the only one of the four that carries no intruding object: the fall, the stone-lipped pool, the tree ferns and the dark recess behind the water all read, in dry-season raking light.O1 sets an amber moulded-looking blob on the wet rock shelf; O3 pushes the whole frame to saturated monsoon green against the region's dry-season register; O4 places a shaped pale monolith at the lower right, which the row does not admit. O2's residue: the far bank foliage is soft and the plunge bas
BRD_0032ROW:wae-spring-head-encounter-pocket-planREGENERATE_ALLThree of the four build a masonry waterworks across the site and the fourth sets a rusted manufactured drum in the open ground, so no candidate shows a wild spring head at all.O1 encloses the pool in a mortared retaining wall with a spillway and adds a drawn technical inset with a tank symbol; O3 runs a weir and a box culvert across the middle; O4 lines the channel with dressed kerbstones and sets a tank beside the fall; O2, the only near-natural one, carries a rusted dru
BRD_0032ROW:wae-spring-head-establishing-eye-levelMIXED2O2 is the only candidate with nothing turned or manufactured at the water's edge: loose stacked stone, a shallow rock basin and the fall, and that is the whole row.O1 and O4 stand glazed vessels at the pool lip; O3 sets a canister on a coursed masonry kerb. O2's residue: the upper left apron reads smooth and slightly graded, and the pocket is emptier than the beat wants.
BRD_0032ROW:lingko-edge-clearing-line-corridor-planREGENERATE_ALLEvery candidate dresses the forest edge as a spruce and fir belt and runs a graded road stacked with milled square lumber through it, which is the wrong forest and the wrong century on the row that establishes the field edge.O1, O2 and O3 all carry conifer stands, cut stumps and sawn timber piles beside a graded road; O4 adds a motor vehicle at the road's end and a hut with a chimney. O2 carries the cleanest fan geometry and should be the composition the next pass starts from.
BRD_0032ROW:lingko-edge-marked-tree-line-eye-levelREGENERATE_ALLOn all four the cut faces on the marked trees glow orange from within, and one takes it further into open flame licking up the trunk, so the marks read as fire rather than as fresh cuts.Self-lit blazes on every candidate; O4 renders actual flame on the trunk; O1 hangs a dark unexplained object in the upper canopy; O1 and O2 scatter dark cloth-like specks through the frame. The receding line of marked trunks in O3 is the composition worth keeping.
BRD_0033ROW:char0006-mama-klara-healer-elderMIXED4O4 is the only one where the house behind her is vernacular - raised on stone piers under thatch - and it puts a working buffalo in the middle distance, which is the right animal for this valley.O1 gives the house a flush modern door on a sawn plank platform; O2 opens a modern window; O3 puts a red painted metal roof on the far hillside. All four render the swept compound ground as a smooth grey surface closer to poured concrete than to packed earth, which is a shared residue the next pass
BRD_0033ROW:char0016-elder-tuan-bernardusMIXED2O2 is the only candidate with no painted metal roofing in the valley behind him, and its hip cloth carries a woven border band rather than a printed one.O1 and O3 both set red-roofed modern buildings on the slope behind; O4 wraps the cloth high across the chest, which contradicts the elder dress the other three carry. O2's residue: the terrace lines behind him are soft and the staff reads thin.
BRD_0033ROW:char0017-ana-caci-age-peerREGENERATE_ALLOn all four the shield is a woven conical hat or tray rather than a hide-faced disc, and on two the whip is a closed loop of braided rope with no free end.Shield rendered as basketry headgear on every candidate; closed rope hoops in place of a lash on O2 and O4; O1 dresses the figure in what reads as a modern buttoned shirt with a collar placket.
BRD_0033ROW:char0018-ibu-martina-weaver-elderMIXED1O1 is the only candidate where the loom's far beam is actually lashed with plant-fibre cordage to a rough hardwood post and the weaver sits on a timber house platform, which is this row's own staging.All four set the loom inside a smooth rendered room with a modern window opening, and two add a painted skirting band - the row owes a timber and thatch interior lit from an open doorway. O1's residue is that back wall. The backstrap loom itself is correct on every candidate, warp beam, breast beam,
BRD_0033ROW:char0019-tuan-yosef-trade-envoyREGENERATE_ALLEvery candidate dresses the traveller in a modern collared shirt, and two put him in rubber sandals, on a row whose whole material claim is handspun wrapped cloth.Collared button shirts on all four, one with a chest pocket; rubber flip-flops on O2 and O4; painted metal roofing in three of the four valley backgrounds. The stone road and the carrying basket read correctly throughout and should be kept.
BRD_0033ROW:char0020-pak-petrus-hunter-fatherREGENERATE_ALLAll four hang a dark forged blade on the spear, which is the one material this highland does not have, on the row that exists to state what its hunters actually carry.Forged metal spearheads on every candidate. O4 also stiffens the stance and stains the hip cloth. Everything else is strong and should be kept: the lean build, the hand-laid cordage at the hip, the plaited brow band, the tree-fern forest and the mist.
BRD_0033ROW:char0021-agnesius-age-peerREGENERATE_ALLOn all four the shield resting at the boy's feet is a flat woven disc or a conical hat laid on its side rather than a hide-faced fighting shield.Woven basketry disc in place of a hide shield on every candidate, one with the conical crown pointing outward at the camera; the coiled cord over the shoulder reads correctly and can stay.
BRD_0033ROW:char0022-pak-kornelius-gong-waning-musicianMIXED3O3 is the only candidate whose drums are barrel-bodied and laced to sit horizontally, and the only one with no painted metal roofing behind the ensemble.O1, O2 and O4 all render a goblet-bodied West African hand drum with rope tuning in place of the local barrel drum - a substitution this corpus has already been corrected on once; O2 adds a red roof behind. The hanging bronze gongs on their timber frame are correct on all four.
BRD_0034ROW:be0003-p1-kaba-lomes-full-figureREGENERATE_ALLThe champion carries a woven conical hat in place of his shield on all four and a thick blunt braided rope in place of his lash, so the figure this row exists to establish is holding the wrong two objects.Basketry disc or conical hat for a shield on every candidate; heavy blunt rope or rigid braid for a whip; O3 runs an overhead power line across the sky; O4 puts a modern figure in the crowd behind.
BRD_0034ROW:be0003-p1-the-danced-round-fight-spaceREGENERATE_ALLAll four set the round in a treeless Central Asian steppe with tented camps and robed turbaned crowds, so the fight space never touches the highland it belongs to.Steppe landscape and felt tents on every candidate; robed and turbaned crowd on O2 and O4; blue tarpaulins in the crowd on O1 and O2; a motor vehicle behind the musicians on O4; a blank white mask in place of a child's face on O3 and O4; and the shield-as-woven-hat throughout.
BRD_0034ROW:be0003-p2-the-social-round-unmaskingREGENERATE_ALLAll four stage the unmasking on northern European moorland outside slate-roofed cottages, with a crowd in medieval hooded cloaks carrying iron-bossed round shields.Moorland and harled slate-roofed cottages on every candidate; hooded European cloaks and tunics; iron-bossed Viking-form shields; leather boots throughout on a barefoot row.
BRD_0035ROW:be0003-s1-the-roused-guardian-over-the-waterMIXED4O4 is the only candidate carrying ONE animal with one head: a heavy-bodied constrictor coiled in the shallow water, neck raised in an S, a single flat wedge skull, the neck smooth behind it, the net pattern correct across the whole body.O1 and O3 both grow a second head out of the far coil, and the second of the two conditioned candidates does the same with the head that should be the tail. This is the cost of building the frame from a reference image: it carries the subject in and destabilises everything around it, and the candida
BRD_0035ROW:be0003-s2-poka-puar-and-the-marking-lineREGENERATE_ALLEvery candidate stages the opening of the forest as modern commercial logging, so the rite the row exists to show is nowhere in the frame.Modern work clothing and boots on all four; steel felling axes; a tool belt with steel tools on O2; an orange sprayed stripe on a trunk on O2; chainsaw-flat log ends and a graded haul road throughout.
BRD_0035ROW:be0003-s3-tombo-holes-proverb-constructsREGENERATE_ALLAll four render the materialised sayings as literal alphabetic letters floating over the ground, and set them above northern European standing-stone farmland with an elderly European man in a modern jacket and shoes.Giant floating letterforms on every candidate; tiled and slate-roofed farm cottages and ploughed temperate fields; a speaker in a modern jacket, collared shirt, trousers and shoes.
BRD_0036ROW:cr0012-water-buffalo-studyREGENERATE_ALLNo candidate carries the wide backward horn sweep that is this animal's diagnostic, and every candidate puts a second head somewhere in the frame.Short upcurved horns from a tufted poll on all four; the two conditioned candidates lay a severed-looking head and neck on the ground at the animal's feet, which no study row should ever show; the two unconditioned candidates double the head on the standing animal. The bare slate hide, the level bac
BRD_0036ROW:cr0013-java-sparrow-studyPICK_READY2O2 gives one crisp specimen whose thick pink bill, black cap and clean white cheek patch all read at full size, with the flock behind it for context and nothing floating or merged anywhere in the frame.O1 merges the two birds' tails; O3 leaves the right-hand bird's feet gripping nothing and sets pale posts in the far field; O4 scatters dark specks near the stem. O2's residue: the ground flock is soft.
BRD_0036ROW:cr0014-flores-pig-studyMIXED1O1 is the only candidate with no floating disembodied head and no sheet metal on the shelter: a sow and three piglets on bare earth under a hand-built pole and thatch lean-to.O3 hangs a headless pig's head in the air above the hills; O4 lays a second head on the shelter roof; O2 roofs the shelter in what reads as corrugated sheet and stretches the sow's body. O1's residue: the piglets' markings run pinker than the black and rust of the sow.
BRD_0036ROW:cr0015-waterfall-fauna-cohort-studyMIXED3O3 is the only cohort with no duplicated or merged animal, and the only one where the small fish sit at the water's edge rather than stranded on dry gravel.O4 stacks three frogs into one another on the moss and lumps the eel's head; O1 and O2 leave the shoal lying on dry stones, which reads as dead fish. O3's residue: the eel's head is small and its face vague.
BRD_0036ROW:cr0016-orb-weaver-on-the-centre-stoneREGENERATE_ALLAll four hang an excellent web and an excellent spider over English downland, so the plate is in the wrong country even though the subject is correct.Rolling green pasture, hedge lines and a field wall behind the stone on every candidate; the stone itself reads as a random glacial boulder rather than as a flat-topped ceremonial slab.
BRD_0037ROW:cr0152-the-darat-of-forest-and-waterREGENERATE_ALLEvery candidate renders these forest and water beings as unclothed or half-clothed nude studies, which is not a form a living tradition's own spirits may be given.Bare torsos on all four; a full frontal nude on O3; a Western nude-study stance throughout. The lichened stone skin, the pale green cast, the hairless heads and the standing-in-still-water staging are all excellent and should be carried straight into the next pass.
BRD_0037ROW:cr0002-the-roused-soil-guardian-registerMIXED1O1 carries one animal, one flat wedge skull, a smooth unhooded neck and the correct net pattern along the whole body, on wet dark rock at the water, with nothing else in the frame.O2 rears two extra serpents out of the fall behind the subject, one of them pale; O3 and O4 both split the frame with a tall pale column of shed skin that breaks the composition in half. O1's residue: the far bank is soft.
BRD_0038ROW:wpn033-rattan-shield-silhouette-sheetMIXED3O3 is the only sheet whose four views are all the same object and all correct: the hide face, the rattan-bound rim, the braced back with a cord-wrapped grip, and a true edge profile showing how thin the disc actually is.O1 and O2 substitute a limp hide sheet or a folded cone for the fourth view; O4 grows a long paddle handle off the back and adds a lidded basket. Worth carrying forward: with no bearer in the frame this object renders CORRECTLY, which is the opposite of every row that puts it in someone's hands - th
BRD_0038ROW:wpn033-shield-and-whip-in-hand-readREGENERATE_ALLAll four fit the shield with a riveted metal boss and a metal rim on a region whose record puts metalworking outside it entirely, and cast the bearer as a European child, two of them in a modern fingerless leather glove.Steel boss and riveted rim on every candidate; European child throughout; modern fingerless glove on O2 and O4; temperate moorland ground; a decorated composite whip handle on O2.
BRD_0039ROW:vs-ch03-001-recharge-ritual-site-planREGENERATE_ALLEvery candidate paints callout words across the site, and two put a figure in modern dress into the plan beside them.Painted labels on all four; a seated figure in a modern baseball cap and jacket on O1; modern clothing on the figures in O2 and O3; and all four sit closer to a pictorial oblique than to the plan the row asks for.
BRD_0039ROW:vs-ch03-001-the-floor-raise-readPICK_READY2The water is lit by ordinary daylight with nothing glowing anywhere in the frame, and against the tallest and clearest fall of the four the child's open stance reads at a glance.O1 leaves the tunic open at the chest and the face hidden behind wet hair; O4 carries a small red speck at the lower left; O3 pushes greener than the others. O2's residue: the rock shelf edge is soft where it meets the pool.
BRD_0040ROW:insc-77h-ch03-fragment-carrierMIXED4O4 is the only fragment whose incised marks are non-alphabetic: a set of parallel cut strokes and one small hatched block, with nothing on the stone that can be read as a letter.O1, O2 and O3 all cut readable Latin capitals into the stone, which turns an incised mark into modern writing. O4's residue: the marks sit shallow and could take more of the tool's bite.
BRD_0040ROW:liang-bua-vril-trace-register-plateMIXED1O1 is the only candidate whose hollows read as an ordered set of marks above the stratum line rather than as natural mineral bulges, and it is lit entirely by ordinary cave light with nothing self-lit in it.O2 leaves a white moulded object trailing a blue cable on the cave floor; O3 and O4 render the hollows as soft organic domes that no longer read as a register at all. O1's residue: the upper row of small holes reads more regular than a hand would cut.
BRD_0041ROW:ch03-b01-arrival-at-the-cone-housesMIXED4O4 is the only arrival with no painted blue joinery, no plastic vessel and no poured path: thatch cones, an earth track, dawn smoke standing between the houses and the villagers waiting at the far side.O1 lays a poured concrete strip down the centre of the compound; O2 sets a blue plastic basin and a metal pan at the right; O3 paints the door and window frames bright blue and adds a tarpaulin. O4's residue: a small light-roofed structure sits in the far gap between houses.
BRD_0041ROW:ch03-b02-the-recognition-she-will-not-explainMIXED4O4 is the only interior carrying nothing manufactured: maize and drying bundles on the rafter, a stone-ringed hearth with a real fire, a plank floor, and an open doorway onto green, with no modern object anywhere in it.O1 hangs a white moulded oval on the rafter and dresses the elder in a printed knit; O2 slips the child's tunic off the shoulder and leaves the torso largely bare; O3 hangs a steel ladle from the beam and fits a panelled door. O4's residue: the far wall falls away very dark.
BRD_0041ROW:ch03-b03-the-first-deliberate-readPICK_READY3The rock is lit by ordinary daylight from the cave mouth with nothing glowing under the hand, and the flat palm and the lifted face carry the whole beat at a glance against the deepest and best-read chamber of the four.O2 leaves the wall so featureless there is nothing to be read; O1 crops the chamber tight; O4 carries a white sliver artefact at the lower edge. O3's residue: the marks on the wall are faint enough that the reason for the touch has to be inferred.
BRD_0041ROW:ch03-b05-the-water-that-turnedMIXED3O3 is the only candidate with one animal and one head - the body draped down the rock to drink while the child stands and watches - and the child's own read is right, small, slight, with the ears just showing under the head cloth.Both candidates built from a reference image grew a second head at the water, the same failure this leg saw on the other guardian row. O3's residue: the spring basin renders as a carved stone bowl where the row owes a natural rock pool; O4 goes further and courses the rock into masonry blocks.
BRD_0041ROW:ch03-b06-the-first-chosen-bondREGENERATE_ALLThe two candidates built from the reference carry the right animal and lose the child to a disembodied hand at the edge of frame; the two built from words alone carry the child and lose the animal to a hard-scuted shell.Hard keratin panels across the disc on the conditioned pair despite the correct skin margin; the child reduced to a forearm and hand on both; a hard-shelled terrapin with a serrated margin on the unconditioned pair. The wet sand margin, the leaf held out flat on the palm and the still shallow water
BRD_0041ROW:ch03-b07-the-untwisting-before-the-communityREGENERATE_ALLEvery candidate suspends a knotted rope above a child ringed by a silent crowd, and on two the knot is unmistakably a hangman's noose.Suspended noose on O1 and O2, floating rope rings on O3, a hanging twisted cable on O4; temperate ploughed farmland with low flat-roofed buildings throughout; a robed and head-wrapped crowd that belongs to another region entirely.
BRD_0041ROW:ch03-b10-the-unmasking-on-the-swept-groundREGENERATE_ALLAll four stage the unmasking on flat open savanna under a draped shawl and a basket-carrying crowd, with the shield again a woven disc and the whip a coil of rope on the ground.Savanna horizon and grassland crowd on every candidate; a modern white baseball cap in the crowd on O2; a modern red garment and straightened hair on O4; woven or plain metal discs in place of hide shields throughout.
BRD_0041ROW:ch03-b12-the-mark-on-the-sleeping-postMIXED4O4 is the only candidate where the mark on the post is a physical cut catching ordinary window light rather than a patch glowing from inside the timber, and the sleeping child, the plaited mat and the dim room all read around it.O1 lights the mark from within and washes the whole post in an unexplained warm glow; O2 leaves the child sprawled and the torso bare; O3 detaches a limb behind the post. O4's residue: a bright green cloth on the wall rack reads as a modern textile.
BRD_0042ROW:ch03-mood-highland-dry-clear-middayMIXED3O3 is the only frame with nothing modern in it: the cone standing back through the haze, terraced valley floor, palms and broadleaf on the slopes, ash underfoot, and no figure anywhere.O1 puts three hikers in bright technical clothing on the ash slope and drops a white plastic bag in the foreground; O2 sets a figure in a bright blue modern top on the ridge; O4 roofs a structure in blue tarpaulin. O3's residue: the valley floor reads slightly greener than a dry-season noon.
BRD_0042ROW:ch03-mood-cloud-in-the-bowl-first-lightPICK_READY3This is the brief exactly: a flat cloud floor filling the bowl taking cold blue in shadow, a low warm rake across the far rim where the sun has just risen above the ridge, and the tallest crowns standing out of the cloud.O1 stands a human figure on top of the cloud floor, which cannot happen; O2 leaves a dark speck over the cloud; O4 diffuses the cloud floor until the surface stops reading. O3's residue: the near foliage is dense enough to crowd the left edge.
BRD_0042ROW:ch03-mood-ceremonial-high-sun-on-the-swept-groundREGENERATE_ALLAll four render an empty graded earth lot crossed by vehicle tyre tracks, with no houses, no centre stone and no ring - so nothing in the frame is ceremonial.Tyre tracks with visible tread on every candidate; pale litter specks on O1 and O3; open scrub horizon in place of the enclosing houses throughout.
BRD_0042ROW:ch03-mood-ash-clear-dusk-over-the-worked-fanREGENERATE_ALLNo candidate carries the radial fan that this landscape is named for, and all four dress the ground as temperate ploughland on bare treeless hills.Contour-ploughed furrows and straw-coloured grass on every candidate; treeless horizons; graded tracks on O2 and O4. The low dusk rake and the ash haze are correct and should be kept.
BRD_0043ROW:wind-step-air-t1-castREGENERATE_ALLDust streams from the lowered fingertips on 4 of 4 -- unchanged from generation 3, and the one place the EMPTY-hands fix could not reach, because the material is at hand scale. The acting surface is the fix working: stamped soil, loose straw and half-buried rounded fieldstone, zero paving on 4 of 4.Q1 the carried-material subject line, which now names the hands as open, still and EMPTY and states the distance itself instead of delegating it to a tail clause; Q11 impact_receives as a per-tier dict, and the band-escalating subject noun (one piece / several moving together / the shape of the terr
BRD_0043ROW:wind-step-air-t1-impactREGENERATE_ALLThe reed screen stands on its posts on 4 of 4 and now BOWS on 3 of 4 -- the receiver's verb renders, which corrects generation 3's 1 of 4 on this row. The event is still tiny and the novice rung is the largest of the three, so the ladder is non-monotonic from its first step. Ground clean, backs turnQ11 impact_receives as a per-tier dict, and the band-escalating subject noun (one piece / several moving together / the shape of the terrain); Q10 'plain undyed working clothes: a straight-sleeved pullover shirt with its sleeves pushed back above the elbows, straight-cut trousers and flat working bo
BRD_0043ROW:wind-step-air-t5-castREGENERATE_ALLThe adept event is the biggest thing Wind Step renders anywhere: a corridor of dust standing up off the ground in discrete columns marching away from the caster, 4 of 4, with the separation holding. And candidate 4 terminates those columns in five enormous human HANDS rising out of the ground -- P3'Q14 P3's fix text itself -- 'standing a full stride out from two open, still, empty hands' -- now inside the EFFECT's own subject noun phrase; Q11 impact_receives as a per-tier dict, and the band-escalating subject noun (one piece / several moving together / the shape of the terrain); Q10 'plain und
BRD_0043ROW:wind-step-air-t5-impactREGENERATE_ALLStraw bundles lie fallen against the screen on 4 of 4 and the screen itself stands intact and unbowed on 4 of 4, so the receiver renders its debris and not its verb -- weaker than the novice rung directly below it. Candidate 4 sets the screen on a course of dark grey blockwork. Ground clean otherwisQ11 impact_receives as a per-tier dict, and the band-escalating subject noun (one piece / several moving together / the shape of the terrain); Q10 'plain undyed working clothes: a straight-sleeved pullover shirt with its sleeves pushed back above the elbows, straight-cut trousers and flat working bo
BRD_0043ROW:wind-step-air-t8-castREGENERATE_ALLThe mastery rung is a man walking away down a track with a faint puff of dust at his heels, 4 of 4. The camera is exactly right -- landscape distance, the ground running to a horizon, the figure distant and seen from behind -- and the event inside it is smaller than the novice rung's. This is the clQ11 impact_receives as a per-tier dict, and the band-escalating subject noun (one piece / several moving together / the shape of the terrain); Q10 'plain undyed working clothes: a straight-sleeved pullover shirt with its sleeves pushed back above the elbows, straight-cut trousers and flat working bo
BRD_0043ROW:wind-step-air-t8-impactREGENERATE_ALLNOTHING IS IN FRAME. A man standing in front of a mud-brick wall with no dust, no screen, no receiver and no effect of any kind, 4 of 4, on a mastery impact row. The purest instance of the beat not being dispatched in four generations.Q5 no clause -- these rows dispatch a subject, a form, a light sentence and four beats, and the beat the plate exists to brief is absent from every candidate; Q11 impact_receives as a per-tier dict, and the band-escalating subject noun (one piece / several moving together / the shape of the terrain)
BRD_0043ROW:gust-push-air-t1-castREGENERATE_ALLDust falls from the lowered open hand as a hanging curtain on 4 of 4 -- the same hand-scale failure as Y0001, and the novice rung of the one ability whose adept and mastery rungs both carry the separation. Ground is unworked earth and cobbles on 4 of 4. Candidates 2 and 4 stack machine-sawn planks iQ1 the carried-material subject line, which now names the hands as open, still and EMPTY and states the distance itself instead of delegating it to a tail clause; Q10 'plain undyed working clothes: a straight-sleeved pullover shirt with its sleeves pushed back above the elbows, straight-cut trousers
BRD_0043ROW:gust-push-air-t1-impactREGENERATE_ALLThe reeds bend and blow on 3 of 4, which is the receiver's verb rendering, and on candidates 2 and 3 the caster's own hand is IN the reeds pushing them, so the impact frame stages the caster as the actor. The wall behind is rubble stone set in red fired brick with cement-grey mortar on 2 of 4.Q7 the period anchor: 'Everything built or made in this frame is hand-worked from sun-dried mud brick, lime plaster, undressed fieldstone, split timber, thatch and plain iron'; Q11 impact_receives as a per-tier dict, and the band-escalating subject noun (one piece / several moving together / the sha
BRD_0043ROW:gust-push-air-t5-castMIXED1THE PICK, re-verified at 1344px. A turning wall of lifted dust and leaf litter stands a full stride clear of two open, still, EMPTY hands -- nothing touching it, no thrown arc, no vessel, no tool -- with twigs and grit carried in it and dust boiling at ground level; the figure is fully clothed, armsP1 the family plate_setting, which names the BUILT WORLD's materials and never names the materials of the ground the effect acts on
BRD_0043ROW:gust-push-air-t5-impactREGENERATE_ALLA woven mat hangs slack and motionless between two posts on 4 of 4 with a small dust puff at ground level -- the receiver renders its noun and not its verb, and the adept impact is smaller than the novice impact directly above it. No face on 4 of 4.Q11 impact_receives as a per-tier dict, and the band-escalating subject noun (one piece / several moving together / the shape of the terrain); Q10 'plain undyed working clothes: a straight-sleeved pullover shirt with its sleeves pushed back above the elbows, straight-cut trousers and flat working bo
BRD_0043ROW:gust-push-air-t8-castMIXED4deciding axis LAW: Candidate 4 is the only plate in 384 where the lifted material stands clear of an open, still hand -- dust off the floor and an arc of leaf litter carried over the palm with nothing touching either. It reads as an ability and not as someone throwing something, and it satisfies theM14 the mastery band reads at novice scale; M12 lower face on 3 of the 4 (candidate 4 is clean)
BRD_0043ROW:gust-push-air-t8-impactREGENERATE_ALLA man standing in a yard with a faint haze and no receiver, 4 of 4. Candidate 1 lays a cobbled pavement across the foreground; candidate 2's wall is regular red fired brick with a grey band; candidate 3 runs a thin dark cable across the sky above the ruins.Q5 no clause -- these rows dispatch a subject, a form, a light sentence and four beats, and the beat the plate exists to brief is absent from every candidate; Q6 the acting-surface sentence itself: 'one continuous surface of unworked earth ... and rounded natural fieldstone and river cobbles half-bu
BRD_0044ROW:vril-healing-ether-crown-t5-castREGENERATE_ALLTwo seated recipients with fully legible faces on 4 of 4 -- the disjunction in the recipient clause taken on its face-bearing branch every time. The emission is a warm patch on the back of the giver's shirt that reaches nothing. The three garment cuts the fix authored DO render (pullover, sleevelessQ3 the worn_on_body recipient clause, whose anonymity instruction is a DISJUNCTION: 'each of them is either turned away from the camera OR looking down at their own laid-out forearm'; Q9 the Ether-Crown light sentence, the law's one authored non-combustion emission; Q11 impact_receives as a per-tier
BRD_0044ROW:vril-healing-ether-crown-t5-impactREGENERATE_ALLRaw red patches across the giver's forearms on 4 of 4, reading as burns rather than as a cost. Candidate 1 adds a floating white geometric shard at the elbow with smoke rising from it; candidate 2 puts a white card in the giver's raised hand in front of a seated man's face. Several fully legible facQ3 the worn_on_body recipient clause, whose anonymity instruction is a DISJUNCTION: 'each of them is either turned away from the camera OR looking down at their own laid-out forearm'; Q13 'looking down at their own laid-out forearm' in the worn_on_body recipient clause, and the vril_spend_scaled int
BRD_0044ROW:vril-healing-ether-crown-t8-castREGENERATE_ALLTHE CARE MEASUREMENT OF THE GENERATION, verified at 1344 on candidate 3: four seated adults, every one with brows, eyes, nose, mouth and hairline readable at portrait quality, one wearing a modern wristwatch, on a lane-P board at elevated care. Heads are bowed on 4 of 4 and a bowed head photographedQ3 the worn_on_body recipient clause, whose anonymity instruction is a DISJUNCTION: 'each of them is either turned away from the camera OR looking down at their own laid-out forearm'; Q9 the Ether-Crown light sentence, the law's one authored non-combustion emission; Q6 the acting-surface sentence it
BRD_0044ROW:vril-healing-ether-crown-t8-impactREGENERATE_ALLThree or more legible faces on 3 of 4 -- and candidate 4 is the counter-example that names the fix: four recipients and the giver ALL seen from behind, zero legible faces, a hand placed on the middle one's shoulder. It carries no emission at all, so the one candidate that satisfies the care rule is Q3 the worn_on_body recipient clause, whose anonymity instruction is a DISJUNCTION: 'each of them is either turned away from the camera OR looking down at their own laid-out forearm'; Q9 the Ether-Crown light sentence, the law's one authored non-combustion emission; Q5 no clause -- these rows dispat
BRD_0044ROW:stone-skin-earth-t1-castMIXED1deciding axis LAW: Candidate 1 is the ability's own authored read delivered. Verified at the plate's own 1344px: the grey stone is a granular surface OF the skin, continuous with it over the back of the hand and the forearm, thickest across the back exactly as the read says, with bare skin still shoM12 4/4 legible lower face on a protected plate -- the crop is the only defect and it is a camera instruction, not a mechanism
BRD_0044ROW:stone-skin-earth-t1-impactREGENERATE_ALLThe same photograph as Y0017 with nothing arriving: a standing man from behind, four seated bystanders with legible faces, no stone on any surface, 4 of 4. Cast and impact are one picture because neither carries the ability.Q3 the worn_on_body recipient clause, whose anonymity instruction is a DISJUNCTION: 'each of them is either turned away from the camera OR looking down at their own laid-out forearm'; Q4 the worn_on_body staging clause's recipient sentence -- 'Anyone else in frame is receiving the effect ... they si
BRD_0044ROW:stone-skin-earth-t5-castREGENERATE_ALLA faint mottled patch appears on one forearm on 1 of 4 and is the only trace of Stone Skin in twenty-four candidates across six rows. Four seated bystanders with legible faces on 4 of 4.Q3 the worn_on_body recipient clause, whose anonymity instruction is a DISJUNCTION: 'each of them is either turned away from the camera OR looking down at their own laid-out forearm'; Q4 the worn_on_body staging clause's recipient sentence -- 'Anyone else in frame is receiving the effect ... they si
BRD_0044ROW:stone-skin-earth-t5-impactREGENERATE_ALLNo effect on any candidate, four seated bystanders with legible faces on 4 of 4, and the frame is indistinguishable from Y0019 above it and Y0022 below it.Q3 the worn_on_body recipient clause, whose anonymity instruction is a DISJUNCTION: 'each of them is either turned away from the camera OR looking down at their own laid-out forearm'; Q4 the worn_on_body staging clause's recipient sentence -- 'Anyone else in frame is receiving the effect ... they si
BRD_0044ROW:stone-skin-earth-t8-castREGENERATE_ALLThe mastery rung is the same mid-distance standing figure as the novice rung, with no stone on the arms and no horizon answering the body, 4 of 4. Four to six seated bystanders with legible faces. Fired brick fragments scattered across the acting surface on candidate 1.Q3 the worn_on_body recipient clause, whose anonymity instruction is a DISJUNCTION: 'each of them is either turned away from the camera OR looking down at their own laid-out forearm'; Q4 the worn_on_body staging clause's recipient sentence -- 'Anyone else in frame is receiving the effect ... they si
BRD_0044ROW:stone-skin-earth-t8-impactREGENERATE_ALLIdentical to Y0021. Six rows and twenty-four candidates of Stone Skin contain one faint patch of the ability between them, and every one of the six is lane-P protected because of an audience the ability does not have.Q3 the worn_on_body recipient clause, whose anonymity instruction is a DISJUNCTION: 'each of them is either turned away from the camera OR looking down at their own laid-out forearm'; Q4 the worn_on_body staging clause's recipient sentence -- 'Anyone else in frame is receiving the effect ... they si
BRD_0044ROW:tremor-stomp-earth-t1-castREGENERATE_ALLDISQUALIFIED ON THE EFFECT ITSELF, verified at 1344 on candidate 2: the lifted piece of ground is a single FIRED CLAY BRICK, complete with its frog and its sharp arrises, with soil clinging to it. Fired brick rubble lies across the acting surface on 4 of 4. Candidate 1 puts two men in frame, one midQ6 the acting-surface sentence itself: 'one continuous surface of unworked earth ... and rounded natural fieldstone and river cobbles half-buried in it'; Q11 impact_receives as a per-tier dict, and the band-escalating subject noun (one piece / several moving together / the shape of the terrain); Q10
BRD_0044ROW:tremor-stomp-earth-t1-impactMIXED2PICKED. Verified at 1344: a crack opened down the full height of a mud-brick wall with a wedge of brick displaced, dust puffing at its foot and a spill of soil at the base, the caster at the frame edge seen from behind. The receiver takes the VERB, the acting surface is stamped earth, straw and halfQ7 the period anchor: 'Everything built or made in this frame is hand-worked from sun-dried mud brick, lime plaster, undressed fieldstone, split timber, thatch and plain iron'; Q10 'plain undyed working clothes: a straight-sleeved pullover shirt with its sleeves pushed back above the elbows, straigh
BRD_0045ROW:tremor-stomp-earth-t5-castREGENERATE_ALLThe effect is right and the world is not: a tall twisting column of dust with a clod at its top rising out of a cobble-ringed crater, a real escalation over the novice clod. Verified at 1344 on candidate 2, the frame also carries a neat stacked pier of fired bricks, a stack of machine-sawn planks, aQ6 the acting-surface sentence itself: 'one continuous surface of unworked earth ... and rounded natural fieldstone and river cobbles half-buried in it'; Q7 the period anchor: 'Everything built or made in this frame is hand-worked from sun-dried mud brick, lime plaster, undressed fieldstone, split t
BRD_0045ROW:tremor-stomp-earth-t5-impactMIXED3PICKED. Verified at 1344: the same wall one rung up -- the crack now runs the full height AND a whole panel of lime plaster has shed off it and hangs, with rubble at the foot and the courses opened behind. deciding axis LAW: the adept rung of the band-complete ladder, and the escalation from Y0024 iQ7 the period anchor: 'Everything built or made in this frame is hand-worked from sun-dried mud brick, lime plaster, undressed fieldstone, split timber, thatch and plain iron'; Q10 'plain undyed working clothes: a straight-sleeved pullover shirt with its sleeves pushed back above the elbows, straigh
BRD_0045ROW:tremor-stomp-earth-t8-castREGENERATE_ALLDISQUALIFIED ON THE ACTING SURFACE: the mastery crater is cut through a bed of flat CUT SLABS laid in courses, on 4 of 4, and candidate 3 is a stack of dressed slabs at the crater lip. The one clause the whole regeneration was written to enforce is contradicted by the effect's own rim. The crater isQ6 the acting-surface sentence itself: 'one continuous surface of unworked earth ... and rounded natural fieldstone and river cobbles half-buried in it'; Q11 impact_receives as a per-tier dict, and the band-escalating subject noun (one piece / several moving together / the shape of the terrain); Q10
BRD_0045ROW:tremor-stomp-earth-t8-impactMIXED4PICKED. Verified at 1344: the same wall two rungs up -- a whole section has come down, brick and mud rubble spilling forward, the cobble coping tumbled, the plain running away past the breach. deciding axis LAW: the mastery rung of the band-complete ladder. Crack, then crack plus shed plaster, then Q7 the period anchor: 'Everything built or made in this frame is hand-worked from sun-dried mud brick, lime plaster, undressed fieldstone, split timber, thatch and plain iron'; Q10 'plain undyed working clothes: a straight-sleeved pullover shirt with its sleeves pushed back above the elbows, straigh
BRD_0045ROW:rock-throw-earth-t1-castMIXED2PICKED. Verified at 1344: two clods of dry earth suspended above a small cobble-ringed crater with soil streaming off the lower one, the caster at the frame edge seen from behind with his hand open, empty and a body-width clear of the material. deciding axis LAW: the separation renders untouched at Q14 P3's fix text itself -- 'standing a full stride out from two open, still, empty hands' -- now inside the EFFECT's own subject noun phrase; Q6 the acting-surface sentence itself: 'one continuous surface of unworked earth ... and rounded natural fieldstone and river cobbles half-buried in it'; Q10
BRD_0045ROW:rock-throw-earth-t1-impactREGENERATE_ALLNEAR MISS, disqualified on the receiver's own fabric. Verified at 1344 on candidate 2: a rammed earth wall punched through with earth spilling and dust rising, which is the right impact at the right scale -- and the wall's top plate is a machine-sawn beam carrying a row of protruding square-headed BQ7 the period anchor: 'Everything built or made in this frame is hand-worked from sun-dried mud brick, lime plaster, undressed fieldstone, split timber, thatch and plain iron'; Q10 'plain undyed working clothes: a straight-sleeved pullover shirt with its sleeves pushed back above the elbows, straigh
BRD_0045ROW:rock-throw-earth-t5-castMIXED2THE PICK OF THE GENERATION, verified at 1344px. A pale cracked limestone mass hangs in open air with wet dark soil clinging to its underside and loose grit and clods dropping from it in a visible fall-line, over the torn open socket it came out of with dust standing in the pit. The caster stands at P4 'the frame's top edge sits at the collarbone', an invariant of the class, against the band_camera authored beside it
BRD_0045ROW:rock-throw-earth-t5-impactREGENERATE_ALLDisqualified on the same class as Y0030 and verified at 1344: the timber rails through the punctured wall carry regular round bolt heads and machine-drilled holes in three places. The hole is also barely larger than the novice rung's, so the adept step of the impact ladder is the weakest of its threQ7 the period anchor: 'Everything built or made in this frame is hand-worked from sun-dried mud brick, lime plaster, undressed fieldstone, split timber, thatch and plain iron'; Q10 'plain undyed working clothes: a straight-sleeved pullover shirt with its sleeves pushed back above the elbows, straigh
BRD_0045ROW:rock-throw-earth-t8-castMIXED3PICKED. Verified at 1344: three masses moving together above an open crater -- a large central one with a fresh split face and earth hanging under it, and two smaller ones flanking -- with the caster at the frame edge, hand empty and clear. deciding axis TIER: the mastery rung of the Rock Throw castQ6 the acting-surface sentence itself: 'one continuous surface of unworked earth ... and rounded natural fieldstone and river cobbles half-buried in it'; Q10 'plain undyed working clothes: a straight-sleeved pullover shirt with its sleeves pushed back above the elbows, straight-cut trousers and flat
BRD_0045ROW:rock-throw-earth-t8-impactMIXED4PICKED. Verified at 1344: a thatched mud-brick building with a whole section blown out, timber framing splintered, dust billowing through the breach and rubble across the ground. deciding axis TIER: the mastery rung of the Rock Throw impact ladder and a legible escalation over a puncture and a hole.Q7 the period anchor: 'Everything built or made in this frame is hand-worked from sun-dried mud brick, lime plaster, undressed fieldstone, split timber, thatch and plain iron'; Q10 'plain undyed working clothes: a straight-sleeved pullover shirt with its sleeves pushed back above the elbows, straigh
BRD_0045ROW:stone-wall-earth-t5-castREGENERATE_ALLThe barrier renders as a row of separate stacked BRICK PIERS with gaps between them on 4 of 4 -- built masonry, not lifted ground, and standing already built rather than rising. Candidate 3 is the only one that reads as slabs raised out of the earth, and its slabs are rectangular and dressed.Q15 Stone Wall's own plate_subject, which names a WALL; Q11 impact_receives as a per-tier dict, and the band-escalating subject noun (one piece / several moving together / the shape of the terrain); Q10 'plain undyed working clothes: a straight-sleeved pullover shirt with its sleeves pushed back abo
BRD_0045ROW:stone-wall-earth-t5-impactREGENERATE_ALLNothing arrives on any candidate. Candidates 2 and 3 render the wall as a mud panel carrying a regular grid of round holes, which is a dovecote; candidate 1 is a mud-brick building with a doorway and no event at all.Q15 Stone Wall's own plate_subject, which names a WALL; Q5 no clause -- these rows dispatch a subject, a form, a light sentence and four beats, and the beat the plate exists to brief is absent from every candidate; Q11 impact_receives as a per-tier dict, and the band-escalating subject noun (one pie
BRD_0046ROW:stone-wall-earth-t8-castREGENERATE_ALLTHE MOST EXPLICIT LAID-IN-COURSES FAILURE IN THE SET: the mastery Stone Wall is a single course of bricks laid end to end along a field edge running to the horizon, 4 of 4, knee high, with the caster standing ON it on candidate 2. The acting-surface sentence bans exactly this from the ground and theQ15 Stone Wall's own plate_subject, which names a WALL; Q6 the acting-surface sentence itself: 'one continuous surface of unworked earth ... and rounded natural fieldstone and river cobbles half-buried in it'; Q5 no clause -- these rows dispatch a subject, a form, a light sentence and four beats, an
BRD_0046ROW:stone-wall-earth-t8-impactREGENERATE_ALLThe same brick line with nothing happening to it and a man walking away along it, 4 of 4. Cast and impact are one picture, and neither carries a barrier.Q15 Stone Wall's own plate_subject, which names a WALL; Q6 the acting-surface sentence itself: 'one continuous surface of unworked earth ... and rounded natural fieldstone and river cobbles half-buried in it'; Q5 no clause -- these rows dispatch a subject, a form, a light sentence and four beats, an
BRD_0046ROW:earth-grip-earth-t5-castREGENERATE_ALLNo effect on any candidate: a standing man from behind with four seated bystanders whose faces are fully legible, 4 of 4, on a protected board. The ground around his feet is broken flat flagstones on 3 of 4.Q3 the worn_on_body recipient clause, whose anonymity instruction is a DISJUNCTION: 'each of them is either turned away from the camera OR looking down at their own laid-out forearm'; Q4 the worn_on_body staging clause's recipient sentence -- 'Anyone else in frame is receiving the effect ... they si
BRD_0046ROW:earth-grip-earth-t5-impactREGENERATE_ALLIdentical to Y0039 with no arrival. Three to four legible faces on 4 of 4. Candidate 1 lays a dark metal bar and a stack of fired bricks on the ground.Q3 the worn_on_body recipient clause, whose anonymity instruction is a DISJUNCTION: 'each of them is either turned away from the camera OR looking down at their own laid-out forearm'; Q4 the worn_on_body staging clause's recipient sentence -- 'Anyone else in frame is receiving the effect ... they si
BRD_0046ROW:earth-grip-earth-t8-castREGENERATE_ALLSIX seated adults with fully legible faces on candidates 1 and 4, five on candidate 2, four on candidate 3 -- the highest legible-face count in the generation, on a protected board, for an ability that touches nobody. No effect on any candidate.Q3 the worn_on_body recipient clause, whose anonymity instruction is a DISJUNCTION: 'each of them is either turned away from the camera OR looking down at their own laid-out forearm'; Q4 the worn_on_body staging clause's recipient sentence -- 'Anyone else in frame is receiving the effect ... they si
BRD_0046ROW:earth-grip-earth-t8-impactREGENERATE_ALLIdentical to Y0041. Four rows and sixteen candidates of Earth Grip contain no instance of the ability and sixty-odd legible faces.Q3 the worn_on_body recipient clause, whose anonymity instruction is a DISJUNCTION: 'each of them is either turned away from the camera OR looking down at their own laid-out forearm'; Q4 the worn_on_body staging clause's recipient sentence -- 'Anyone else in frame is receiving the effect ... they si
BRD_0046ROW:ember-strike-fire-t1-castREGENERATE_ALLThe blade reads on 3 of 4 -- flame running along a held blade, which is this ability's own canon and the one instrument the set is right to carry. The scale is an adept event on a novice row. Candidate 1's background carries grey concrete blockwork and stacked dark metal sheets; candidates 2 to 4 stQ7 the period anchor: 'Everything built or made in this frame is hand-worked from sun-dried mud brick, lime plaster, undressed fieldstone, split timber, thatch and plain iron'; Q11 impact_receives as a per-tier dict, and the band-escalating subject noun (one piece / several moving together / the sha
BRD_0046ROW:ember-strike-fire-t1-impactREGENERATE_ALLThe impact renders as a CAMPFIRE -- burning logs in a stone ring on 4 of 4 -- so the beat reads as a fire somebody lit rather than as a strike landing. Backgrounds are neat coursed fired brick on 3 of 4. Candidates 1 and 2 crop the caster's head off at the shoulders.Q7 the period anchor: 'Everything built or made in this frame is hand-worked from sun-dried mud brick, lime plaster, undressed fieldstone, split timber, thatch and plain iron'; Q10 'plain undyed working clothes: a straight-sleeved pullover shirt with its sleeves pushed back above the elbows, straigh
BRD_0046ROW:ember-strike-fire-t5-castREGENERATE_ALLThe blade is unstable across the four: a knife on candidate 2, a GILDED BROADSWORD with a crossguard on candidate 3, and a flat pale plank on candidate 4. The adept flame is no larger than the novice flame. Candidate 3's background carries a modern flat-roofed pale building.Q7 the period anchor: 'Everything built or made in this frame is hand-worked from sun-dried mud brick, lime plaster, undressed fieldstone, split timber, thatch and plain iron'; Q11 impact_receives as a per-tier dict, and the band-escalating subject noun (one piece / several moving together / the sha
BRD_0046ROW:ember-strike-fire-t5-impactREGENERATE_ALLA burning line of charcoal running away along the ground on 4 of 4 -- a genuine escalation over the campfire, and the impact ladder's real middle rung. Disqualified on the acting surface: a laid cobble kerb runs along the burning trench on 4 of 4 and candidate 1 sets a cobbled pavement beside it. CaQ6 the acting-surface sentence itself: 'one continuous surface of unworked earth ... and rounded natural fieldstone and river cobbles half-buried in it'; Q7 the period anchor: 'Everything built or made in this frame is hand-worked from sun-dried mud brick, lime plaster, undressed fieldstone, split t
BRD_0046ROW:ember-strike-fire-t8-castREGENERATE_ALLThe mastery read is exactly the authored one -- a burning line running to the horizon across ploughed ground, 4 of 4 -- and it is bedded in a kerbed trench that reads as a permanent work, with a dark steel RAIL visible under the flame on candidates 3 and 4. A burning line plus a ballasted bed mints Q6 the acting-surface sentence itself: 'one continuous surface of unworked earth ... and rounded natural fieldstone and river cobbles half-buried in it'; Q7 the period anchor: 'Everything built or made in this frame is hand-worked from sun-dried mud brick, lime plaster, undressed fieldstone, split t
BRD_0046ROW:ember-strike-fire-t8-impactREGENERATE_ALLA wall alight along its whole length on 4 of 4, and candidate 4's every block outlined in flame along its joints is the best single Fire image of the generation. The wall reads as regular grey CONCRETE BLOCKWORK on candidates 1 and 3 and as machine-regular yellow brick on candidate 1's pier. A circuQ7 the period anchor: 'Everything built or made in this frame is hand-worked from sun-dried mud brick, lime plaster, undressed fieldstone, split timber, thatch and plain iron'; Q6 the acting-surface sentence itself: 'one continuous surface of unworked earth ... and rounded natural fieldstone and riv
BRD_0047ROW:fire-bolt-fire-t1-castREGENERATE_ALLBLOCK. Verified at 1344 on candidate 4: a complete human figure -- head, shoulders, torso, both arms, both legs -- standing fully engulfed in flame inside a stone fire ring while the caster watches from the right. Candidate 3 is a standing adult whose head and shoulders are a torch. 2 of 4, and worsQ2 the Fire family's affirmative light sentence, which names COMBUSTION WITH VISIBLE FUEL and, on the four rows that carry no fuel noun, names no fuel; Q12 the Fire impact_receives escalation and the Heat Aura radiant channel clause; Q7 the period anchor: 'Everything built or made in this frame is h
BRD_0047ROW:fire-bolt-fire-t1-impactREGENERATE_ALLBLOCK. Verified at 1344: a geometrically exact ring of charred, glowing material with flame around its entire circumference standing on an otherwise undamaged wall, 4 of 4 -- a magic circle by construction, and the purest hit on the light law's banned classes in four generations. The wall behind it Q12 the Fire impact_receives escalation and the Heat Aura radiant channel clause; Q7 the period anchor: 'Everything built or made in this frame is hand-worked from sun-dried mud brick, lime plaster, undressed fieldstone, split timber, thatch and plain iron'; Q10 'plain undyed working clothes: a stra
BRD_0047ROW:fire-bolt-fire-t5-castREGENERATE_ALLBLOCK, and the worst row of the generation. Verified at 1344: a standing adult seen from behind with a column of flame rising from each open hand and a third rising where the head is, the head not visible behind it, on 4 of 4. The build-time closure that declared this class unrepresentable did not tQ2 the Fire family's affirmative light sentence, which names COMBUSTION WITH VISIBLE FUEL and, on the four rows that carry no fuel noun, names no fuel; Q11 impact_receives as a per-tier dict, and the band-escalating subject noun (one piece / several moving together / the shape of the terrain); Q10 '
BRD_0047ROW:fire-bolt-fire-t5-impactREGENERATE_ALLThree rectangular panels burning in a wall on 4 of 4, reading as burning shutters rather than as an arriving bolt. The wall is pale rectangular blockwork with a cobble plinth on candidates 1 and 3.Q7 the period anchor: 'Everything built or made in this frame is hand-worked from sun-dried mud brick, lime plaster, undressed fieldstone, split timber, thatch and plain iron'; Q11 impact_receives as a per-tier dict, and the band-escalating subject noun (one piece / several moving together / the sha
BRD_0047ROW:fire-bolt-fire-t8-castREGENERATE_ALLThe one genuine improvement in the Fire family: generation 3's engulfed man is gone from this row entirely. What replaces it is Ember Strike's mastery picture -- a burning line along a stone-edged trench running to the horizon, 4 of 4 -- so two different abilities now render the same frame at their Q6 the acting-surface sentence itself: 'one continuous surface of unworked earth ... and rounded natural fieldstone and river cobbles half-buried in it'; Q7 the period anchor: 'Everything built or made in this frame is hand-worked from sun-dried mud brick, lime plaster, undressed fieldstone, split t
BRD_0047ROW:fire-bolt-fire-t8-impactREGENERATE_ALLThe burning material is a BLACK SYNTHETIC SHEET stretched along the wall on 4 of 4 -- polyethylene or a bitumen membrane, and the hardest single material anachronism in the set, burning as the subject of the plate. Candidate 3's wall is machine-regular yellow brick with a straight coping.Q7 the period anchor: 'Everything built or made in this frame is hand-worked from sun-dried mud brick, lime plaster, undressed fieldstone, split timber, thatch and plain iron'; Q11 impact_receives as a per-tier dict, and the band-escalating subject noun (one piece / several moving together / the sha
BRD_0047ROW:heat-aura-fire-t5-castREGENERATE_ALLBLOCK on two law classes at once. The flame issues from the caster's own outstretched open hand on 2 of 4, and on the other 2 it is a band of flame standing in the air across his torso with nothing burning in it -- the banned class stated word for word. Four to six seated bystanders with fully legibQ2 the Fire family's affirmative light sentence, which names COMBUSTION WITH VISIBLE FUEL and, on the four rows that carry no fuel noun, names no fuel; Q3 the worn_on_body recipient clause, whose anonymity instruction is a DISJUNCTION: 'each of them is either turned away from the camera OR looking d
BRD_0047ROW:heat-aura-fire-t5-impactREGENERATE_ALLThe impact renders as a burning wooden POST with the caster's bare hand on it, unharmed, on 2 of 4. Three to six seated bystanders with legible faces on 4 of 4, and candidate 2 puts one of them in a modern peaked cap.Q2 the Fire family's affirmative light sentence, which names COMBUSTION WITH VISIBLE FUEL and, on the four rows that carry no fuel noun, names no fuel; Q3 the worn_on_body recipient clause, whose anonymity instruction is a DISJUNCTION: 'each of them is either turned away from the camera OR looking d
BRD_0047ROW:heat-aura-fire-t8-castREGENERATE_ALLTHE POSITIVE CONTROL FOR Q2, and it proves the mechanism rather than the fix: generation 3's column of flame out of a standing adult's head and back is gone from this row, 4 of 4 -- and what replaced it is a BONFIRE in a stone ring, which is to say the row closed by supplying fuel and losing the abiQ3 the worn_on_body recipient clause, whose anonymity instruction is a DISJUNCTION: 'each of them is either turned away from the camera OR looking down at their own laid-out forearm'; Q4 the worn_on_body staging clause's recipient sentence -- 'Anyone else in frame is receiving the effect ... they si
BRD_0047ROW:heat-aura-fire-t8-impactREGENERATE_ALLBurning posts again with the caster's hand at them on 2 of 4, and four seated bystanders with legible faces on 4 of 4. Indistinguishable from Y0056, so Heat Aura's two impact rows are one picture as well.Q2 the Fire family's affirmative light sentence, which names COMBUSTION WITH VISIBLE FUEL and, on the four rows that carry no fuel noun, names no fuel; Q3 the worn_on_body recipient clause, whose anonymity instruction is a DISJUNCTION: 'each of them is either turned away from the camera OR looking d
BRD_0047ROW:entrance-ether-throat-t1-castREGENERATE_ALLThe people_present class working nearly as authored: a lime-plastered room with a cobble dado and a stamped-earth floor, two seated adults and one standing, every one seen from behind on 3 of 4. Candidate 4 casts a large human SHADOW on the wall beside the still one, which is the closest any candidaQ3 the worn_on_body recipient clause, whose anonymity instruction is a DISJUNCTION: 'each of them is either turned away from the camera OR looking down at their own laid-out forearm'; Q11 impact_receives as a per-tier dict, and the band-escalating subject noun (one piece / several moving together /
BRD_0047ROW:entrance-ether-throat-t1-impactREGENERATE_ALLZero legible faces on candidates 3 and 4 and one apiece on candidates 1 and 2. Nothing happens on any of them: three or four adults at work in a room, and no arrival, no reaction and no distinguishable still one.Q3 the worn_on_body recipient clause, whose anonymity instruction is a DISJUNCTION: 'each of them is either turned away from the camera OR looking down at their own laid-out forearm'; Q5 no clause -- these rows dispatch a subject, a form, a light sentence and four beats, and the beat the plate exist
BRD_0048ROW:entrance-ether-throat-t5-castREGENERATE_ALLFour or five adults at work, almost all seen from behind, one legible face apiece on candidates 3 and 4. The register is among the best in the set -- mud plaster, a fieldstone dado, a timber and reed ceiling -- and candidate 3 stands a dark glass bottle with a cap on the bench. The ability is absentQ3 the worn_on_body recipient clause, whose anonymity instruction is a DISJUNCTION: 'each of them is either turned away from the camera OR looking down at their own laid-out forearm'; Q5 no clause -- these rows dispatch a subject, a form, a light sentence and four beats, and the beat the plate exist
BRD_0048ROW:entrance-ether-throat-t5-impactREGENERATE_ALLZERO LEGIBLE FACES ON 4 OF 4 -- the anonymity fix holding exactly as authored, on the class that dispatches it without a second branch. Nothing else works: no ability on any candidate, a flagged stone floor on candidates 1 and 2, and a modern CEILING FAN with an electrical conduit on candidates 1 anQ5 no clause -- these rows dispatch a subject, a form, a light sentence and four beats, and the beat the plate exists to brief is absent from every candidate; Q6 the acting-surface sentence itself: 'one continuous surface of unworked earth ... and rounded natural fieldstone and river cobbles half-bu
BRD_0048ROW:entrance-ether-throat-t8-castREGENERATE_ALLTHE BEST-CRAFTED PLATE OF THE GENERATION AND NOT A PICK. Verified at 1344 on candidate 4: a lime-plastered room with a reed-and-timber ceiling, an irregular fieldstone dado, a stamped earth floor scuffed with footprints, a reed mat and timber benches; three adults, every one seen from behind; zero lQ5 no clause -- these rows dispatch a subject, a form, a light sentence and four beats, and the beat the plate exists to brief is absent from every candidate; Q11 impact_receives as a per-tier dict, and the band-escalating subject noun (one piece / several moving together / the shape of the terrain)
BRD_0048ROW:entrance-ether-throat-t8-impactMIXED2THE THIRD PICK, verified at 1344px, and the one seat whose law is that NOTHING VISIBLE IS ADDED -- delivered exactly. Nine adults sit cross-legged on a stamped-earth floor in a half-circle, every one of them seen from behind, all oriented on one standing figure who is also seen from behind against aP10 the garment's asserted CUT, against a subject that assembles a rite
BRD_0048ROW:cloaking-ether-throat-t1-castREGENERATE_ALLZero legible faces on 4 of 4. The still one is faintly desaturated against the wall on candidate 3, which is the only trace of Cloaking anywhere in its six rows. The wall is a saturated yellow-green emulsion on candidates 1 and 2 where the law says lime plaster, and candidate 3 hangs a modern louvreQ11 impact_receives as a per-tier dict, and the band-escalating subject noun (one piece / several moving together / the shape of the terrain); Q7 the period anchor: 'Everything built or made in this frame is hand-worked from sun-dried mud brick, lime plaster, undressed fieldstone, split timber, that
BRD_0048ROW:cloaking-ether-throat-t1-impactREGENERATE_ALLZero legible faces on 4 of 4, excellent register -- mud plaster, fieldstone dado, reed mats, a wicker basket -- and no ability on any candidate. Candidate 3 has a figure writing on a sheet with a pen.Q5 no clause -- these rows dispatch a subject, a form, a light sentence and four beats, and the beat the plate exists to brief is absent from every candidate; Q7 the period anchor: 'Everything built or made in this frame is hand-worked from sun-dried mud brick, lime plaster, undressed fieldstone, sp
BRD_0048ROW:cloaking-ether-throat-t5-castREGENERATE_ALLZero legible faces on 4 of 4 and no ability. A laid FLAGSTONE FLOOR of fitted flat slabs covers the whole room on candidates 1 and 2; candidate 2's dado is red fired brick in regular courses and candidate 3's door is a modern panelled one.Q6 the acting-surface sentence itself: 'one continuous surface of unworked earth ... and rounded natural fieldstone and river cobbles half-buried in it'; Q7 the period anchor: 'Everything built or made in this frame is hand-worked from sun-dried mud brick, lime plaster, undressed fieldstone, split t
BRD_0048ROW:cloaking-ether-throat-t5-impactREGENERATE_ALLZero legible faces on 4 of 4 and nothing happening. Indistinguishable from Y0066 and Y0070: twelve Ether-Throat rows and forty-eight candidates are one composition -- a plain room, a bench, three adults from behind and a bright doorway.Q5 no clause -- these rows dispatch a subject, a form, a light sentence and four beats, and the beat the plate exists to brief is absent from every candidate; Q11 impact_receives as a per-tier dict, and the band-escalating subject noun (one piece / several moving together / the shape of the terrain)
BRD_0048ROW:cloaking-ether-throat-t8-castREGENERATE_ALLZero legible faces on 4 of 4. Candidate 4 stands a CLEAR PLASTIC BOTTLE WITH A WHITE CAP on the bench and candidate 3 a smaller one; candidates 1 and 2 set a modern square-barred metal grille in the window; candidates 3 and 4 use the saturated yellow-green emulsion again.Q5 no clause -- these rows dispatch a subject, a form, a light sentence and four beats, and the beat the plate exists to brief is absent from every candidate; Q7 the period anchor: 'Everything built or made in this frame is hand-worked from sun-dried mud brick, lime plaster, undressed fieldstone, sp
BRD_0048ROW:cloaking-ether-throat-t8-impactREGENERATE_ALLZero legible faces on 4 of 4. A bare PENDANT ELECTRIC BULB hangs from the ceiling beam on candidates 1 and 4, and flat grey slate tiles are laid across the earth floor on 4 of 4. No ability.Q5 no clause -- these rows dispatch a subject, a form, a light sentence and four beats, and the beat the plate exists to brief is absent from every candidate; Q6 the acting-surface sentence itself: 'one continuous surface of unworked earth ... and rounded natural fieldstone and river cobbles half-bu
BRD_0048ROW:water-whip-water-t1-castREGENERATE_ALLWater runs off the fingertips into a puddle on 4 of 4 -- unchanged from generation 3, and the whip is nowhere. The background is a seamless mid-grey field with the visible curved seam of a STUDIO INFINITY COVE on candidates 1 and 4. Fired brick fragments on the acting surface. The frame crops the caQ1 the carried-material subject line, which now names the hands as open, still and EMPTY and states the distance itself instead of delegating it to a tail clause; Q8 the family plate_setting's tail: 'with a mid-grey neutral background beyond the acting surface'; Q6 the acting-surface sentence itself
BRD_0048ROW:water-whip-water-t1-impactREGENERATE_ALLWater pours over a wall like a weir on 4 of 4, which does read as arrival. The wall is dark fired brick in regular courses under a grey concrete coping slab on candidates 1 and 4, with a metal channel at the spill point on candidate 1 -- the whole thing reads as a drainage overflow.Q7 the period anchor: 'Everything built or made in this frame is hand-worked from sun-dried mud brick, lime plaster, undressed fieldstone, split timber, thatch and plain iron'; Q11 impact_receives as a per-tier dict, and the band-escalating subject noun (one piece / several moving together / the sha
BRD_0049ROW:water-whip-water-t5-castREGENERATE_ALLWater drips from both hands into a puddle on 4 of 4, and candidate 3's parabola off an open palm is unmistakably a hand pouring. No escalation over the novice rung at all. Candidate 4 puts a second unbriefed figure in frame; candidates 1 to 3 render the studio grey field; a neat row of fired bricks Q1 the carried-material subject line, which now names the hands as open, still and EMPTY and states the distance itself instead of delegating it to a tail clause; Q8 the family plate_setting's tail: 'with a mid-grey neutral background beyond the acting surface'; Q6 the acting-surface sentence itself
BRD_0049ROW:water-whip-water-t5-impactREGENERATE_ALLThe receiving wall is a black synthetic tarpaulin on candidates 1 and 2, regular concrete blockwork on candidate 3 and a rusted steel I-beam on candidate 4 -- four candidates, four modern manufactured materials, on the surface the water arrives at.Q7 the period anchor: 'Everything built or made in this frame is hand-worked from sun-dried mud brick, lime plaster, undressed fieldstone, split timber, thatch and plain iron'; Q11 impact_receives as a per-tier dict, and the band-escalating subject noun (one piece / several moving together / the sha
BRD_0049ROW:water-whip-water-t8-castREGENERATE_ALLNothing happens on any candidate: a man standing in a shallow puddle in a ploughed plain. Candidate 3's straight irrigation ditch to the horizon reads as agriculture rather than as an ability. Fired bricks ring the crater on candidate 2 and lie along the ditch on candidate 4.Q5 no clause -- these rows dispatch a subject, a form, a light sentence and four beats, and the beat the plate exists to brief is absent from every candidate; Q6 the acting-surface sentence itself: 'one continuous surface of unworked earth ... and rounded natural fieldstone and river cobbles half-bu
BRD_0049ROW:water-whip-water-t8-impactREGENERATE_ALLA wet patch and a dark stain down a wall, 4 of 4, which is an aftermath and not an impact. The wall is regular concrete blockwork on candidates 1 and 3.Q7 the period anchor: 'Everything built or made in this frame is hand-worked from sun-dried mud brick, lime plaster, undressed fieldstone, split timber, thatch and plain iron'; Q11 impact_receives as a per-tier dict, and the band-escalating subject noun (one piece / several moving together / the sha
BRD_0049ROW:fluid-dodge-water-t1-castREGENERATE_ALLWater off the fingertips on 4 of 4 and no dodge anywhere: the ability is a movement and nothing in frame moves. The frame crops the caster at the neck on 4 of 4, which reads as a headless torso. Candidate 1 stacks a modern brick pier and renders the studio grey field.Q1 the carried-material subject line, which now names the hands as open, still and EMPTY and states the distance itself instead of delegating it to a tail clause; Q8 the family plate_setting's tail: 'with a mid-grey neutral background beyond the acting surface'; Q6 the acting-surface sentence itself
BRD_0049ROW:fluid-dodge-water-t1-impactREGENERATE_ALLA man walking along a cobble-LINED irrigation channel with no effect of any kind, 4 of 4. The cobble lining is continuous and deliberate, which is a built channel. Candidate 3 shows the studio flat behind.Q5 no clause -- these rows dispatch a subject, a form, a light sentence and four beats, and the beat the plate exists to brief is absent from every candidate; Q8 the family plate_setting's tail: 'with a mid-grey neutral background beyond the acting surface'; Q6 the acting-surface sentence itself: 'o
BRD_0049ROW:fluid-dodge-water-t5-castREGENERATE_ALLNothing happens on any candidate. Candidate 4 stacks fired bricks in a neat modern pallet behind the puddle and candidate 1 lays one in it.Q5 no clause -- these rows dispatch a subject, a form, a light sentence and four beats, and the beat the plate exists to brief is absent from every candidate; Q6 the acting-surface sentence itself: 'one continuous surface of unworked earth ... and rounded natural fieldstone and river cobbles half-bu
BRD_0049ROW:fluid-dodge-water-t5-impactREGENERATE_ALLIdentical to Y0078 with nothing arriving. Candidate 3's buildings read as flat-roofed rural sheds with rectangular openings and a painted door.Q5 no clause -- these rows dispatch a subject, a form, a light sentence and four beats, and the beat the plate exists to brief is absent from every candidate; Q6 the acting-surface sentence itself: 'one continuous surface of unworked earth ... and rounded natural fieldstone and river cobbles half-bu
BRD_0049ROW:fluid-dodge-water-t8-castREGENERATE_ALLThe mastery rung is the novice rung: water off the fingers at a round puddle in a plain, 4 of 4, with fired bricks ringing it on candidate 1 and the caster cropped at the neck on 4 of 4.Q1 the carried-material subject line, which now names the hands as open, still and EMPTY and states the distance itself instead of delegating it to a tail clause; Q5 no clause -- these rows dispatch a subject, a form, a light sentence and four beats, and the beat the plate exists to brief is absent
BRD_0049ROW:fluid-dodge-water-t8-impactREGENERATE_ALLA man walking along the cobble-lined channel again with no event, 4 of 4. Six Fluid Dodge rows and twenty-four candidates contain no instance of the ability.Q5 no clause -- these rows dispatch a subject, a form, a light sentence and four beats, and the beat the plate exists to brief is absent from every candidate; Q6 the acting-surface sentence itself: 'one continuous surface of unworked earth ... and rounded natural fieldstone and river cobbles half-bu
BRD_0049ROW:mist-screen-water-t1-castREGENERATE_ALLMist genuinely reads: a low fog bank behind the caster on 4 of 4, which is the ability. Candidate 2 puts a second figure in frame FACING THE CAMERA with a fully legible face on a clause that names one adult at the frame edge. Fired brick fragments on 4 of 4, a blue plastic shard on candidate 4, and Q6 the acting-surface sentence itself: 'one continuous surface of unworked earth ... and rounded natural fieldstone and river cobbles half-buried in it'; Q7 the period anchor: 'Everything built or made in this frame is hand-worked from sun-dried mud brick, lime plaster, undressed fieldstone, split t
BRD_0049ROW:mist-screen-water-t1-impactREGENERATE_ALLFaint haze and no arrival, 4 of 4. Candidates 3 and 4 stack fired bricks in a neat row along the field and candidate 3 drops an orange plastic cap on the ground.Q5 no clause -- these rows dispatch a subject, a form, a light sentence and four beats, and the beat the plate exists to brief is absent from every candidate; Q6 the acting-surface sentence itself: 'one continuous surface of unworked earth ... and rounded natural fieldstone and river cobbles half-bu
BRD_0050ROW:mist-screen-water-t5-castREGENERATE_ALLThe thickest mist in the set, across the whole middle distance on 4 of 4, over clean unworked ground -- and the caster is cropped at the neck on 4 of 4 and is doing nothing, so the plate briefs weather rather than a cast. A fired brick on candidate 1.Q6 the acting-surface sentence itself: 'one continuous surface of unworked earth ... and rounded natural fieldstone and river cobbles half-buried in it'; Q11 impact_receives as a per-tier dict, and the band-escalating subject noun (one piece / several moving together / the shape of the terrain); Q10
BRD_0050ROW:mist-screen-water-t5-impactREGENERATE_ALLA wisp of mist at a doorway on 2 of 4 and nothing on the other two. Candidates 1 and 3 roof the building in CORRUGATED METAL SHEET with a fascia, over a poured threshold slab.Q5 no clause -- these rows dispatch a subject, a form, a light sentence and four beats, and the beat the plate exists to brief is absent from every candidate; Q7 the period anchor: 'Everything built or made in this frame is hand-worked from sun-dried mud brick, lime plaster, undressed fieldstone, sp
BRD_0050ROW:mist-screen-water-t8-castREGENERATE_ALLA fog bank across a ploughed plain on 4 of 4, which is the mastery read, with a long row of neatly stacked FIRED BRICKS running along the field on 4 of 4 and the caster doing nothing.Q6 the acting-surface sentence itself: 'one continuous surface of unworked earth ... and rounded natural fieldstone and river cobbles half-buried in it'; Q11 impact_receives as a per-tier dict, and the band-escalating subject noun (one piece / several moving together / the shape of the terrain)
BRD_0050ROW:mist-screen-water-t8-impactREGENERATE_ALLTHE WORST REGISTER ROW OF THE SET: a long agricultural shed with a CORRUGATED METAL ROOF and machine-made yellow brick walls fills the frame on 4 of 4, with a laid cobble path running through the field, and no mist, no impact and no ability anywhere.Q5 no clause -- these rows dispatch a subject, a form, a light sentence and four beats, and the beat the plate exists to brief is absent from every candidate; Q7 the period anchor: 'Everything built or made in this frame is hand-worked from sun-dried mud brick, lime plaster, undressed fieldstone, sp
BRD_0050ROW:cool-surge-water-t5-castREGENERATE_ALLThe ability reads clearly -- a rimed pool with a white ice crust at its edge on 4 of 4 -- and the world around it is a modern builder's yard: a wall of machine-made buff facing brick with visible CORING PERFORATIONS on 3 of 4, a smooth grey PVC pipe on the ground on candidate 3, sawn timber on candiQ6 the acting-surface sentence itself: 'one continuous surface of unworked earth ... and rounded natural fieldstone and river cobbles half-buried in it'; Q7 the period anchor: 'Everything built or made in this frame is hand-worked from sun-dried mud brick, lime plaster, undressed fieldstone, split t
BRD_0050ROW:cool-surge-water-t5-impactREGENERATE_ALLNo ice and no impact on any candidate. Candidates 3 and 4 roof the sheds in corrugated metal and hang a painted metal door; the ground is a formal cobble path laid in courses on 3 of 4.Q5 no clause -- these rows dispatch a subject, a form, a light sentence and four beats, and the beat the plate exists to brief is absent from every candidate; Q6 the acting-surface sentence itself: 'one continuous surface of unworked earth ... and rounded natural fieldstone and river cobbles half-bu
BRD_0050ROW:cool-surge-water-t8-castMIXED1PICKED. Verified at 1344: a sheet of ice across a whole channel running the width of the frame with its own optics -- wind-scour lines, refrozen ripples and a dark wet margin -- the caster standing on it seen from behind, a thatched mud-brick hut on the far bank and dry reed plain to the horizon. deQ7 the period anchor: 'Everything built or made in this frame is hand-worked from sun-dried mud brick, lime plaster, undressed fieldstone, split timber, thatch and plain iron'; Q10 'plain undyed working clothes: a straight-sleeved pullover shirt with its sleeves pushed back above the elbows, straigh
BRD_0050ROW:cool-surge-water-t8-impactREGENERATE_ALLA long white-rendered building under a corrugated metal roof fills the frame on 4 of 4, over a field of laid cobble rows, with a single patch of ice on candidate 2 as the only trace of the ability.Q5 no clause -- these rows dispatch a subject, a form, a light sentence and four beats, and the beat the plate exists to brief is absent from every candidate; Q7 the period anchor: 'Everything built or made in this frame is hand-worked from sun-dried mud brick, lime plaster, undressed fieldstone, sp
BRD_0050ROW:healing-current-water-t5-castREGENERATE_ALLBLOCK, and the most serious care finding of the generation. Verified at 1344 on candidate 2: a person lying supine in a muddy puddle, arms flung out with the palms up, eyes closed and mouth slightly open, a standing adult over them and three seated adults watching with folded hands. The face is fullQ13 'looking down at their own laid-out forearm' in the worn_on_body recipient clause, and the vril_spend_scaled intensity read that the cost shows on the caster; Q3 the worn_on_body recipient clause, whose anonymity instruction is a DISJUNCTION: 'each of them is either turned away from the camera O
BRD_0050ROW:healing-current-water-t5-impactREGENERATE_ALLThree to four fully legible faces on 4 of 4 on a protected board, heads bowed toward the camera. The background is a featureless mid-grey STUDIO field on 4 of 4 with no architecture at all. Blue plastic objects and a black tool on the ground on candidate 1; pale machine-made brick bench supports. NoQ3 the worn_on_body recipient clause, whose anonymity instruction is a DISJUNCTION: 'each of them is either turned away from the camera OR looking down at their own laid-out forearm'; Q5 no clause -- these rows dispatch a subject, a form, a light sentence and four beats, and the beat the plate exist
BRD_0050ROW:healing-current-water-t8-castREGENERATE_ALLThree legible faces on 3 of 4 and red raw wounds on the seated men's arms and the giver's forearms on 3 of 4. Candidate 2 is the counter-example: five figures ALL seen from behind, zero legible faces, no wounds -- and no ability either.Q3 the worn_on_body recipient clause, whose anonymity instruction is a DISJUNCTION: 'each of them is either turned away from the camera OR looking down at their own laid-out forearm'; Q13 'looking down at their own laid-out forearm' in the worn_on_body recipient clause, and the vril_spend_scaled int
BRD_0050ROW:healing-current-water-t8-impactREGENERATE_ALLZERO LEGIBLE FACES ON 4 OF 4 -- the only worn_on_body row in the set where the anonymity holds completely, and the direct positive control for the Q3 fix: every recipient and the giver are seen from behind with no second branch taken. Verified at 1344 on candidate 3. And the ABILITY IS ABSENT on allQ5 no clause -- these rows dispatch a subject, a form, a light sentence and four beats, and the beat the plate exists to brief is absent from every candidate; Q7 the period anchor: 'Everything built or made in this frame is hand-worked from sun-dried mud brick, lime plaster, undressed fieldstone, sp

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